Go Goa Gone poster
7.2
Arcplot Score
Unverified

Go Goa Gone

2013111 minNR
Director: Raj Nidimoru

A rave party off the coast of Goa goes horrifyingly and hilariously wrong when the island is overrun with zombies.

Revenue$5.4M
Budget$2.7M
Profit
+2.7M
+100%

Despite its tight budget of $2.7M, Go Goa Gone became a solid performer, earning $5.4M worldwide—a 100% return.

TMDb5.8
Popularity2.5
Where to Watch
YouTubeEros Now Select Apple TV ChannelGoogle Play MoviesApple TV

Plot Structure

Story beats plotted across runtime

Act ISetupAct IIConfrontationAct IIIResolutionWorldbuilding3Resistance5Premise8Opposition10Crisis12Synthesis14124679111315
Color Timeline
Color timeline
Sound Timeline
Sound timeline
Threshold
Section
Plot Point

Narrative Arc

Emotional journey through the story's key moments

+42-1
0m27m54m82m109m
Plot Point
Act Threshold
Emotional Arc

Story Circle

Blueprint 15-beat structure

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Arcplot Score Breakdown

Structural Adherence: Standard
8.9/10
4.5/10
2/10
Overall Score7.2/10

Weighted: Precision (70%) + Arc (15%) + Theme (15%)

Go Goa Gone (2013) reveals carefully calibrated plot construction, characteristic of Raj Nidimoru's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 51 minutes. With an Arcplot score of 7.2, the film balances conventional beats with creative variation.

Structural Analysis

The Status Quo at 2 minutes (2% through the runtime) establishes Three friends - Hardik, Luv, and Bunny - living irresponsible lives in Delhi. Hardik just lost his job, Luv is stuck in a failing relationship, establishing their aimless, party-focused existence.. The analysis reveals that this early placement immediately immerses viewers in the story world.

The inciting incident occurs at 12 minutes when The friends receive an invitation to a rave party in Goa from Luna, an attractive Russian woman they meet. This disrupts their mundane Delhi existence with promise of adventure.. At 11% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.

The First Threshold at 27 minutes marks the transition into Act II, occurring at 24% of the runtime. This illustrates the protagonist's commitment to The friends actively choose to take the experimental drug "D2RF" at the rave party, crossing into the zombie nightmare. This is their choice to enter the new world of consequences., moving from reaction to action.

At 56 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. The analysis reveals that this crucial beat False victory: The group formulates a solid plan to escape the island by reaching the dock and finding a boat. They feel confident and prepared, raising the stakes for the second half., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.

The Collapse moment at 82 minutes (74% through) represents the emotional nadir. Here, Boris is killed by zombies while protecting the friends. This "whiff of death" removes their protector and forces them to face responsibility alone. Their situation appears hopeless., reveals the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.

The Second Threshold at 88 minutes initiates the final act resolution at 80% of the runtime. The friends synthesize Boris's training with their own resourcefulness. They decide to stop running and actively fight to escape, accepting responsibility for their survival. New resolve and maturity emerge., demonstrating the transformation achieved throughout the journey.

Emotional Journey

Go Goa Gone's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.

Narrative Framework

This structural analysis employs structural analysis methodology used to understand storytelling architecture. By mapping Go Goa Gone against these established plot points, we can identify how Raj Nidimoru utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Go Goa Gone within the comedy genre.

Comparative Analysis

Additional comedy films include The Ministry of Ungentlemanly Warfare, The Bad Guys and Lake Placid.

Plot Points by Act

Act I

Setup
1

Status Quo

2 min1.9%0 tone

Three friends - Hardik, Luv, and Bunny - living irresponsible lives in Delhi. Hardik just lost his job, Luv is stuck in a failing relationship, establishing their aimless, party-focused existence.

2

Theme

5 min4.6%0 tone

Luv's girlfriend criticizes him for being irresponsible and immature, stating "You need to grow up and take responsibility." This plants the thematic seed about maturity and consequences.

3

Worldbuilding

2 min1.9%0 tone

Setup of the three friends' ordinary world: dead-end jobs, relationship problems, party lifestyle. Hardik gets fired, Luv deals with girlfriend issues, Bunny lives with them. Establishing their dynamic and immaturity.

4

Disruption

12 min11.1%+1 tone

The friends receive an invitation to a rave party in Goa from Luna, an attractive Russian woman they meet. This disrupts their mundane Delhi existence with promise of adventure.

5

Resistance

12 min11.1%+1 tone

The friends debate going to Goa, deal with logistics, and prepare for the trip. Luv hesitates due to girlfriend, but eventually they all commit. Journey to Goa and arrival at the island for the rave party.

Act II

Confrontation
6

First Threshold

27 min24.1%+2 tone

The friends actively choose to take the experimental drug "D2RF" at the rave party, crossing into the zombie nightmare. This is their choice to enter the new world of consequences.

7

Mirror World

33 min29.6%+1 tone

The friends wake up to discover the island overrun with zombies. They meet Boris, a Russian zombie hunter who becomes their guide, representing the responsibility and competence they lack.

8

Premise

27 min24.1%+2 tone

Fun and games of zombie survival comedy. The friends learn to fight zombies, discover the drug caused the outbreak, navigate Boris's bunker, attempt various escape plans. Comedy derived from slackers vs zombies.

9

Midpoint

56 min50.0%+2 tone

False victory: The group formulates a solid plan to escape the island by reaching the dock and finding a boat. They feel confident and prepared, raising the stakes for the second half.

10

Opposition

56 min50.0%+2 tone

Escape attempts fail repeatedly. Zombies intensify attacks. Boris reveals his own agenda. The friends' incompetence and cowardice cause setbacks. Luna is revealed to be infected. Plans crumble as zombie hordes close in.

11

Collapse

82 min74.1%+1 tone

Boris is killed by zombies while protecting the friends. This "whiff of death" removes their protector and forces them to face responsibility alone. Their situation appears hopeless.

12

Crisis

82 min74.1%+1 tone

The friends process Boris's death and their dire situation. Dark night of despair as they realize they must step up or die. They confront their own cowardice and immaturity.

Act III

Resolution
13

Second Threshold

88 min79.6%+2 tone

The friends synthesize Boris's training with their own resourcefulness. They decide to stop running and actively fight to escape, accepting responsibility for their survival. New resolve and maturity emerge.

14

Synthesis

88 min79.6%+2 tone

The finale: The friends execute a coordinated plan to fight through zombie hordes, use improvised weapons effectively, and reach the escape boat. They work as a team, displaying newfound courage and responsibility.

15

Transformation

109 min98.2%+3 tone

The friends escape the island, transformed from irresponsible slackers into survivors who proved their capability. Final image mirrors opening but shows growth - they've faced consequences and emerged changed.