Disorganized Crime poster
7.1
Arcplot Score
Unverified

Disorganized Crime

198998 minR
Director: Jim Kouf

This movie places some top thiefs, looking to steal money from a bank. The All-Star cast has many blunders on the way. Meanwhile a member of their group is missing and two cops chase after him.

Revenue$7.7M

The film earned $7.7M at the global box office.

Where to Watch
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Plot Structure

Story beats plotted across runtime

Act ISetupAct IIConfrontationAct IIIResolutionWorldbuilding3Resistance5Premise8Opposition10Crisis12Synthesis14124679111315
Color Timeline
Color timeline
Sound Timeline
Sound timeline
Threshold
Section
Plot Point

Narrative Arc

Emotional journey through the story's key moments

+41-2
0m24m49m73m97m
Plot Point
Act Threshold
Emotional Arc

Story Circle

Blueprint 15-beat structure

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Arcplot Score Breakdown

Structural Adherence: Standard
8.9/10
4/10
2/10
Overall Score7.1/10

Weighted: Precision (70%) + Arc (15%) + Theme (15%)

Disorganized Crime (1989) reveals meticulously timed dramatic framework, characteristic of Jim Kouf's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 38 minutes. With an Arcplot score of 7.1, the film balances conventional beats with creative variation.

Structural Analysis

The Status Quo at 1 minutes (1% through the runtime) establishes Frank Salazar drives into the small Montana town of Deer Lodge, scouting the bank he plans to rob. He's a confident professional criminal in his element, assessing the target with practiced ease.. Structural examination shows that this early placement immediately immerses viewers in the story world.

The inciting incident occurs at 12 minutes when Frank is unexpectedly arrested by New Jersey detectives Salazar and Marder at a diner before he can brief the crew on the actual plan. The mastermind is removed just as the operation should begin.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.

The First Threshold at 25 minutes marks the transition into Act II, occurring at 26% of the runtime. This shows the protagonist's commitment to The crew decides to stay and attempt to figure out Frank's plan themselves rather than abandon the job. They commit to working together despite their differences and lack of information., moving from reaction to action.

At 49 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Of particular interest, this crucial beat The crew successfully pieces together Frank's plan and gains confidence they can pull off the heist without him. False victory: they feel prepared, but they're still winging it and don't know about complications ahead., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.

The Collapse moment at 74 minutes (76% through) represents the emotional nadir. Here, The heist plan falls apart as the detectives arrive at the worst possible moment and the crew's improvised coordination breaks down. Their brief unity dissolves into chaos and it appears the job is completely blown., demonstrates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.

The Second Threshold at 79 minutes initiates the final act resolution at 81% of the runtime. The crew realizes that their chaotic, improvised approach is actually their strength. They don't need Frank's perfect plan—they need to embrace the disorganization and use it against their pursuers., demonstrating the transformation achieved throughout the journey.

Emotional Journey

Disorganized Crime's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.

Narrative Framework

This structural analysis employs proven narrative structure principles that track dramatic progression. By mapping Disorganized Crime against these established plot points, we can identify how Jim Kouf utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Disorganized Crime within the action genre.

Comparative Analysis

Additional action films include The Ministry of Ungentlemanly Warfare, The Bad Guys and Lake Placid.

Plot Points by Act

Act I

Setup
1

Status Quo

1 min1.0%0 tone

Frank Salazar drives into the small Montana town of Deer Lodge, scouting the bank he plans to rob. He's a confident professional criminal in his element, assessing the target with practiced ease.

2

Theme

5 min5.1%0 tone

One of the arriving crew members comments on the importance of organization and planning in pulling off a successful heist, establishing the film's central irony about what happens when the organizer disappears.

3

Worldbuilding

1 min1.0%0 tone

Frank recruits four specialized criminals: Ray (safe cracker), Carlos (wheelman), Max (con man), and Nick (muscle). They arrive separately in Montana, each with distinct personalities and methods. Frank establishes the plan and timeline for the bank heist.

4

Disruption

12 min12.2%-1 tone

Frank is unexpectedly arrested by New Jersey detectives Salazar and Marder at a diner before he can brief the crew on the actual plan. The mastermind is removed just as the operation should begin.

5

Resistance

12 min12.2%-1 tone

The four crew members debate what to do without Frank. They don't know the plan, don't trust each other, and can't agree on whether to proceed or abort. Meanwhile, Frank escapes police custody and begins making his way back to Montana.

Act II

Confrontation
6

First Threshold

25 min25.5%0 tone

The crew decides to stay and attempt to figure out Frank's plan themselves rather than abandon the job. They commit to working together despite their differences and lack of information.

7

Mirror World

30 min30.6%+1 tone

The crew's dynamics begin to shift from antagonistic strangers to reluctant partners. Their forced collaboration mirrors the film's theme: sometimes chaos and adaptation matter more than perfect planning.

8

Premise

25 min25.5%0 tone

The crew attempts to reverse-engineer Frank's plan while avoiding the two bumbling detectives who have followed Frank's trail to Montana. Comic misadventures ensue as the mismatched criminals try to work together and scout the bank.

9

Midpoint

49 min50.0%+2 tone

The crew successfully pieces together Frank's plan and gains confidence they can pull off the heist without him. False victory: they feel prepared, but they're still winging it and don't know about complications ahead.

10

Opposition

49 min50.0%+2 tone

The detectives close in on the crew's location. Internal conflicts resurface as the pressure mounts. Frank faces obstacles trying to return. The heist timing becomes critical as multiple parties converge on the small town.

11

Collapse

74 min75.5%+1 tone

The heist plan falls apart as the detectives arrive at the worst possible moment and the crew's improvised coordination breaks down. Their brief unity dissolves into chaos and it appears the job is completely blown.

12

Crisis

74 min75.5%+1 tone

The crew faces capture and failure. They must decide whether to cut their losses and run or find a way to salvage the situation. Frank, still trying to reach them, represents the order they've lost.

Act III

Resolution
13

Second Threshold

79 min80.6%+2 tone

The crew realizes that their chaotic, improvised approach is actually their strength. They don't need Frank's perfect plan—they need to embrace the disorganization and use it against their pursuers.

14

Synthesis

79 min80.6%+2 tone

The crew executes a wild, improvised finale that turns their dysfunction into an asset. They outwit the detectives through unpredictability, complete the heist in their own chaotic way, and Frank finally arrives to find they succeeded without him.

15

Transformation

97 min99.0%+3 tone

The crew, now genuinely bonded through their shared chaos, celebrates their unlikely success. Frank must accept that perfect planning isn't everything—sometimes disorganized crime works just fine.