Hijack 1971 poster
7.4
Arcplot Score
Unverified

Hijack 1971

2024100 minR
Director: Kim Sung-han
Cinematographer: Lee Hyung-deok
Composer: Kim Tae-seong

The movie depics the story of people fighting for their lives in an extreme situation when a passenger plane is hijacked in the airspace of Korea in 1971.

Revenue$14.6M

The film earned $14.6M at the global box office.

IMDb6.8TMDb6.6
Popularity7.3
Where to Watch
Google Play MoviesYouTubeAmazon VideoApple TVFandango At Home

Plot Structure

Story beats plotted across runtime

Act ISetupAct IIConfrontationAct IIIResolutionWorldbuilding3Resistance5Premise8Opposition10Crisis12Synthesis14124679111315
Color Timeline
Color timeline
Sound Timeline
Sound timeline
Threshold
Section
Plot Point

Narrative Arc

Emotional journey through the story's key moments

+1-2-5
0m25m50m74m99m
Plot Point
Act Threshold
Emotional Arc

Story Circle

Blueprint 15-beat structure

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Arcplot Score Breakdown

Structural Adherence: Standard
8.9/10
6/10
2/10
Overall Score7.4/10

Weighted: Precision (70%) + Arc (15%) + Theme (15%)

Hijack 1971 (2024) showcases precise plot construction, characteristic of Kim Sung-han's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 40 minutes. With an Arcplot score of 7.4, the film balances conventional beats with creative variation.

Structural Analysis

The Status Quo at 1 minutes (1% through the runtime) establishes Pilot Tae-in prepares for a routine flight from Sokcho to Gimpo, showing his professionalism and dedication to his crew and passengers in the ordinary world of 1971 South Korea.. Of particular interest, this early placement immediately immerses viewers in the story world.

The inciting incident occurs at 13 minutes when The hijacker reveals himself and takes control of the aircraft, brandishing a weapon and demanding the plane be diverted to North Korea, shattering the normalcy of the flight.. At 13% through the film, this Disruption is delayed, allowing extended setup of the story world. This beat shifts the emotional landscape, launching the protagonist into the central conflict.

The First Threshold at 25 minutes marks the transition into Act II, occurring at 25% of the runtime. This indicates the protagonist's commitment to Tae-in makes the active decision to comply with the hijacker's demands and set course for North Korea, crossing the point of no return and entering dangerous airspace., moving from reaction to action.

At 50 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Structural examination shows that this crucial beat The aircraft enters North Korean airspace and communication with the South is lost, raising the stakes exponentially as the crew realizes they may never make it home., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.

The Collapse moment at 75 minutes (75% through) represents the emotional nadir. Here, A passenger or crew member is killed or critically injured, bringing death into the cabin and pushing Tae-in to his darkest moment of despair and helplessness., illustrates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.

The Second Threshold at 80 minutes initiates the final act resolution at 80% of the runtime. Tae-in synthesizes his pilot skills with newfound courage and a plan to retake the plane, inspired by the thematic lesson learned from his mirror world relationship., demonstrating the transformation achieved throughout the journey.

Emotional Journey

Hijack 1971's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.

Narrative Framework

This structural analysis employs systematic plot point analysis that identifies crucial turning points. By mapping Hijack 1971 against these established plot points, we can identify how Kim Sung-han utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Hijack 1971 within the action genre.

Comparative Analysis

Additional action films include The Ministry of Ungentlemanly Warfare, The Bad Guys and Lake Placid.

Plot Points by Act

Act I

Setup
1

Status Quo

1 min1.2%0 tone

Pilot Tae-in prepares for a routine flight from Sokcho to Gimpo, showing his professionalism and dedication to his crew and passengers in the ordinary world of 1971 South Korea.

2

Theme

5 min5.4%0 tone

A character discusses the cost of courage and doing what's right when lives are at stake, establishing the film's thematic exploration of heroism under extreme pressure.

3

Worldbuilding

1 min1.2%0 tone

Introduction to the crew, passengers, and the political tensions of 1971 Korea. We see Tae-in's relationships with his co-pilot and flight attendants, and meet the diverse passengers boarding the flight.

4

Disruption

13 min12.5%-1 tone

The hijacker reveals himself and takes control of the aircraft, brandishing a weapon and demanding the plane be diverted to North Korea, shattering the normalcy of the flight.

5

Resistance

13 min12.5%-1 tone

Tae-in and crew assess the situation, debate their options, and attempt to reason with the hijacker while maintaining calm among terrified passengers. Ground control provides guidance as they weigh impossible choices.

Act II

Confrontation
6

First Threshold

25 min25.0%-2 tone

Tae-in makes the active decision to comply with the hijacker's demands and set course for North Korea, crossing the point of no return and entering dangerous airspace.

7

Mirror World

30 min30.0%-2 tone

Tae-in connects with a passenger or crew member who represents the human cost of his decisions, creating a thematic relationship that will guide his understanding of true heroism.

8

Premise

25 min25.0%-2 tone

The tense cat-and-mouse game aboard the hijacked plane as Tae-in navigates between the hijacker's demands, passenger safety, and secretly plotting a way to regain control without causing a massacre.

9

Midpoint

50 min50.0%-3 tone

The aircraft enters North Korean airspace and communication with the South is lost, raising the stakes exponentially as the crew realizes they may never make it home.

10

Opposition

50 min50.0%-3 tone

The hijacker becomes more volatile and dangerous, passengers begin to panic, North Korean forces respond, and Tae-in's attempts to maintain control grow increasingly desperate as the situation deteriorates.

11

Collapse

75 min75.0%-4 tone

A passenger or crew member is killed or critically injured, bringing death into the cabin and pushing Tae-in to his darkest moment of despair and helplessness.

12

Crisis

75 min75.0%-4 tone

Tae-in processes the loss and confronts his fear, doubt, and the weight of responsibility for everyone aboard, wrestling with whether he has the strength to save them.

Act III

Resolution
13

Second Threshold

80 min80.0%-3 tone

Tae-in synthesizes his pilot skills with newfound courage and a plan to retake the plane, inspired by the thematic lesson learned from his mirror world relationship.

14

Synthesis

80 min80.0%-3 tone

The climactic confrontation as Tae-in executes his plan to neutralize the hijacker and navigate back to South Korean territory despite fuel concerns, military threats, and mechanical challenges.

15

Transformation

99 min99.0%-2 tone

Tae-in successfully lands the plane safely, greeted as a hero, but the closing image shows him transformed - no longer just a skilled pilot but someone who understands the true weight and meaning of protecting lives.