
My Mom Is a Character
After another spat with her kids, Dona Hermínia decides to take some time off from them and hides away in her aunt's house, where she reminisces about her kids in an age when they still needed her.
Despite its limited budget of $2.0M, My Mom Is a Character became a box office phenomenon, earning $20.6M worldwide—a remarkable 928% return. The film's unique voice connected with viewers, confirming that strong storytelling can transcend budget limitations.
Plot Structure
Story beats plotted across runtime


Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Arcplot Score Breakdown
Weighted: Precision (70%) + Arc (15%) + Theme (15%)
My Mom Is a Character (2013) exemplifies carefully calibrated plot construction, characteristic of André Pellenz's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 25 minutes. With an Arcplot score of 7.2, the film balances conventional beats with creative variation.
Structural Analysis
The Status Quo at 1 minutes (1% through the runtime) establishes Dona Hermínia in her chaotic, overbearing element, managing her household with dramatic flair and constant complaining about her ungrateful children.. Significantly, this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 10 minutes when Dona Hermínia's children announce they're moving out or distancing themselves from her suffocating presence, leaving her facing an empty nest and loss of purpose.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.
The First Threshold at 21 minutes marks the transition into Act II, occurring at 25% of the runtime. This shows the protagonist's commitment to Hermínia decides to actively interfere in her children's lives, following them and inserting herself into their new independent worlds despite their protests., moving from reaction to action.
At 43 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Significantly, this crucial beat A false victory where Hermínia seems to successfully reconnect with her children or they appear to appreciate her, but the underlying issues remain unresolved., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.
The Collapse moment at 64 minutes (75% through) represents the emotional nadir. Here, Hermínia faces rejection from her children in a devastating confrontation where they express how suffocated they feel, or she realizes she's truly alone and has pushed them away., shows the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.
The Second Threshold at 68 minutes initiates the final act resolution at 80% of the runtime. Hermínia has a realization that her children's independence doesn't mean they don't love her, and she chooses to change her approach and respect their boundaries., demonstrating the transformation achieved throughout the journey.
Emotional Journey
My Mom Is a Character's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.
Narrative Framework
This structural analysis employs a 15-point narrative structure framework that maps key story moments. By mapping My Mom Is a Character against these established plot points, we can identify how André Pellenz utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish My Mom Is a Character within the comedy genre.
Comparative Analysis
Additional comedy films include The Ministry of Ungentlemanly Warfare, The Bad Guys and Lake Placid.
Plot Points by Act
Act I
SetupStatus Quo
Dona Hermínia in her chaotic, overbearing element, managing her household with dramatic flair and constant complaining about her ungrateful children.
Theme
A friend or family member comments on how mothers sacrifice everything for their children, who often don't appreciate it until it's too late.
Worldbuilding
Establishment of Dona Hermínia's world: her overbearing parenting style, her adult children's exasperation, her loneliness masked by comedy, and the household dynamics that define her identity.
Disruption
Dona Hermínia's children announce they're moving out or distancing themselves from her suffocating presence, leaving her facing an empty nest and loss of purpose.
Resistance
Hermínia resists accepting her children's independence, trying various manipulative and comedic tactics to keep them close while friends advise her to let go.
Act II
ConfrontationFirst Threshold
Hermínia decides to actively interfere in her children's lives, following them and inserting herself into their new independent worlds despite their protests.
Mirror World
Hermínia encounters another mother or develops a relationship that reflects a healthier parent-child dynamic, showing what she could become.
Premise
The comedic exploration of Hermínia's outrageous attempts to remain relevant in her children's lives, creating chaos and embarrassment while secretly highlighting her deep love and fear of abandonment.
Midpoint
A false victory where Hermínia seems to successfully reconnect with her children or they appear to appreciate her, but the underlying issues remain unresolved.
Opposition
The children push back harder against Hermínia's interference, tensions escalate, and her methods backfire, revealing the pain beneath the comedy as family conflicts intensify.
Collapse
Hermínia faces rejection from her children in a devastating confrontation where they express how suffocated they feel, or she realizes she's truly alone and has pushed them away.
Crisis
Hermínia confronts her loneliness and fear of being forgotten, processing the painful truth that love sometimes means letting go.
Act III
ResolutionSecond Threshold
Hermínia has a realization that her children's independence doesn't mean they don't love her, and she chooses to change her approach and respect their boundaries.
Synthesis
Hermínia makes amends with her children, demonstrating growth by supporting their independence while finding her own identity, leading to genuine reconciliation.
Transformation
Hermínia is shown in a moment that mirrors the opening but demonstrates her transformation: still herself, still funny, but now with healthier boundaries and secure in her children's love.