Italiano medio poster
7.4
Arcplot Score
Unverified

Italiano medio

201590 min

A committed environmentalist whose hyperfixation with everything that's wrong with the world is taking a toll on his marriage tries a pill that reduces human brain capacity from the usual 20% to a mere 2%. Which puts him on a par with your typical man on the street.

Revenue$4.5M
Budget$1.8M
Profit
+2.7M
+150%

Despite its tight budget of $1.8M, Italiano medio became a box office success, earning $4.5M worldwide—a 150% return.

TMDb5.8
Popularity1.4

Plot Structure

Story beats plotted across runtime

Act ISetupAct IIConfrontationAct IIIResolutionWorldbuilding3Resistance5Premise8Opposition10Crisis12Synthesis14124679111315
Color Timeline
Color timeline
Sound Timeline
Sound timeline
Threshold
Section
Plot Point

Narrative Arc

Emotional journey through the story's key moments

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0m22m44m66m89m
Plot Point
Act Threshold
Emotional Arc

Story Circle

Blueprint 15-beat structure

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Arcplot Score Breakdown

Structural Adherence: Standard
8.9/10
5/10
3/10
Overall Score7.4/10

Weighted: Precision (70%) + Arc (15%) + Theme (15%)

Italiano medio (2015) demonstrates precise story structure, characteristic of Maccio Capatonda's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 30 minutes. With an Arcplot score of 7.4, the film balances conventional beats with creative variation.

Structural Analysis

The Status Quo at 1 minutes (1% through the runtime) establishes Giulio, an average Italian man, lives his mundane life consumed by typical Italian stereotypes - football, pizza, and casual prejudices. We see him in his ordinary world as the quintessential "italiano medio.".. Structural examination shows that this early placement immediately immerses viewers in the story world.

The inciting incident occurs at 10 minutes when Giulio undergoes a bizarre transformation that makes him experience life from different perspectives - he begins to literally become the targets of his prejudices, forcing him to confront his own biases.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.

The First Threshold at 22 minutes marks the transition into Act II, occurring at 24% of the runtime. This indicates the protagonist's commitment to Giulio accepts that he must navigate these transformations and decides to experience life through these different lenses, committing to the journey of understanding rather than denial., moving from reaction to action.

At 44 minutes, the Midpoint arrives at 49% of the runtime—precisely centered, creating perfect narrative symmetry. Structural examination shows that this crucial beat Giulio has a moment of apparent breakthrough - he thinks he understands the lesson and can return to normal, believing he's overcome his prejudices. A false victory as his transformation seems to end., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.

The Collapse moment at 66 minutes (74% through) represents the emotional nadir. Here, Giulio faces the death of his old identity - he loses everything he thought defined him as he's completely rejected by those he cared about due to his inability to truly change. His "italiano medio" self must die., indicates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.

The Second Threshold at 70 minutes initiates the final act resolution at 78% of the runtime. Giulio has a genuine epiphany - he synthesizes that empathy requires more than intellectual understanding; it requires emotional connection. He chooses authentic change over comfortable prejudice., demonstrating the transformation achieved throughout the journey.

Emotional Journey

Italiano medio's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.

Narrative Framework

This structural analysis employs proven narrative structure principles that track dramatic progression. By mapping Italiano medio against these established plot points, we can identify how Maccio Capatonda utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Italiano medio within the comedy genre.

Comparative Analysis

Additional comedy films include The Ministry of Ungentlemanly Warfare, The Bad Guys and Lake Placid.

Plot Points by Act

Act I

Setup
1

Status Quo

1 min1.2%0 tone

Giulio, an average Italian man, lives his mundane life consumed by typical Italian stereotypes - football, pizza, and casual prejudices. We see him in his ordinary world as the quintessential "italiano medio."

2

Theme

4 min4.8%0 tone

A conversation about what it means to be Italian and the blind spots of prejudice is mentioned, hinting at the film's exploration of stereotypes and self-awareness.

3

Worldbuilding

1 min1.2%0 tone

Establishment of Giulio's world: his family dynamics, work life, social circles, and deeply ingrained prejudices. His comfortable existence built on stereotypical Italian behavior and casual racism.

4

Disruption

10 min11.5%-1 tone

Giulio undergoes a bizarre transformation that makes him experience life from different perspectives - he begins to literally become the targets of his prejudices, forcing him to confront his own biases.

5

Resistance

10 min11.5%-1 tone

Giulio struggles to understand his transformations, resists the changes, and debates whether to embrace this new reality or fight against it. Initial encounters with the irony of his situation.

Act II

Confrontation
6

First Threshold

22 min24.0%-2 tone

Giulio accepts that he must navigate these transformations and decides to experience life through these different lenses, committing to the journey of understanding rather than denial.

7

Mirror World

27 min29.5%-2 tone

Giulio encounters characters who reflect back his own prejudices, showing him the humanity in those he previously dismissed. These relationships become the vehicle for his thematic education.

8

Premise

22 min24.0%-2 tone

The satirical exploration of Italian stereotypes unfolds. Giulio experiences various transformations, each one dismantling a different prejudice through absurdist comedy and social commentary.

9

Midpoint

44 min49.0%-1 tone

Giulio has a moment of apparent breakthrough - he thinks he understands the lesson and can return to normal, believing he's overcome his prejudices. A false victory as his transformation seems to end.

10

Opposition

44 min49.0%-1 tone

Giulio's old habits and deeper prejudices resurface. The transformations return more intensely, revealing that surface-level understanding isn't enough. His relationships strain as he backslides.

11

Collapse

66 min73.5%-2 tone

Giulio faces the death of his old identity - he loses everything he thought defined him as he's completely rejected by those he cared about due to his inability to truly change. His "italiano medio" self must die.

12

Crisis

66 min73.5%-2 tone

Giulio sits in darkness, processing the loss of his former identity and confronting the ugliness of who he was. A period of genuine self-reflection and emotional reckoning.

Act III

Resolution
13

Second Threshold

70 min78.0%-1 tone

Giulio has a genuine epiphany - he synthesizes that empathy requires more than intellectual understanding; it requires emotional connection. He chooses authentic change over comfortable prejudice.

14

Synthesis

70 min78.0%-1 tone

Giulio actively works to rebuild his relationships and life with genuine openness. He confronts the systems and people that perpetuate stereotypes, applying his new understanding to create real change.

15

Transformation

89 min98.5%0 tone

Final image mirrors the opening but shows a transformed Giulio - still Italian, still average, but now aware, empathetic, and free from the prison of prejudice. He's become truly human rather than a stereotype.