
Spider-Man: Homecoming
Peter Parker tries to stop Adrian 'The Vulture' Toomes from selling weapons made with advanced Chitauri technology while trying to balance his life as an ordinary high school student.
Despite a major studio investment of $175.0M, Spider-Man: Homecoming became a commercial success, earning $880.2M worldwide—a 403% return. This commercial performance validated the ambitious narrative scope, proving that audiences embrace unique voice even at blockbuster scale.
8 wins & 11 nominations
Plot Structure
Story beats plotted across runtime


Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Characters
Cast & narrative archetypes
Peter Parker / Spider-Man
Adrian Toomes / Vulture
Tony Stark / Iron Man
Ned Leeds
Michelle "MJ" Jones
Liz Toomes
Happy Hogan
May Parker
Main Cast & Characters
Peter Parker / Spider-Man
Played by Tom Holland
A 15-year-old high school student trying to balance being a neighborhood hero with teenage life while proving himself worthy of the Avengers.
Adrian Toomes / Vulture
Played by Michael Keaton
A blue-collar salvage worker turned arms dealer who uses alien technology to provide for his family after being pushed out by Tony Stark's company.
Tony Stark / Iron Man
Played by Robert Downey Jr.
Peter's mentor figure who provides him with a high-tech suit but keeps him at arm's length from major Avengers operations.
Ned Leeds
Played by Jacob Batalon
Peter's best friend who discovers his Spider-Man identity and becomes his enthusiastic "guy in the chair" tech support.
Michelle "MJ" Jones
Played by Zendaya
A sharp-tongued, observant academic decathlon team member who shows subtle interest in Peter while maintaining an aloof demeanor.
Liz Toomes
Played by Laura Harrier
Peter's crush and academic decathlon team captain, who is unaware that her father is the Vulture.
Happy Hogan
Played by Jon Favreau
Tony Stark's head of security who reluctantly serves as liaison to Peter, often dismissing the teenager's messages.
May Parker
Played by Marisa Tomei
Peter's young, attractive aunt who is unaware of his Spider-Man activities and worries about his frequent disappearances.
Structural Analysis
The Status Quo at 1 minutes (1% through the runtime) establishes Peter Parker films his perspective during the Berlin airport battle (Civil War), establishing him as an enthusiastic but inexperienced teenager thrilled to be working with the Avengers.. Notably, this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 16 minutes when Peter encounters criminals using advanced weapons derived from Chitauri technology during a bodega robbery, revealing a dangerous arms dealing operation that Happy and the Avengers are ignoring.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.
The First Threshold at 33 minutes marks the transition into Act II, occurring at 25% of the runtime. This demonstrates the protagonist's commitment to Peter chooses to actively pursue the weapons dealers by sneaking away from the Academic Decathlon trip in Washington D.C., making the decision to be a hero on his own terms rather than waiting for permission., moving from reaction to action.
At 67 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Structural examination shows that this crucial beat Peter's attempt to capture the weapons dealers on the Staten Island Ferry goes catastrophically wrong when he accidentally splits the ferry in half with alien tech, requiring Iron Man to save everyone - a public and humiliating false victory turned defeat., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.
The Collapse moment at 99 minutes (75% through) represents the emotional nadir. Here, The building collapses on Peter after Vulture leaves him trapped in the rubble. Peter is alone, powerless without his suit, calling desperately for help with no one to save him - his lowest physical and emotional point., illustrates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.
The Second Threshold at 105 minutes initiates the final act resolution at 79% of the runtime. Peter lifts the impossible weight of the rubble off himself through sheer willpower, embodying the internal hero he always was. He emerges reborn with clarity: he is Spider-Man because of who he is inside, not because of the suit., demonstrating the transformation achieved throughout the journey.
Emotional Journey
Spider-Man: Homecoming's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.
Narrative Framework
This structural analysis employs a 15-point narrative structure framework that maps key story moments. By mapping Spider-Man: Homecoming against these established plot points, we can identify how Jon Watts utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Spider-Man: Homecoming within the action genre.
Jon Watts's Structural Approach
Among the 4 Jon Watts films analyzed on Arcplot, the average structural score is 4.3, showcasing experimental approaches to narrative form. Spider-Man: Homecoming exemplifies the director's characteristic narrative technique. For comparative analysis, explore the complete Jon Watts filmography.
Comparative Analysis
Additional action films include The Bad Guys, Puss in Boots and Venom: The Last Dance. For more Jon Watts analyses, see Wolfs, Spider-Man: No Way Home and Spider-Man: Far From Home.
Plot Points by Act
Act I
SetupStatus Quo
Peter Parker films his perspective during the Berlin airport battle (Civil War), establishing him as an enthusiastic but inexperienced teenager thrilled to be working with the Avengers.
Theme
Tony Stark tells Peter "If you're nothing without the suit, then you shouldn't have it" - establishing the central theme about proving yourself and being a hero from within, not from external validation or technology.
Worldbuilding
Peter returns to his ordinary life in Queens: attending high school, living with Aunt May, being part of Academic Decathlon team, crushing on Liz, and doing small-time Spider-Man work while desperately waiting for another call from Tony Stark.
Disruption
Peter encounters criminals using advanced weapons derived from Chitauri technology during a bodega robbery, revealing a dangerous arms dealing operation that Happy and the Avengers are ignoring.
Resistance
Peter investigates the weapons dealers on his own, tracking them and gathering evidence while Happy dismisses his concerns. He debates whether to pursue this alone or wait for official Avengers approval, growing frustrated with being treated as a kid.
Act II
ConfrontationFirst Threshold
Peter chooses to actively pursue the weapons dealers by sneaking away from the Academic Decathlon trip in Washington D.C., making the decision to be a hero on his own terms rather than waiting for permission.
Mirror World
Peter has a genuine conversation with Liz at the hotel pool where she expresses admiration for Spider-Man, representing the authentic connection and person he wants to be - someone valued for who he is, not just his abilities.
Premise
Peter experiences the fun of being a neighborhood Spider-Man while pursuing the Vulture: tracking weapons, doing reconnaissance on the Staten Island Ferry, and balancing this with high school life and his crush on Liz.
Midpoint
Peter's attempt to capture the weapons dealers on the Staten Island Ferry goes catastrophically wrong when he accidentally splits the ferry in half with alien tech, requiring Iron Man to save everyone - a public and humiliating false victory turned defeat.
Opposition
Tony takes the Spider-Man suit back, leaving Peter powerless. Peter tries to return to normal life, asks Liz to homecoming, but discovers Adrian Toomes (Liz's father) is the Vulture. His worlds collide as the threat intensifies and he has no suit.
Collapse
The building collapses on Peter after Vulture leaves him trapped in the rubble. Peter is alone, powerless without his suit, calling desperately for help with no one to save him - his lowest physical and emotional point.
Crisis
Peter processes his helplessness and fear under the rubble, crying out in pain and desperation before finding inner strength, remembering Tony's words and realizing he must be Spider-Man with or without the suit.
Act III
ResolutionSecond Threshold
Peter lifts the impossible weight of the rubble off himself through sheer willpower, embodying the internal hero he always was. He emerges reborn with clarity: he is Spider-Man because of who he is inside, not because of the suit.
Synthesis
Peter uses his own ingenuity and homemade suit to track Vulture to the plane heist, battles him combining his natural abilities with the street-smarts and responsibility he's learned, and chooses to save Toomes' life rather than let him die.
Transformation
Peter turns down Tony's offer to join the Avengers and keep the upgraded suit, choosing instead to remain a neighborhood Spider-Man. He's learned he doesn't need external validation - he's already the hero he needs to be.











