
The Bachelor and the Bobby-Soxer
Teenager Susan Turner, with a severe crush on playboy artist Richard Nugent, sneaks into his apartment to model for him and is found there by her sister Judge Margaret Turner. Threatened with jail, Nugent agrees to date Susan until the crush abates.
Despite its tight budget of $2.0M, The Bachelor and the Bobby-Soxer became a box office success, earning $5.5M worldwide—a 183% return.
Plot Structure
Story beats plotted across runtime


Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Arcplot Score Breakdown
Weighted: Precision (70%) + Arc (15%) + Theme (15%)
The Bachelor and the Bobby-Soxer (1947) reveals deliberately positioned story structure, characteristic of Irving Reis's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 35 minutes. With an Arcplot score of 7.7, the film showcases strong structural fundamentals.
Structural Analysis
The Status Quo at 1 minutes (1% through the runtime) establishes Dick Nugent gives a lecture at a high school, charming the audience with his carefree bachelor artist lifestyle. Establishes him as a smooth-talking playboy who enjoys his freedom and lacks responsibility.. Significantly, this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 11 minutes when Susan is discovered in Dick's apartment in her nightgown. Despite the innocent explanation, the situation looks compromising. Dick is hauled back before Judge Turner, who happens to be Susan's older sister. The bachelor's carefree life is suddenly threatened.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.
The First Threshold at 23 minutes marks the transition into Act II, occurring at 24% of the runtime. This reveals the protagonist's commitment to Judge Margaret orders Dick to date Susan until the girl tires of him, threatening jail if he refuses. Dick has no choice but to accept this sentence, entering a world of teenage activities and supervised courtship. His bachelor freedom is officially over., moving from reaction to action.
At 48 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Of particular interest, this crucial beat False victory: Susan seems to be losing interest in Dick, and the plan appears to be working. Dick and Margaret acknowledge their growing attraction to each other. But the stakes raise when Susan's interest unexpectedly reignites, and complications arise with Margaret's suitor, Dr. Beemish., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.
The Collapse moment at 70 minutes (74% through) represents the emotional nadir. Here, The plan backfires completely: Susan declares she's in love with Dick more than ever, or a major public incident occurs that threatens both Margaret's reputation as a judge and Dick's freedom. The scheme has failed and made everything worse. Dick faces jail or loss of Margaret., shows the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.
The Second Threshold at 76 minutes initiates the final act resolution at 80% of the runtime. Dick devises a plan or makes a genuine confession that combines his charm (old skills) with newfound maturity (lesson learned from Margaret). Susan is helped to see a more age-appropriate romantic interest. The path to resolution becomes clear through honesty rather than manipulation., demonstrating the transformation achieved throughout the journey.
Emotional Journey
The Bachelor and the Bobby-Soxer's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.
Narrative Framework
This structural analysis employs systematic plot point analysis that identifies crucial turning points. By mapping The Bachelor and the Bobby-Soxer against these established plot points, we can identify how Irving Reis utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish The Bachelor and the Bobby-Soxer within the comedy genre.
Comparative Analysis
Additional comedy films include The Ministry of Ungentlemanly Warfare, The Bad Guys and Lake Placid.
Plot Points by Act
Act I
SetupStatus Quo
Dick Nugent gives a lecture at a high school, charming the audience with his carefree bachelor artist lifestyle. Establishes him as a smooth-talking playboy who enjoys his freedom and lacks responsibility.
Theme
Susan's uncle or school official mentions that "hero worship can be dangerous" or discusses the need for maturity and responsibility. The theme explores the collision between adolescent fantasy and adult reality, and how genuine love requires maturity.
Worldbuilding
Setup of three worlds: Dick's carefree bachelor existence, teenage Susan's infatuation after hearing his lecture, and Judge Margaret Turner's courtroom where she maintains order and discipline. Dick appears in court on a nightclub brawl charge. Susan sneaks into Dick's apartment that night.
Disruption
Susan is discovered in Dick's apartment in her nightgown. Despite the innocent explanation, the situation looks compromising. Dick is hauled back before Judge Turner, who happens to be Susan's older sister. The bachelor's carefree life is suddenly threatened.
Resistance
Dick protests the unfairness of the situation and resists any responsibility. Judge Margaret debates unconventional solutions to cure Susan's crush. Psychologist Dr. Matt Beemish suggests reverse psychology. Margaret formulates her plan despite Dick's objections.
Act II
ConfrontationFirst Threshold
Judge Margaret orders Dick to date Susan until the girl tires of him, threatening jail if he refuses. Dick has no choice but to accept this sentence, entering a world of teenage activities and supervised courtship. His bachelor freedom is officially over.
Mirror World
Dick begins spending time with Margaret while "courting" Susan, and their verbal sparring reveals a deeper connection. Margaret represents the mature relationship and responsibility Dick has been avoiding. The B-story romance between Dick and Margaret begins.
Premise
The fun premise: Dick endures teenage dates with Susan - school dances, soda fountains, basketball games. Fish-out-of-water comedy as the sophisticated bachelor navigates adolescent social situations. Meanwhile, he and Margaret engage in witty battles, slowly falling for each other despite themselves.
Midpoint
False victory: Susan seems to be losing interest in Dick, and the plan appears to be working. Dick and Margaret acknowledge their growing attraction to each other. But the stakes raise when Susan's interest unexpectedly reignites, and complications arise with Margaret's suitor, Dr. Beemish.
Opposition
Pressures mount: Susan becomes more possessive and competitive with other girls. Dr. Beemish proposes to Margaret. Dick's jealousy reveals his true feelings but he can't act on them without appearing to abandon Susan. The situation becomes increasingly tangled. Margaret must maintain judicial propriety.
Collapse
The plan backfires completely: Susan declares she's in love with Dick more than ever, or a major public incident occurs that threatens both Margaret's reputation as a judge and Dick's freedom. The scheme has failed and made everything worse. Dick faces jail or loss of Margaret.
Crisis
Dick realizes he must be honest about his feelings and truly act like an adult for the first time. Margaret must decide between propriety and her heart. Both face their fears of vulnerability and commitment. The darkness before the dawn.
Act III
ResolutionSecond Threshold
Dick devises a plan or makes a genuine confession that combines his charm (old skills) with newfound maturity (lesson learned from Margaret). Susan is helped to see a more age-appropriate romantic interest. The path to resolution becomes clear through honesty rather than manipulation.
Synthesis
Final complications resolve rapidly in classic screwball fashion. Susan transfers her affection to a boy her own age (perhaps Jerry, a teenage rival). Dick and Margaret overcome the final obstacles to being together. Dr. Beemish graciously steps aside. All relationships find their proper level.
Transformation
Dick, the former carefree bachelor who avoided responsibility, is now committed to Margaret. The final image shows him willingly embracing adult responsibility and genuine partnership, transformed from playboy to devoted partner. Mirrors opening but shows complete transformation.




