
Once Bitten
The Countess has a problem. She is a 400 year old vampire who will cease to look young unless she is able to feed on a virgin three times before the upcoming Halloween, a week away. She sends Sebastian, her servant and all of her lesser vampires out to find one. Finding a virgin is difficult in 1980s Los Angeles. Mark has a problem. He wants to 'do it' with Robin in the worst way, but she wants to wait. Jamie and Russ, Mark's goofy friends convince him to go to a Hollywood pick up spot where Mark meets the Countess, on the prowl. Robin's not going to understand this.
Despite its tight budget of $3.2M, Once Bitten became a commercial success, earning $10.0M worldwide—a 213% return. The film's fresh perspective found its audience, illustrating how strong storytelling can transcend budget limitations.
Plot Structure
Story beats plotted across runtime


Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Arcplot Score Breakdown
Weighted: Precision (70%) + Arc (15%) + Theme (15%)
Once Bitten (1985) demonstrates carefully calibrated narrative design, characteristic of Howard Storm's storytelling approach. This structural analysis examines how the film's 11-point plot structure maps to proven narrative frameworks across 1 hour and 34 minutes. With an Arcplot score of 6.8, the film balances conventional beats with creative variation.
Structural Analysis
The Status Quo at 1 minutes (1% through the runtime) establishes Mark Kendall is a sexually frustrated high school senior in Los Angeles, unable to convince his girlfriend Robin to sleep with him despite his best efforts.. Notably, this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 12 minutes when After being rejected by Robin again, Mark and his friends venture to Hollywood looking for girls. Mark encounters the mysterious and seductive Countess at a nightclub who takes special interest in him.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.
At 48 minutes, the Midpoint arrives at 51% of the runtime—precisely centered, creating perfect narrative symmetry. Of particular interest, this crucial beat Mark's transformation accelerates as the Countess's deadline approaches. His friends discover the truth about the vampire, and Robin realizes she's losing Mark to something supernatural. The stakes are raised: Mark will become a full vampire unless he consummates his relationship with Robin before Halloween., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.
The Collapse moment at 70 minutes (74% through) represents the emotional nadir. Here, The Countess captures Mark on Halloween night, taking him to complete the transformation. Mark is separated from Robin and his friends, seemingly lost to the vampire world forever. Robin believes she's lost him., reveals the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.
The Synthesis at 75 minutes initiates the final act resolution at 80% of the runtime. The final confrontation at the Countess's mansion. Mark and Robin consummate their relationship, breaking the vampire's hold. Mark is saved from transformation. The Countess, denied virgin blood, begins to age rapidly. Mark embraces his normal life and real relationship over the fantasy., demonstrating the transformation achieved throughout the journey.
Emotional Journey
Once Bitten's emotional architecture traces a deliberate progression across 11 carefully calibrated beats.
Narrative Framework
This structural analysis employs proven narrative structure principles that track dramatic progression. By mapping Once Bitten against these established plot points, we can identify how Howard Storm utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Once Bitten within the comedy genre.
Comparative Analysis
Additional comedy films include The Ministry of Ungentlemanly Warfare, The Bad Guys and Lake Placid.
Plot Points by Act
Act I
SetupStatus Quo
Mark Kendall is a sexually frustrated high school senior in Los Angeles, unable to convince his girlfriend Robin to sleep with him despite his best efforts.
Theme
Mark's friends discuss how "once you go all the way, everything changes" - suggesting the theme of maturity, consequences, and losing innocence.
Worldbuilding
Establishes Mark's ordinary world: his relationship with Robin, his two best friends Jamie and Russ, his sexual frustration, and the social dynamics of high school life in 1980s Los Angeles. Meanwhile, the 400-year-old Countess needs virgin blood to maintain her youth.
Disruption
After being rejected by Robin again, Mark and his friends venture to Hollywood looking for girls. Mark encounters the mysterious and seductive Countess at a nightclub who takes special interest in him.
Resistance
Mark is seduced by the Countess and taken to her mansion. She bites him but doesn't fully drain him. Mark begins experiencing strange symptoms. His friends notice changes in his behavior, and he becomes torn between the exotic Countess and his normal life with Robin.
Act II
ConfrontationPremise
The fun and games of Mark living between two worlds: sneaking away to the Countess while maintaining his relationship with Robin. The comedy of his vampiric symptoms, the Countess's elaborate attempts to seduce him completely, and his friends' growing concern and investigation into what's happening.
Midpoint
Mark's transformation accelerates as the Countess's deadline approaches. His friends discover the truth about the vampire, and Robin realizes she's losing Mark to something supernatural. The stakes are raised: Mark will become a full vampire unless he consummates his relationship with Robin before Halloween.
Opposition
The Countess intensifies her efforts to claim Mark completely. Mark's vampiric symptoms worsen - fangs, aversion to sunlight, craving blood. Robin and Mark's friends work together to save him. The Countess's servants actively interfere. Time is running out before Halloween when the transformation will be permanent.
Collapse
The Countess captures Mark on Halloween night, taking him to complete the transformation. Mark is separated from Robin and his friends, seemingly lost to the vampire world forever. Robin believes she's lost him.
Crisis
Robin processes her feelings and realizes she truly loves Mark. Mark, in the Countess's thrall, faces the choice between eternal life with the Countess or mortality with real love. The dark moment before the final choice.
Act III
ResolutionSynthesis
The final confrontation at the Countess's mansion. Mark and Robin consummate their relationship, breaking the vampire's hold. Mark is saved from transformation. The Countess, denied virgin blood, begins to age rapidly. Mark embraces his normal life and real relationship over the fantasy.





