
Anything Else
Jerry Falk (Jason Biggs) and David Dobel (Woody Allen), who meet at a business meeting, become fast friends. Their commonality is that they are both fledgling New York City based comedy writers, largely writing material for stand-ups, are Jewish (although David is an atheist), and are each of bundle of different neuroses. Their big difference is that Jerry is twenty-one, while David is sixty, with forty more years worth of life experience, knowledge, and neuroses. While Jerry writes full time - he is also working on a novel - David has kept his day job as a public school teacher just in case. In their relationship, David becomes somewhat of Jerry's mentor, providing advice on Jerry's life issues, most which revolve around the fact that Jerry is a product of inertia, having trouble leaving anyone. That's why Jerry's still with the only manager he's ever had, Harvey Wexler (Danny DeVito). Jerry not only being Harvey's only client (which is a testament to his effectiveness in the job), Harvey also has a twenty-five percent take as stipulated in their contract, which he wants to extend for another seven years. That's why Jerry is still in therapy with a psychiatrist who has done him no good, and who advised Jerry to stay in therapy with him as opposed to taking a job in Los Angeles, California. But that not being able to leave largely applies to his love life. Jerry already has one divorce. He is having problems with his current girlfriend Amanda (Christina Ricci), who he believes is the love of his life. He fell in love with her at first sight, when he was already in a cohabitational relationship with Brooke (KaDee Strickland), and Amanda dating Jerry's friend, Bob Stiles (Jimmy Fallon). Even after Jerry began sleeping with Amanda, he could not be up front with Brooke about the situation, leaving her to figure out his lies. What Jerry is unable or unwilling to see is that Amanda not only manipulates him, but that he focuses on the things between them that make them truly compatible, while disregarding those many more things which make them incompatible. What has made their relationship more difficult of late is that her mother, who is trying to find herself, has moved in with them in their small apartment. Despite David's unique view of life, he may be able to see Jerry and Amanda's relationship more clearly as an objective bystander. The question becomes how much of David's advice Jerry will take in its entirety.
The film struggled financially against its mid-range budget of $18.0M, earning $13.6M globally (-25% loss).
Plot Structure
Story beats plotted across runtime


Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Arcplot Score Breakdown
Weighted: Precision (70%) + Arc (15%) + Theme (15%)
Anything Else (2003) exemplifies precise plot construction, characteristic of Woody Allen's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 48 minutes. With an Arcplot score of 7.5, the film showcases strong structural fundamentals.
Characters
Cast & narrative archetypes

