
Downhill
Barely escaping an avalanche during a family ski vacation in the Alps, a married couple is thrown into disarray as they are forced to reevaluate their lives and how they feel about each other. Inspired by the motion picture FORCE MAJEURE by Ruben Östlund.
The film earned $7.5M at the global box office.
1 win & 2 nominations
Plot Structure
Story beats plotted across runtime


Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Arcplot Score Breakdown
Weighted: Precision (70%) + Arc (15%) + Theme (15%)
Downhill (2020) exhibits strategically placed narrative architecture, characteristic of Nat Faxon's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 27 minutes. With an Arcplot score of 7.1, the film balances conventional beats with creative variation.
Structural Analysis
The Status Quo at 1 minutes (1% through the runtime) establishes The Stanton family arrives at an Austrian ski resort. Billie manages logistics while Pete appears distracted. The family dynamic shows Billie as the organized planner trying to create a perfect vacation, while Pete seems disconnected from family responsibilities.. Significantly, this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 11 minutes when During lunch on an outdoor terrace, a controlled avalanche goes wrong and snow cascades toward the family. In the chaos, Pete grabs his phone and flees, leaving Billie to shield their sons. The snow stops just short of them—no one is hurt, but Pete's abandonment is undeniable.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.
The First Threshold at 21 minutes marks the transition into Act II, occurring at 24% of the runtime. This reveals the protagonist's commitment to At dinner with another couple (Zach and Rosie), Billie recounts the avalanche story. Pete continues to deny fleeing, but Billie contradicts him publicly. This is her active choice to stop enabling the lie—she enters the world of confronting uncomfortable truths about their marriage., moving from reaction to action.
At 44 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Structural examination shows that this crucial beat False defeat: During a heated therapy session, Pete finally admits he ran but immediately reframes it defensively. Rather than reconciliation, this admission makes things worse—the truth is out but brings no relief. Billie realizes the man she married may not exist. The stakes raise: can this marriage survive?., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.
The Collapse moment at 65 minutes (74% through) represents the emotional nadir. Here, Billie goes out alone, gets drunk, and nearly has an affair with a younger man. She calls Pete in tears, admitting she doesn't know who they are anymore. This is the death of their old marriage—the illusion they've maintained cannot be resurrected. Both hit rock bottom emotionally., shows the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.
The Second Threshold at 69 minutes initiates the final act resolution at 79% of the runtime. Synthesis moment: Pete and Billie have a raw, honest conversation where Pete truly acknowledges his failure and fear, and Billie admits her own role in their dynamic—her need for control, her suppression of difficult truths. They choose to try again, but differently, with eyes open., demonstrating the transformation achieved throughout the journey.
Emotional Journey
Downhill's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.
Narrative Framework
This structural analysis employs systematic plot point analysis that identifies crucial turning points. By mapping Downhill against these established plot points, we can identify how Nat Faxon utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Downhill within the comedy genre.
Comparative Analysis
Additional comedy films include The Ministry of Ungentlemanly Warfare, The Bad Guys and Lake Placid.
Plot Points by Act
Act I
SetupStatus Quo
The Stanton family arrives at an Austrian ski resort. Billie manages logistics while Pete appears distracted. The family dynamic shows Billie as the organized planner trying to create a perfect vacation, while Pete seems disconnected from family responsibilities.
Theme
Resort staff member Charlotte casually mentions that "people show who they really are" in moments of crisis during her orientation about avalanche protocols. This foreshadows the central question: who is Pete really when tested?
Worldbuilding
Establishment of the family vacation setting. Pete and Billie navigate their marriage while managing two young sons. Pete is distracted by work calls, Billie tries to orchestrate bonding moments. Subtle tensions emerge: Billie's controlling nature, Pete's emotional distance, their different parenting styles.
Disruption
During lunch on an outdoor terrace, a controlled avalanche goes wrong and snow cascades toward the family. In the chaos, Pete grabs his phone and flees, leaving Billie to shield their sons. The snow stops just short of them—no one is hurt, but Pete's abandonment is undeniable.
Resistance
Pete denies his cowardice, insisting he stayed to protect the family. Billie is confused and hurt but tries to suppress her feelings. She debates whether to confront the truth or maintain the facade of their happy vacation. The incident replays in her mind while Pete acts like nothing happened.
Act II
ConfrontationFirst Threshold
At dinner with another couple (Zach and Rosie), Billie recounts the avalanche story. Pete continues to deny fleeing, but Billie contradicts him publicly. This is her active choice to stop enabling the lie—she enters the world of confronting uncomfortable truths about their marriage.
Mirror World
Introduction of Rosie as thematic mirror—a woman who speaks uncomfortable truths and refuses to perform traditional femininity. Her blunt assessment of Pete's behavior and modern masculinity gives Billie permission to acknowledge what she saw.
Premise
The "promise of the premise"—exploration of a marriage unraveling. Pete and Billie have escalating arguments. Pete seeks validation from others. Billie becomes increasingly angry and disillusioned. They attempt counseling with the bizarre resort therapist. The vacation becomes an examination of their relationship's foundation.
Midpoint
False defeat: During a heated therapy session, Pete finally admits he ran but immediately reframes it defensively. Rather than reconciliation, this admission makes things worse—the truth is out but brings no relief. Billie realizes the man she married may not exist. The stakes raise: can this marriage survive?
Opposition
Both characters struggle against each other and themselves. Pete tries various tactics—defensiveness, anger, victimhood—to avoid real accountability. Billie pulls away emotionally and considers what life without Pete means. Their friends' marriage also fractures, serving as cautionary tale. The family vacation disintegrates.
Collapse
Billie goes out alone, gets drunk, and nearly has an affair with a younger man. She calls Pete in tears, admitting she doesn't know who they are anymore. This is the death of their old marriage—the illusion they've maintained cannot be resurrected. Both hit rock bottom emotionally.
Crisis
Dark night processing. Pete picks up Billie. They sit with the wreckage of their marriage. Both are forced to confront who they actually are versus who they pretended to be. The question hangs: is honesty enough to rebuild, or is the damage permanent?
Act III
ResolutionSecond Threshold
Synthesis moment: Pete and Billie have a raw, honest conversation where Pete truly acknowledges his failure and fear, and Billie admits her own role in their dynamic—her need for control, her suppression of difficult truths. They choose to try again, but differently, with eyes open.
Synthesis
Final day of vacation. A second avalanche occurs while the family is skiing. This time both parents shield the children together—Pete doesn't run. It's not redemption exactly, but a different response. They prepare to leave the resort. The resolution is ambiguous but shows changed behavior.
Transformation
The family in the car leaving the resort. Unlike the opening where Billie managed everything and Pete was disconnected, they now share a look of mutual understanding—scarred but honest. The boys are oblivious. The marriage isn't "fixed" but it's real now. Ambiguous whether they'll make it, but they're trying truthfully.








