Blood: The Last Vampire poster
6.8
Arcplot Score
Unverified

Blood: The Last Vampire

200991 minR
Director: Chris Nahon
Writer:Chris Chow
Cinematographer: Poon Hang-Sang
Composer: Clint Mansell

On the surface, Saya is a stunning 16-year-old, but that youthful exterior hides the tormented soul of a 400-year-old "halfling". Born to a human father and a vampire mother, she has for centuries been a loner obsessed with using her samurai skills to rid the world of vampires, all the while knowing that she herself can survive only on blood like those she hunts.

Revenue$5.9M
Budget$30.0M
Loss
-24.1M
-80%

The film commercial failure against its mid-range budget of $30.0M, earning $5.9M globally (-80% loss). While initial box office returns were modest, the film has gained appreciation for its distinctive approach within the action genre.

Plot Structure

Story beats plotted across runtime

Act ISetupAct IIConfrontationAct IIIResolutionWorldbuilding3Resistance5Premise8Opposition10Crisis12Synthesis14124679111315
Color Timeline
Color timeline
Sound Timeline
Sound timeline
Threshold
Section
Plot Point

Narrative Arc

Emotional journey through the story's key moments

+1-1-4
0m23m45m68m90m
Plot Point
Act Threshold
Emotional Arc

Story Circle

Blueprint 15-beat structure

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Arcplot Score Breakdown

Structural Adherence: Flexible
8.8/10
4/10
0.5/10
Overall Score6.8/10

Weighted: Precision (70%) + Arc (15%) + Theme (15%)

Blood: The Last Vampire (2009) reveals carefully calibrated dramatic framework, characteristic of Chris Nahon's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 31 minutes. With an Arcplot score of 6.8, the film balances conventional beats with creative variation.

Characters

Cast & narrative archetypes

Gianna Jun

Saya

Hero
Gianna Jun
Allison Miller

Alice McKee

Ally
Allison Miller
Koyuki

Onigen

Shadow
Koyuki
Liam Cunningham

Michael Harrison

Mentor
Liam Cunningham
JJ Feild

Luke

Ally
JJ Feild

Main Cast & Characters

Saya

Played by Gianna Jun

Hero

A 400-year-old half-human, half-vampire warrior hunting demons in 1970s Japan while posing as a high school student.

Alice McKee

Played by Allison Miller

Ally

An American teenager at Kanto High School who befriends Saya and gets drawn into the vampire conflict.

Onigen

Played by Koyuki

Shadow

An ancient and powerful demon leader who is Saya's primary nemesis and seeks revenge.

Michael Harrison

Played by Liam Cunningham

Mentor

A member of The Council who serves as Saya's handler and provides intelligence on demon activity.

Luke

Played by JJ Feild

Ally

A Council operative who assists Saya in her mission and provides tactical support.

Structural Analysis

The Status Quo at 1 minutes (1% through the runtime) establishes Saya hunts demons on a Tokyo subway, revealing her solitary existence as a half-blood vampire warrior serving the secret organization. She is an outsider in both human and demon worlds.. The analysis reveals that this early placement immediately immerses viewers in the story world.

The inciting incident occurs at 11 minutes when Saya is assigned to infiltrate Kanto High School on the American air base, where demon activity has been detected. Her mission to pose as a student disrupts her isolated hunting routine.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.

The First Threshold at 23 minutes marks the transition into Act II, occurring at 25% of the runtime. This reveals the protagonist's commitment to Saya confronts demons at the school, and Alice McKee witnesses the battle. Rather than eliminate Alice as protocol demands, Saya chooses to protect her, binding their fates together and defying her handlers., moving from reaction to action.

At 46 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. The analysis reveals that this crucial beat Saya discovers that Onigen, the demon lord who killed her father, is directly connected to the current demon attacks. The stakes raise from a routine mission to the personal vendetta that has driven her entire existence., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.

The Collapse moment at 68 minutes (75% through) represents the emotional nadir. Here, Kato is killed by Onigen's forces. Saya loses her mentor and handler, the one person who understood her mission. Alice is captured, and Saya faces the possibility that her quest for revenge has cost everyone she has come to care about., illustrates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.

The Second Threshold at 73 minutes initiates the final act resolution at 80% of the runtime. Saya realizes that protecting Alice and stopping Onigen are not separate goals. She chooses to fight not just for revenge but for the living. She tracks Onigen's lair with renewed purpose, combining her warrior skills with her newfound humanity., demonstrating the transformation achieved throughout the journey.

