The Avengers poster
6.7
Arcplot Score
Unverified

The Avengers

199889 minPG-13

British Ministry agent John Steed, under direction from "Mother", investigates a diabolical plot by arch-villain Sir August de Wynter to rule the world with his weather control machine. Steed investigates the beautiful Doctor Mrs. Emma Peel, the only suspect, but simultaneously falls for her and joins forces with her to combat Sir August.

Revenue$48.6M
Budget$60.0M
Loss
-11.4M
-19%

The film struggled financially against its moderate budget of $60.0M, earning $48.6M globally (-19% loss).

TMDb4.4
Popularity5.4
Where to Watch
Amazon VideoApple TVFandango At HomeGoogle Play MoviesYouTube

Plot Structure

Story beats plotted across runtime

Act ISetupAct IIConfrontationAct IIIResolutionWorldbuilding3Resistance5Premise8Opposition10Crisis12Synthesis14124679111315
Color Timeline
Color timeline
Sound Timeline
Sound timeline
Threshold
Section
Plot Point

Narrative Arc

Emotional journey through the story's key moments

+20-2
0m22m44m66m88m
Plot Point
Act Threshold
Emotional Arc

Story Circle

Blueprint 15-beat structure

Loading Story Circle...

Arcplot Score Breakdown

Structural Adherence: Flexible
8.7/10
3.5/10
0.5/10
Overall Score6.7/10

Weighted: Precision (70%) + Arc (15%) + Theme (15%)

The Avengers (1998) reveals strategically placed story structure, characteristic of Jeremiah S. Chechik's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 29 minutes. With an Arcplot score of 6.7, the film balances conventional beats with creative variation.

Structural Analysis

The Status Quo at 1 minutes (1% through the runtime) establishes Emma Peel works as a top meteorologist at Prospero Base, established in her professional world before disruption. The weather research facility operates normally.. The analysis reveals that this early placement immediately immerses viewers in the story world.

The inciting incident occurs at 11 minutes when Emma Peel is accused of sabotaging her own weather project and killing her colleagues. Her professional reputation and freedom are threatened.. At 13% through the film, this Disruption is delayed, allowing extended setup of the story world. This beat shifts the emotional landscape, launching the protagonist into the central conflict.

The First Threshold at 22 minutes marks the transition into Act II, occurring at 25% of the runtime. This reveals the protagonist's commitment to Emma and Steed form an alliance, deciding to work together to find the real saboteur. They actively choose to enter the investigation as partners., moving from reaction to action.

At 45 minutes, the Midpoint arrives at 51% of the runtime—precisely centered, creating perfect narrative symmetry. Of particular interest, this crucial beat Emma discovers evidence suggesting she may actually be guilty or that there's a clone of her committing the crimes. False defeat as her identity and innocence are thrown into question., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.

The Collapse moment at 67 minutes (75% through) represents the emotional nadir. Here, De Wynter captures Emma and prepares to destroy London with catastrophic weather. All seems lost as the villain appears to have won and Emma is trapped., indicates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.

The Second Threshold at 72 minutes initiates the final act resolution at 80% of the runtime. Steed infiltrates de Wynter's base and reunites with Emma. Together they understand how to defeat the weather machine, synthesizing their skills and trust for the final confrontation., demonstrating the transformation achieved throughout the journey.

Emotional Journey

The Avengers's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.

Narrative Framework

This structural analysis employs proven narrative structure principles that track dramatic progression. By mapping The Avengers against these established plot points, we can identify how Jeremiah S. Chechik utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish The Avengers within the action genre.

Jeremiah S. Chechik's Structural Approach

Among the 4 Jeremiah S. Chechik films analyzed on Arcplot, the average structural score is 7.2, reflecting strong command of classical structure. The Avengers takes a more unconventional approach compared to the director's typical style. For comparative analysis, explore the complete Jeremiah S. Chechik filmography.

Comparative Analysis

Additional action films include The Ministry of Ungentlemanly Warfare, The Bad Guys and Lake Placid. For more Jeremiah S. Chechik analyses, see Diabolique, National Lampoon's Christmas Vacation and Benny & Joon.

Plot Points by Act

Act I

Setup
1

Status Quo

1 min1.1%0 tone

Emma Peel works as a top meteorologist at Prospero Base, established in her professional world before disruption. The weather research facility operates normally.

2

Theme

5 min5.3%0 tone

Mother (Jim Broadbent) speaks about trust and appearances being deceiving in the espionage world, establishing the film's theme of identity and deception.

3

Worldbuilding

1 min1.1%0 tone

Introduction to the world of British intelligence, the Prospero Base sabotage, Emma's arrest as a suspect, and the eccentric world of The Ministry with Mother and Father.

4

Disruption

11 min12.6%-1 tone

Emma Peel is accused of sabotaging her own weather project and killing her colleagues. Her professional reputation and freedom are threatened.

5

Resistance

11 min12.6%-1 tone

John Steed is assigned to surveil Emma and determine if she's guilty. They engage in cat-and-mouse games, mutual testing, and Emma debates whether to trust Steed or work alone.

Act II

Confrontation
6

First Threshold

22 min24.7%0 tone

Emma and Steed form an alliance, deciding to work together to find the real saboteur. They actively choose to enter the investigation as partners.

7

Mirror World

27 min29.9%+1 tone

The partnership between Steed and Emma deepens with witty banter and mutual respect, introducing the subplot that mirrors the theme of trust despite appearances.

8

Premise

22 min24.7%0 tone

Steed and Emma investigate Sir August de Wynter's weather manipulation scheme, encountering bizarre set pieces including the teddy bear meeting and maze sequences. The fun, stylish spy adventure the audience came for.

9

Midpoint

45 min50.6%0 tone

Emma discovers evidence suggesting she may actually be guilty or that there's a clone of her committing the crimes. False defeat as her identity and innocence are thrown into question.

10

Opposition

45 min50.6%0 tone

De Wynter's plan escalates with extreme weather attacks on London. Emma faces her double, trust between Steed and Emma is tested, and the villain gains the upper hand with his weather control technology.

11

Collapse

67 min75.3%-1 tone

De Wynter captures Emma and prepares to destroy London with catastrophic weather. All seems lost as the villain appears to have won and Emma is trapped.

12

Crisis

67 min75.3%-1 tone

Emma is held prisoner while Steed races against time. Dark moment of doubt whether they can stop the plan, with London facing destruction and partnership broken.

Act III

Resolution
13

Second Threshold

72 min80.5%0 tone

Steed infiltrates de Wynter's base and reunites with Emma. Together they understand how to defeat the weather machine, synthesizing their skills and trust for the final confrontation.

14

Synthesis

72 min80.5%0 tone

Steed and Emma battle de Wynter's forces, disable the weather weapon, and defeat the villain. The finale showcases their partnership and brings resolution to the conspiracy.

15

Transformation

88 min98.8%+1 tone

Emma and Steed toast their success as trusted partners, transformed from suspicious strangers to a formidable team. Order restored, identities affirmed.