South Pacific poster
7.6
Arcplot Score
Unverified

South Pacific

1958157 minApproved
Director: Joshua Logan

Can a girl from Little Rock find happiness with a mature French planter she got to know one enchanted evening away from the military hospital where she is a nurse? Or should she just wash that man out of her hair? Bloody Mary is the philosopher of the island and it's hard to believe she could be the mother of Liat who has captured the heart of Lt. Joseph Cable USMC. While waiting for action in the war in the South Pacific, sailors and nurses put on a musical comedy show. The war gets closer and the saga of Nellie Forbush and Emile de Becque becomes serious drama.

Revenue$36.8M
Budget$6.0M
Profit
+30.8M
+513%

Despite its modest budget of $6.0M, South Pacific became a runaway success, earning $36.8M worldwide—a remarkable 513% return. The film's distinctive approach resonated with audiences, showing that strong storytelling can transcend budget limitations.

Awards

1 Oscar. 1 win & 10 nominations

Where to Watch
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Plot Structure

Story beats plotted across runtime

Act ISetupAct IIConfrontationAct IIIResolutionWorldbuilding3Resistance5Premise8Opposition10Crisis12Synthesis14124679111315
Color Timeline
Color timeline
Sound Timeline
Sound timeline
Threshold
Section
Plot Point

Narrative Arc

Emotional journey through the story's key moments

+31-1
0m39m78m117m156m
Plot Point
Act Threshold
Emotional Arc

Story Circle

Blueprint 15-beat structure

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Arcplot Score Breakdown

Structural Adherence: Standard
8.9/10
5/10
4/10
Overall Score7.6/10

Weighted: Precision (70%) + Arc (15%) + Theme (15%)

South Pacific (1958) reveals strategically placed narrative design, characteristic of Joshua Logan's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 2 hours and 37 minutes. With an Arcplot score of 7.6, the film showcases strong structural fundamentals.

Structural Analysis

The Status Quo at 2 minutes (1% through the runtime) establishes Nellie Forbush arrives on the tropical island as an optimistic Navy nurse, washing her hair and singing "I'm Gonna Wash That Man Right Outa My Hair" - establishing her as a spirited, hopeful but inexperienced woman in paradise.. Notably, this early placement immediately immerses viewers in the story world.

The inciting incident occurs at 20 minutes when Nellie meets the sophisticated French planter Emile de Becque at a formal dinner. She is swept off her feet by this mysterious, cultured older man who represents everything foreign and romantic to her small-town Arkansas sensibilities.. At 13% through the film, this Disruption is delayed, allowing extended setup of the story world. This beat shifts the emotional landscape, launching the protagonist into the central conflict.

The First Threshold at 41 minutes marks the transition into Act II, occurring at 26% of the runtime. This illustrates the protagonist's commitment to Emile reveals he has two Polynesian children from his deceased Polynesian wife. Nellie, confronting her deep-seated racial prejudices from her Arkansas upbringing, cannot accept this and breaks off their budding relationship despite her love for him., moving from reaction to action.

At 80 minutes, the Midpoint arrives at 51% of the runtime—precisely centered, creating perfect narrative symmetry. The analysis reveals that this crucial beat Cable sings "You've Got to Be Carefully Taught," explicitly articulating the film's message that prejudice is learned, not innate. He recognizes his own inability to overcome his prejudices and marry Liat, creating a moment of painful self-awareness that raises the stakes for both romantic plots., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.

The Collapse moment at 118 minutes (75% through) represents the emotional nadir. Here, Lt. Cable is killed during the dangerous reconnaissance mission with Emile. This literal death brings the "whiff of death" to the story, devastating Liat and Bloody Mary, and forcing Nellie to confront what truly matters as she awaits news of whether Emile survived., shows the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.

The Second Threshold at 127 minutes initiates the final act resolution at 81% of the runtime. Nellie learns that Emile survived the mission and is returning. Having overcome her prejudices through Cable's sacrifice and her own soul-searching, she makes the active choice to go to Emile's home and embrace his children, fully accepting his family and past., demonstrating the transformation achieved throughout the journey.

Emotional Journey

South Pacific's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.

Narrative Framework

This structural analysis employs proven narrative structure principles that track dramatic progression. By mapping South Pacific against these established plot points, we can identify how Joshua Logan utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish South Pacific within the drama genre.

Joshua Logan's Structural Approach

Among the 5 Joshua Logan films analyzed on Arcplot, the average structural score is 7.3, reflecting strong command of classical structure. South Pacific represents one of the director's most structurally precise works. For comparative analysis, explore the complete Joshua Logan filmography.