Jerry Falk

Amanda

David Dobel

Brooke

Harvey Wexler
Main Cast & Characters
Jerry Falk
Played by Jason Biggs
A neurotic young comedy writer struggling with his chaotic relationship and career in New York City.
Amanda
Played by Christina Ricci
Jerry's beautiful but erratic girlfriend who is manipulative, unfaithful, and emotionally unstable.
David Dobel
Played by Woody Allen
An eccentric, paranoid older comedy writer who mentors Jerry with dark philosophical rants about life and survival.
Brooke
Played by Christina Ricci
Jerry's agent's assistant, a smart and grounded young woman who represents a healthier romantic possibility.
Harvey Wexler
Played by Danny DeVito
Jerry's agent, a practical businessman who tries to guide Jerry's career despite his client's personal chaos.
Structural Analysis
The Status Quo at 1 minutes (1% through the runtime) establishes Jerry Falk walks through New York in voiceover, establishing his neurotic worldview as a struggling comedy writer stuck in an unfulfilling relationship with the volatile Amanda.. Of particular interest, this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 13 minutes when Jerry meets Brooke, Amanda's friend, and is immediately attracted to her warmth and intelligence - someone completely different from Amanda, sparking the possibility of change.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.
The First Threshold at 26 minutes marks the transition into Act II, occurring at 24% of the runtime. This shows the protagonist's commitment to Jerry actively pursues Brooke, calling her and arranging to meet, making the choice to explore this new relationship despite still being with Amanda., moving from reaction to action.
At 55 minutes, the Midpoint arrives at 51% of the runtime—precisely centered, creating perfect narrative symmetry. Notably, this crucial beat Amanda discovers Jerry's affair with Brooke, creating explosive conflict. False defeat: Jerry thinks he can finally be free, but his inability to commit fully to either relationship becomes clear., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.
The Collapse moment at 81 minutes (75% through) represents the emotional nadir. Here, Brooke breaks up with Jerry, unable to tolerate his inability to fully leave Amanda. Jerry loses the healthy relationship that represented his chance for growth and happiness., shows the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.
The Second Threshold at 85 minutes initiates the final act resolution at 79% of the runtime. Jerry finally takes decisive action, definitively ending things with Amanda and committing to pursue Brooke with clarity and honesty, embodying Dobel's advice to "do what you gotta do."., demonstrating the transformation achieved throughout the journey.
Emotional Journey
Anything Else's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.
Narrative Framework
This structural analysis employs structural analysis methodology used to understand storytelling architecture. By mapping Anything Else against these established plot points, we can identify how Woody Allen utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Anything Else within the comedy genre.
Woody Allen's Structural Approach
Among the 42 Woody Allen films analyzed on Arcplot, the average structural score is 7.0, demonstrating varied approaches to story architecture. Anything Else represents one of the director's most structurally precise works. For comparative analysis, explore the complete Woody Allen filmography.
Comparative Analysis
Additional comedy films include The Ministry of Ungentlemanly Warfare, The Bad Guys and Lake Placid. For more Woody Allen analyses, see Sleeper, Celebrity and Everything You Always Wanted to Know About Sex *But Were Afraid to Ask.
Plot Points by Act
Act I
SetupStatus Quo
Jerry Falk walks through New York in voiceover, establishing his neurotic worldview as a struggling comedy writer stuck in an unfulfilling relationship with the volatile Amanda.
Theme
David Dobel tells Jerry that in life you have to be decisive and take action, stating "You gotta do what you gotta do" - foreshadowing Jerry's need to make hard choices about his relationship.
Worldbuilding
Introduction to Jerry's world: his struggling writing career, his teacher job, his impossible relationship with the self-absorbed actress Amanda, and his friendship with mentor Dobel who dispenses paranoid philosophical advice.
Disruption
Jerry meets Brooke, Amanda's friend, and is immediately attracted to her warmth and intelligence - someone completely different from Amanda, sparking the possibility of change.
Resistance
Jerry debates what to do about his feelings for Brooke while remaining with Amanda. Dobel encourages decisive action while Jerry hesitates, caught between his comfortable misery and the risk of change.
Act II
ConfrontationFirst Threshold
Jerry actively pursues Brooke, calling her and arranging to meet, making the choice to explore this new relationship despite still being with Amanda.
Mirror World
Jerry and Brooke have their first real date, talking openly and honestly - she represents the kind of authentic connection and stability that mirrors what Jerry truly needs versus what he has with Amanda.
Premise
Jerry juggles two relationships, experiencing the promise of happiness with Brooke while continuing to endure Amanda's narcissism and chaos. The comedy explores his inability to make a clean break.
Midpoint
Amanda discovers Jerry's affair with Brooke, creating explosive conflict. False defeat: Jerry thinks he can finally be free, but his inability to commit fully to either relationship becomes clear.
Opposition
Pressure intensifies as Jerry tries to manage the fallout. Amanda manipulates him emotionally, Brooke demands clarity, and Dobel's increasingly paranoid advice becomes less helpful. Jerry's indecision creates mounting chaos.
Collapse
Brooke breaks up with Jerry, unable to tolerate his inability to fully leave Amanda. Jerry loses the healthy relationship that represented his chance for growth and happiness.
Crisis
Jerry spirals in despair, recognizing he's sabotaged his own happiness through indecision and cowardice. He confronts the reality that he's wasted time with the wrong person out of fear.
Act III
ResolutionSecond Threshold
Jerry finally takes decisive action, definitively ending things with Amanda and committing to pursue Brooke with clarity and honesty, embodying Dobel's advice to "do what you gotta do."
Synthesis
Jerry executes his plan to win Brooke back, demonstrating growth through decisive action. He confronts his patterns, apologizes genuinely, and proves he's capable of the commitment she deserves.
Transformation
Jerry and Brooke reunite, with Jerry having learned to be decisive and commit. He walks through New York again in voiceover, but now with clarity and purpose rather than neurotic paralysis.