Emotional Journey

Blood: The Last Vampire's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.

Narrative Framework

This structural analysis employs a 15-point narrative structure framework that maps key story moments. By mapping Blood: The Last Vampire against these established plot points, we can identify how Chris Nahon utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Blood: The Last Vampire within the action genre.

Chris Nahon's Structural Approach

Among the 2 Chris Nahon films analyzed on Arcplot, the average structural score is 6.9, demonstrating varied approaches to story architecture. Blood: The Last Vampire takes a more unconventional approach compared to the director's typical style. For comparative analysis, explore the complete Chris Nahon filmography.

Comparative Analysis

Additional action films include The Bad Guys, Puss in Boots and Venom: The Last Dance. For more Chris Nahon analyses, see Kiss of the Dragon.

Plot Points by Act

Act I

Setup
1

Status Quo

1 min1.0%0 tone

Saya hunts demons on a Tokyo subway, revealing her solitary existence as a half-blood vampire warrior serving the secret organization. She is an outsider in both human and demon worlds.

2

Theme

5 min5.0%0 tone

Kato tells Saya that her vendetta against Onigen consumes her, warning that revenge will not bring peace. The theme of identity and whether vengeance defines us is established.

3

Worldbuilding

1 min1.0%0 tone

The world of demons hiding among humans is established. Saya works for a covert organization hunting demons. The 1970s Japan setting near a US military base is introduced, along with the rules of demon hunting and Saya's unique half-blood status.

4

Disruption

11 min12.0%-1 tone

Saya is assigned to infiltrate Kanto High School on the American air base, where demon activity has been detected. Her mission to pose as a student disrupts her isolated hunting routine.

5

Resistance

11 min12.0%-1 tone

Saya reluctantly enters the high school environment. She struggles to blend in while tracking demons among the students and faculty. The organization provides guidance and intel as she navigates this unfamiliar territory.

Act II

Confrontation
6

First Threshold

23 min25.0%-2 tone

Saya confronts demons at the school, and Alice McKee witnesses the battle. Rather than eliminate Alice as protocol demands, Saya chooses to protect her, binding their fates together and defying her handlers.

7

Mirror World

27 min30.0%-1 tone

Alice becomes Saya's unlikely companion, representing the human connection Saya has denied herself. Through Alice, Saya begins to confront her own humanity and the possibility of bonds beyond revenge.

8

Premise

23 min25.0%-2 tone

Saya and Alice flee together, fighting demons across Japan. Saya showcases her incredible sword skills and vampire abilities in stylized action sequences. The promise of the premise delivers samurai-vampire action as Saya hunts while protecting her human charge.

9

Midpoint

46 min50.0%-2 tone

Saya discovers that Onigen, the demon lord who killed her father, is directly connected to the current demon attacks. The stakes raise from a routine mission to the personal vendetta that has driven her entire existence.

10

Opposition

46 min50.0%-2 tone

Onigen's forces intensify their attacks. Saya and Alice are hunted relentlessly. General McKee becomes involved, and the organization's true loyalties come into question. Saya's past with Onigen is revealed through flashbacks showing her father's death.

11

Collapse

68 min75.0%-3 tone

Kato is killed by Onigen's forces. Saya loses her mentor and handler, the one person who understood her mission. Alice is captured, and Saya faces the possibility that her quest for revenge has cost everyone she has come to care about.

12

Crisis

68 min75.0%-3 tone

Saya confronts her isolation and the futility of living only for revenge. With Kato dead and Alice taken, she must decide whether to continue her solitary path or embrace the connections she has formed.

Act III

Resolution
13

Second Threshold

73 min80.0%-2 tone

Saya realizes that protecting Alice and stopping Onigen are not separate goals. She chooses to fight not just for revenge but for the living. She tracks Onigen's lair with renewed purpose, combining her warrior skills with her newfound humanity.

14

Synthesis

73 min80.0%-2 tone

Saya infiltrates Onigen's demon stronghold. She battles through waves of demons in a climactic action sequence, rescues Alice, and confronts Onigen directly. The final duel puts all of Saya's abilities to the test as she faces her father's killer.

15

Transformation

90 min99.0%-1 tone

Saya defeats Onigen and saves Alice. She parts ways with Alice, returning to her hunting life but forever changed. The final image shows Saya walking alone but at peace, no longer defined solely by vengeance but by her choice to protect the innocent.