
Get Out
Chris and his girlfriend Rose go upstate to visit her parents for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.
Despite its modest budget of $4.5M, Get Out became a box office phenomenon, earning $255.4M worldwide—a remarkable 5576% return. The film's innovative storytelling engaged audiences, showing that strong storytelling can transcend budget limitations.
1 Oscar. 154 wins & 214 nominations
Plot Structure
Story beats plotted across runtime


Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Arcplot Score Breakdown
Weighted: Precision (70%) + Arc (15%) + Theme (15%)
Get Out (2017) exemplifies precise dramatic framework, characteristic of Jordan Peele's storytelling approach. This structural analysis examines how the film's 13-point plot structure maps to proven narrative frameworks across 1 hour and 44 minutes. With an Arcplot score of 7.1, the film balances conventional beats with creative variation.
Structural Analysis
The Status Quo at 1 minutes (1% through the runtime) establishes Chris and Rose in their Brooklyn apartment. Chris is a photographer, they're a happy interracial couple preparing for the weekend trip to meet Rose's parents. Chris is anxious but optimistic about their relationship.. Significantly, this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 13 minutes when Chris and Rose arrive at the Armitage estate and meet Dean and Missy. The overwhelming whiteness, the uncomfortable racial comments ("I would have voted for Obama for a third term"), and the strange behavior of the Black servants Walter and Georgina disrupt Chris's expectations of a normal weekend.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.
The First Threshold at 26 minutes marks the transition into Act II, occurring at 25% of the runtime. This reveals the protagonist's commitment to Chris agrees to let Missy hypnotize him. He actively chooses to submit to her therapy despite his reservations. The teacup hypnosis session sends him into the Sunken Place, marking his entry into the true horror of the Armitage world., moving from reaction to action.
At 51 minutes, the Midpoint arrives at 49% of the runtime—precisely centered, creating perfect narrative symmetry. Significantly, this crucial beat Chris's flash photograph of Logan causes him to break character and scream "GET OUT!" with a nosebleed. This false defeat moment reveals something is deeply wrong, raising the stakes and ending the social discomfort phase. Chris now knows he's in real danger., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.
The Collapse moment at 78 minutes (75% through) represents the emotional nadir. Here, Rose reveals her betrayal, dropping the loving girlfriend mask. The family surrounds Chris. He's paralyzed and captured, his trust and love completely destroyed. This is his lowest point - the death of his hope, his relationship, and nearly his identity., shows the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.
The Synthesis at 83 minutes initiates the final act resolution at 80% of the runtime. Chris fights his way out, killing Jeremy, Dean, Missy, and ultimately Rose. He uses a mounted deer head (callback to the opening deer scene) to kill Dean. The final confrontation with Rose on the road where Rod arrives to save him completes his escape., demonstrating the transformation achieved throughout the journey.
Emotional Journey
Get Out's emotional architecture traces a deliberate progression across 13 carefully calibrated beats.
Narrative Framework
This structural analysis employs proven narrative structure principles that track dramatic progression. By mapping Get Out against these established plot points, we can identify how Jordan Peele utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Get Out within the horror genre.
Jordan Peele's Structural Approach
Among the 2 Jordan Peele films analyzed on Arcplot, the average structural score is 7.2, reflecting strong command of classical structure. Get Out takes a more unconventional approach compared to the director's typical style. For comparative analysis, explore the complete Jordan Peele filmography.
Comparative Analysis
Additional horror films include Lake Placid, A Nightmare on Elm Street and Cat's Eye. For more Jordan Peele analyses, see Nope.
Plot Points by Act
Act I
SetupStatus Quo
Chris and Rose in their Brooklyn apartment. Chris is a photographer, they're a happy interracial couple preparing for the weekend trip to meet Rose's parents. Chris is anxious but optimistic about their relationship.
Theme
Rod warns Chris: "They're gonna have you bannered in the basement. Sex slaves and all types of stuff." The theme of white exploitation of Black bodies is stated through Rod's paranoid but prescient warning.
Worldbuilding
Establishing Chris and Rose's relationship, Chris's profession as a photographer, his friendship with Rod, and his concerns about Rose's parents not knowing he's Black. The setup includes the car journey where they hit a deer, foreshadowing the violence to come.
Disruption
Chris and Rose arrive at the Armitage estate and meet Dean and Missy. The overwhelming whiteness, the uncomfortable racial comments ("I would have voted for Obama for a third term"), and the strange behavior of the Black servants Walter and Georgina disrupt Chris's expectations of a normal weekend.
Resistance
Chris navigates the increasingly uncomfortable interactions with the Armitage family and their guests. Rose acts as his guide, defending him and reassuring him. Strange encounters with Walter and Georgina intensify. Missy offers hypnotherapy for Chris's smoking habit.
Act II
ConfrontationFirst Threshold
Chris agrees to let Missy hypnotize him. He actively chooses to submit to her therapy despite his reservations. The teacup hypnosis session sends him into the Sunken Place, marking his entry into the true horror of the Armitage world.
Mirror World
The morning after hypnosis, Chris encounters Walter running at him in the night and Georgina's disturbing behavior in the mirror. These interactions with the other Black "servants" represent the thematic mirror - they are what Chris will become if he doesn't escape.
Premise
The annual Armitage party brings wealthy white guests who treat Chris like a specimen. He photographs Logan/Andre, triggering a brief moment of breaking through. Chris explores this world of liberal racism and microaggressions while trying to understand the strange behavior around him.
Midpoint
Chris's flash photograph of Logan causes him to break character and scream "GET OUT!" with a nosebleed. This false defeat moment reveals something is deeply wrong, raising the stakes and ending the social discomfort phase. Chris now knows he's in real danger.
Opposition
Chris tries to leave but Rose "loses" her keys. Rod investigates and discovers the truth about Andre/Logan. Chris finds the photographs of Rose with previous Black victims. The Armitage family closes in, trapping Chris as he realizes Rose is part of the conspiracy.
Collapse
Rose reveals her betrayal, dropping the loving girlfriend mask. The family surrounds Chris. He's paralyzed and captured, his trust and love completely destroyed. This is his lowest point - the death of his hope, his relationship, and nearly his identity.
Crisis
Chris is tied to a chair watching Jim Hudson's video explanation of the Coagula procedure. He'll be sent to the Sunken Place permanently while a white man takes over his body. Chris processes the full horror of his situation in this dark night.
Act III
ResolutionSynthesis
Chris fights his way out, killing Jeremy, Dean, Missy, and ultimately Rose. He uses a mounted deer head (callback to the opening deer scene) to kill Dean. The final confrontation with Rose on the road where Rod arrives to save him completes his escape.







