Dead Man on Campus poster
7.6
Arcplot Score
Unverified

Dead Man on Campus

199896 minR
Director: Alan Cohn

Josh, (Scott) a college student on a scholarship, gets taught the about crazy nightlife of being in college by his unreliable roommate Cooper (Gosselaar) and fails his midterms due to being unprepared. With Cooper's father no longer willing to pay his son's way through college, and Josh needing to keep up his grades or risk losing his scholarship, the two learn of a hidden clause in the school's rules that basically says "if your roommate commits suicide, you get straight A's." Since neither are willing to do so, they instead decide to invite a suicidal colleague in. - and push him over the edge.

Revenue$15.1M
Budget$14.0M
Profit
+1.1M
+8%

Working with a modest budget of $14.0M, the film achieved a modest success with $15.1M in global revenue (+8% profit margin).

Awards

1 win & 7 nominations

Where to Watch
Google Play MoviesFandango At HomeAmazon VideoYouTubeApple TV

Plot Structure

Story beats plotted across runtime

Act ISetupAct IIConfrontationAct IIIResolutionWorldbuilding3Resistance5Premise8Opposition10Crisis12Synthesis14124679111315
Color Timeline
Color timeline
Sound Timeline
Sound timeline
Threshold
Section
Plot Point

Narrative Arc

Emotional journey through the story's key moments

+20-2
0m24m47m71m95m
Plot Point
Act Threshold
Emotional Arc

Story Circle

Blueprint 15-beat structure

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Arcplot Score Breakdown

Structural Adherence: Standard
8.9/10
5/10
4/10
Overall Score7.6/10

Weighted: Precision (70%) + Arc (15%) + Theme (15%)

Dead Man on Campus (1998) reveals meticulously timed story structure, characteristic of Alan Cohn's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 36 minutes. With an Arcplot score of 7.6, the film showcases strong structural fundamentals.

Structural Analysis

The Status Quo at 1 minutes (1% through the runtime) establishes Josh arrives at Daleman College as an eager, responsible freshman with academic ambitions and parental expectations.. Structural examination shows that this early placement immediately immerses viewers in the story world.

The inciting incident occurs at 11 minutes when Josh and Cooper receive mid-term warnings that they're both failing with sub-1.0 GPAs. They face expulsion if they don't achieve a C average by semester's end.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.

The First Threshold at 23 minutes marks the transition into Act II, occurring at 24% of the runtime. This demonstrates the protagonist's commitment to Josh and Cooper actively decide to find a suicidal student to move in with them, crossing an ethical line and committing to their dark plan., moving from reaction to action.

At 48 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Notably, this crucial beat False victory: They finally convince Cliff to move in, believing they've found their perfect suicidal roommate who will solve all their problems., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.

The Collapse moment at 70 minutes (73% through) represents the emotional nadir. Here, Rachel discovers their suicide scheme and is horrified. Josh loses her respect and realizes the moral depths to which he's sunk. Their friendship with Cliff is revealed as a manipulative lie., reveals the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.

The Second Threshold at 77 minutes initiates the final act resolution at 80% of the runtime. Josh and Cooper realize they must come clean, accept responsibility, and try to save Cliff from the depression they've intentionally caused. They choose integrity over self-preservation., demonstrating the transformation achieved throughout the journey.

Emotional Journey

Dead Man on Campus's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.

Narrative Framework

This structural analysis employs systematic plot point analysis that identifies crucial turning points. By mapping Dead Man on Campus against these established plot points, we can identify how Alan Cohn utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Dead Man on Campus within the comedy genre.

Comparative Analysis

Additional comedy films include The Ministry of Ungentlemanly Warfare, The Bad Guys and Lake Placid.

Plot Points by Act

Act I

Setup
1

Status Quo

1 min1.2%+1 tone

Josh arrives at Daleman College as an eager, responsible freshman with academic ambitions and parental expectations.

2

Theme

4 min4.7%+1 tone

Cooper tells Josh, "College is about experiencing life, not just studying." The theme of balancing responsibility with experience is introduced.

3

Worldbuilding

1 min1.2%+1 tone

Josh meets his roommate Cooper, a party-focused slacker. We see Josh get drawn into Cooper's world of partying, girls, and avoiding responsibility. Their grades begin to plummet as they prioritize fun over academics.

4

Disruption

11 min11.6%0 tone

Josh and Cooper receive mid-term warnings that they're both failing with sub-1.0 GPAs. They face expulsion if they don't achieve a C average by semester's end.

5

Resistance

11 min11.6%0 tone

The boys debate desperate solutions and discover an obscure school rule: if a roommate commits suicide, surviving roommates receive all A's. They initially resist the dark implications but realize they're out of options.

Act II

Confrontation
6

First Threshold

23 min24.4%-1 tone

Josh and Cooper actively decide to find a suicidal student to move in with them, crossing an ethical line and committing to their dark plan.

7

Mirror World

28 min29.1%-1 tone

Josh develops a relationship with Rachel, a responsible student who represents the person Josh could have been and challenges his moral descent.

8

Premise

23 min24.4%-1 tone

The darkly comic "fun and games" of interviewing and recruiting unstable candidates: Cliff the depressed rock climber, Matt the knife-collecting loner, and Buckley the paranoid conspiracy theorist. Each attempt fails as candidates prove either too stable or not suicidal enough.

9

Midpoint

48 min50.0%0 tone

False victory: They finally convince Cliff to move in, believing they've found their perfect suicidal roommate who will solve all their problems.

10

Opposition

48 min50.0%0 tone

Their plan backfires as Cliff becomes happier living with them, finding friendship and purpose. Josh and Cooper try increasingly desperate tactics to depress him. Rachel grows suspicious of their behavior. The deadline approaches and their manipulation intensifies.

11

Collapse

70 min73.3%-1 tone

Rachel discovers their suicide scheme and is horrified. Josh loses her respect and realizes the moral depths to which he's sunk. Their friendship with Cliff is revealed as a manipulative lie.

12

Crisis

70 min73.3%-1 tone

Josh and Cooper face the consequences of their actions, wrestling with guilt over what they've become and what they've done to Cliff and others in their selfish pursuit.

Act III

Resolution
13

Second Threshold

77 min80.2%0 tone

Josh and Cooper realize they must come clean, accept responsibility, and try to save Cliff from the depression they've intentionally caused. They choose integrity over self-preservation.

14

Synthesis

77 min80.2%0 tone

The boys confess their scheme, work to help Cliff recover, and face academic consequences. They take their finals honestly, accept their grades, and rebuild damaged relationships through genuine effort rather than shortcuts.

15

Transformation

95 min98.8%+1 tone

Josh, now transformed, approaches college with balance—studying responsibly while maintaining genuine friendships. He's learned that character matters more than grades, mirroring but contrasting his naive arrival.