
Sex and the City 2
Carrie, Charlotte, and Miranda are all married now, but they're still up for a little fun in the sun. When Samantha gets the chance to visit one of the most extravagant vacation destinations on the planet and offers to bring them all along, they surmise that a women-only retreat may be the perfect excuse to eschew their responsibilities and remember what life was like before they decided to settle down.
Despite a considerable budget of $100.0M, Sex and the City 2 became a box office success, earning $290.7M worldwide—a 191% return.
Plot Structure
Story beats plotted across runtime


Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Arcplot Score Breakdown
Weighted: Precision (70%) + Arc (15%) + Theme (15%)
Sex and the City 2 (2010) exhibits deliberately positioned plot construction, characteristic of Michael Patrick King's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 2 hours and 27 minutes. With an Arcplot score of 7.1, the film balances conventional beats with creative variation.
Structural Analysis
The Status Quo at 1 minutes (1% through the runtime) establishes Opening montage showing the four women two years after the first film. Carrie narrates their current lives: she's married to Big, Charlotte has two children, Miranda is a working mother, and Samantha is managing menopause while running her PR business.. The analysis reveals that this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 17 minutes when Samantha receives an offer from a sheikh to fly all four women to Abu Dhabi for a week, all expenses paid, in exchange for PR work. This represents an escape from their various domestic troubles and reignites possibility.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.
The First Threshold at 36 minutes marks the transition into Act II, occurring at 24% of the runtime. This demonstrates the protagonist's commitment to The four women board the private plane to Abu Dhabi, actively choosing adventure and escape over their domestic responsibilities. They toast to their friendship and new experiences, crossing into Act 2., moving from reaction to action.
At 74 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Structural examination shows that this crucial beat Carrie has dinner with Aidan and they kiss. This "false victory" of reconnecting with her passionate past immediately becomes a false defeat as she realizes she's betrayed Big and jeopardized her marriage. The stakes rise significantly., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.
The Collapse moment at 108 minutes (73% through) represents the emotional nadir. Here, After Samantha's arrest and near-mob scene at the souk, the women are rescued by progressive Emirati women who reveal they read banned Western books and fashion magazines in secret. This represents the "death" of the women's naïve belief that their freedom and choices are universal or easily won., reveals the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.
The Second Threshold at 116 minutes initiates the final act resolution at 79% of the runtime. Carrie decides to confess to Big immediately upon returning home, choosing honesty and her marriage over self-protection. This synthesis of old Carrie (honest, brave) with new Carrie (committed wife) propels her into Act 3., demonstrating the transformation achieved throughout the journey.
Emotional Journey
Sex and the City 2's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.
Narrative Framework
This structural analysis employs structural analysis methodology used to understand storytelling architecture. By mapping Sex and the City 2 against these established plot points, we can identify how Michael Patrick King utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Sex and the City 2 within the comedy genre.
Comparative Analysis
Additional comedy films include The Ministry of Ungentlemanly Warfare, The Bad Guys and Lake Placid.
Plot Points by Act
Act I
SetupStatus Quo
Opening montage showing the four women two years after the first film. Carrie narrates their current lives: she's married to Big, Charlotte has two children, Miranda is a working mother, and Samantha is managing menopause while running her PR business.
Theme
At Stanford and Anthony's extravagant gay wedding, Liza Minnelli officiates and says "When you're tired of living alone and want something more..." - establishing the theme about marriage, domesticity, and whether "more" means settling down or maintaining independence and passion.
Worldbuilding
Setup of each woman's dissatisfaction: Carrie feels stuck in domestic routine with Big watching TV, Charlotte is overwhelmed by motherhood and her braless nanny, Miranda is disrespected by her sexist boss, and Samantha struggles with aging and hormone therapy.
Disruption
Samantha receives an offer from a sheikh to fly all four women to Abu Dhabi for a week, all expenses paid, in exchange for PR work. This represents an escape from their various domestic troubles and reignites possibility.
Resistance
The women debate whether to go. Carrie worries about leaving Big, Charlotte about her children, Miranda about work. They discuss the trip as an escape and remember who they used to be. Big encourages Carrie to go, saying they need time apart.
Act II
ConfrontationFirst Threshold
The four women board the private plane to Abu Dhabi, actively choosing adventure and escape over their domestic responsibilities. They toast to their friendship and new experiences, crossing into Act 2.
Mirror World
The women arrive at the luxurious hotel in Abu Dhabi and meet their butlers. This opulent world of excess and glamour mirrors everything missing from their domestic lives - luxury, attention, excitement, and freedom.
Premise
The "promise of the premise" - the women enjoy Abu Dhabi: shopping in souks, riding camels, experiencing luxury spa treatments, and navigating cultural differences. Carrie runs into Aidan, her ex-boyfriend. Each woman explores freedom from their normal constraints.
Midpoint
Carrie has dinner with Aidan and they kiss. This "false victory" of reconnecting with her passionate past immediately becomes a false defeat as she realizes she's betrayed Big and jeopardized her marriage. The stakes rise significantly.
Opposition
Things fall apart: Carrie is consumed with guilt. Samantha's provocative behavior and public display of sexuality gets her arrested. The women are threatened by angry men at the souk and must flee. Cultural clashes intensify. Miranda and Charlotte bond over admitting motherhood is hard.
Collapse
After Samantha's arrest and near-mob scene at the souk, the women are rescued by progressive Emirati women who reveal they read banned Western books and fashion magazines in secret. This represents the "death" of the women's naïve belief that their freedom and choices are universal or easily won.
Crisis
On the flight home, the women process what they've learned. They realize their problems at home pale in comparison to women without basic freedoms. Carrie dreads facing Big and confessing about Aidan. The weight of their privilege and their choices settles in.
Act III
ResolutionSecond Threshold
Carrie decides to confess to Big immediately upon returning home, choosing honesty and her marriage over self-protection. This synthesis of old Carrie (honest, brave) with new Carrie (committed wife) propels her into Act 3.
Synthesis
Carrie confesses to Big, who is hurt but forgives her. Each woman resolves her arc: Miranda quits her job to find better work-life balance, Charlotte accepts help and her nanny, Samantha embraces aging naturally, and Carrie commits fully to her marriage while maintaining her identity.
Transformation
Final image mirrors the opening: the four women meet for drinks in New York. But now they're transformed - grateful for their choices, their freedoms, and each other. Carrie and Big have a "two days a week apart" agreement, balancing marriage with independence. The women toast "to us."