Comparative Analysis

Additional drama films include Eye for an Eye, Kiss of the Spider Woman and Radical. For more Joshua Logan analyses, see Paint Your Wagon, Tall Story and Picnic.

Plot Points by Act

Act I

Setup
1

Status Quo

2 min1.2%+1 tone

Nellie Forbush arrives on the tropical island as an optimistic Navy nurse, washing her hair and singing "I'm Gonna Wash That Man Right Outa My Hair" - establishing her as a spirited, hopeful but inexperienced woman in paradise.

2

Theme

8 min4.8%+1 tone

Bloody Mary talks about prejudice and acceptance in her interactions, foreshadowing the film's exploration of racial prejudice. The theme of learned intolerance versus natural love is introduced through the diverse island community.

3

Worldbuilding

2 min1.2%+1 tone

Introduction to the Navy base on the Pacific island during WWII, establishing the military personnel, local islanders, Bloody Mary's entrepreneurial activities, and the contrast between American military culture and the exotic locale.

4

Disruption

20 min12.7%+2 tone

Nellie meets the sophisticated French planter Emile de Becque at a formal dinner. She is swept off her feet by this mysterious, cultured older man who represents everything foreign and romantic to her small-town Arkansas sensibilities.

5

Resistance

20 min12.7%+2 tone

Nellie and Emile's whirlwind romance develops through "Some Enchanted Evening" and subsequent encounters. Nellie debates whether she can accept Emile's mysterious past and different world, while Lt. Cable arrives and develops his own subplot with Liat.

Act II

Confrontation
6

First Threshold

41 min26.1%+1 tone

Emile reveals he has two Polynesian children from his deceased Polynesian wife. Nellie, confronting her deep-seated racial prejudices from her Arkansas upbringing, cannot accept this and breaks off their budding relationship despite her love for him.

7

Mirror World

48 min30.3%+2 tone

Lt. Cable falls in love with Liat, the beautiful young Polynesian girl, in the idyllic "Bali Ha'i" sequences. This parallel romance serves as a mirror to Nellie and Emile, exploring the same theme of cross-cultural love and prejudice from a different angle.

8

Premise

41 min26.1%+1 tone

The exploration of parallel love stories complicated by prejudice. Cable and Liat's romance deepens while Nellie tries to move on. The military mission is planned. Musical numbers explore the joy and pain of love across cultural divides, delivering on the promise of romantic drama in an exotic wartime setting.

9

Midpoint

80 min50.9%+1 tone

Cable sings "You've Got to Be Carefully Taught," explicitly articulating the film's message that prejudice is learned, not innate. He recognizes his own inability to overcome his prejudices and marry Liat, creating a moment of painful self-awareness that raises the stakes for both romantic plots.

10

Opposition

80 min50.9%+1 tone

Both romances deteriorate under the weight of prejudice. Cable refuses to commit to Liat despite loving her. Nellie remains separated from Emile, unable to overcome her conditioning. The dangerous military mission behind enemy lines becomes imminent, with both Emile and Cable volunteering.

11

Collapse

118 min75.2%0 tone

Lt. Cable is killed during the dangerous reconnaissance mission with Emile. This literal death brings the "whiff of death" to the story, devastating Liat and Bloody Mary, and forcing Nellie to confront what truly matters as she awaits news of whether Emile survived.

12

Crisis

118 min75.2%0 tone

Nellie processes Cable's death and Emile's uncertain fate, confronting her own prejudices in the darkness. She realizes the smallness of her learned bigotry compared to the enormity of genuine love and the reality of mortality in wartime.

Act III

Resolution
13

Second Threshold

127 min80.6%+1 tone

Nellie learns that Emile survived the mission and is returning. Having overcome her prejudices through Cable's sacrifice and her own soul-searching, she makes the active choice to go to Emile's home and embrace his children, fully accepting his family and past.

14

Synthesis

127 min80.6%+1 tone

Nellie integrates into Emile's household, playing with and caring for his children. When Emile returns from the mission, he finds Nellie has transformed into someone who can embrace love beyond the boundaries of her upbringing, creating a new integrated family.

15

Transformation

156 min99.4%+2 tone

Final image of Nellie, Emile, and his two children together as a family on the plantation, with Nellie fully at peace. The naive girl from Arkansas has become a woman who chose love over prejudice, directly contrasting with her initial status quo and embodying the film's anti-prejudice theme.