The Crime Is Mine
Paris, France, 1935, and a young actress has just been acquitted of murdering a famous French Producer. However, this is where the story just begins. Is she really innocent?, or has she gotten away with Murder?
The film disappointed at the box office against its small-scale budget of $13.7M, earning $10.4M globally (-24% loss).
Plot Structure
Story beats plotted across runtime
Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Arcplot Score Breakdown
Weighted: Precision (70%) + Arc (15%) + Theme (15%)
The Crime Is Mine (2023) demonstrates meticulously timed narrative architecture, characteristic of François Ozon's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 43 minutes. With an Arcplot score of 7.7, the film showcases strong structural fundamentals.
Structural Analysis
The Status Quo at 1 minutes (1% through the runtime) establishes Madeleine Verdier is a struggling actress in 1930s Paris, broke and desperate, unable to pay her landlady and facing eviction from her shabby apartment.. Structural examination shows that this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 12 minutes when Producer Montferrand is found murdered in his home, and Madeleine is immediately arrested as the prime suspect - she was the last person to see him alive and her glove is found at the crime scene.. At 11% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.
The First Threshold at 26 minutes marks the transition into Act II, occurring at 25% of the runtime. This demonstrates the protagonist's commitment to Madeleine makes the conscious choice to "confess" to the murder in a dramatic courtroom performance, turning the trial into theater. She actively embraces the spectacle and notoriety rather than simply defending herself., moving from reaction to action.
At 52 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. The analysis reveals that this crucial beat False victory: The case is dismissed due to lack of evidence. Madeleine is declared innocent and free. She and Pauline celebrate their triumph - they've achieved fame without consequences. But stakes are raised when it becomes clear others know the real truth., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.
The Collapse moment at 75 minutes (73% through) represents the emotional nadir. Here, The truth is revealed: Odette confesses that SHE killed Montferrand in self-defense during an assault. Madeleine's entire fabricated celebrity is exposed as a lie. The fame she built evaporates, and she faces the death of her manufactured identity and career., indicates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.
The Second Threshold at 82 minutes initiates the final act resolution at 79% of the runtime. Synthesis and revelation: The women unite in solidarity. Madeleine uses her courtroom performance skills authentically - to defend Odette by exposing the culture that enabled Montferrand's predatory behavior. She combines her theatrical talent with genuine purpose., demonstrating the transformation achieved throughout the journey.
Emotional Journey
The Crime Is Mine's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.
Narrative Framework
This structural analysis employs systematic plot point analysis that identifies crucial turning points. By mapping The Crime Is Mine against these established plot points, we can identify how François Ozon utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish The Crime Is Mine within the comedy genre.
François Ozon's Structural Approach
Among the 7 François Ozon films analyzed on Arcplot, the average structural score is 7.5, reflecting strong command of classical structure. The Crime Is Mine represents one of the director's most structurally precise works. For comparative analysis, explore the complete François Ozon filmography.
Comparative Analysis
Additional comedy films include The Ministry of Ungentlemanly Warfare, The Bad Guys and Lake Placid. For more François Ozon analyses, see Swimming Pool, Young & Beautiful and Frantz.
Plot Points by Act
Act I
SetupStatus Quo
Madeleine Verdier is a struggling actress in 1930s Paris, broke and desperate, unable to pay her landlady and facing eviction from her shabby apartment.
Theme
Pauline Mauléon, Madeleine's best friend and roommate, states the theme: "In this world, you have to take what you want - nobody gives you anything." A commentary on female agency and spectacle in a male-dominated society.
Worldbuilding
Establishing 1930s Paris theater world: Madeleine and Pauline are struggling actresses, constantly rejected at auditions. Madeleine is called to meet producer Montferrand, hoping for a role. The world of theater, poverty, and desperation is established.
Disruption
Producer Montferrand is found murdered in his home, and Madeleine is immediately arrested as the prime suspect - she was the last person to see him alive and her glove is found at the crime scene.
Resistance
Madeleine is interrogated by the pompous Judge Rabusset. Pauline rushes to help and recruits lawyer André Bonnard to defend Madeleine. They debate strategy: should Madeleine confess or deny? André advises using the publicity to their advantage.
Act II
ConfrontationFirst Threshold
Madeleine makes the conscious choice to "confess" to the murder in a dramatic courtroom performance, turning the trial into theater. She actively embraces the spectacle and notoriety rather than simply defending herself.
Mirror World
Enter Odette Chaumette, a glamorous stage star who reveals herself as Montferrand's former mistress. She becomes both rival and mirror to Madeleine - representing what fame and manipulation can achieve. Their relationship carries the film's thematic exploration of female performance and power.
Premise
The "fun and games" of exploiting murder for fame: Madeleine becomes a celebrity, newspapers follow her every move, she's offered theater roles, and she and Pauline enjoy their newfound notoriety. They navigate the absurd world of fame, with André managing their public image.
Midpoint
False victory: The case is dismissed due to lack of evidence. Madeleine is declared innocent and free. She and Pauline celebrate their triumph - they've achieved fame without consequences. But stakes are raised when it becomes clear others know the real truth.
Opposition
The web of lies tightens: Odette competes with Madeleine for roles and publicity. The real circumstances of Montferrand's death begin to surface. Multiple women come forward with connections to the victim. Judge Rabusset becomes suspicious and investigates further. Madeleine's relationship with André becomes complicated.
Collapse
The truth is revealed: Odette confesses that SHE killed Montferrand in self-defense during an assault. Madeleine's entire fabricated celebrity is exposed as a lie. The fame she built evaporates, and she faces the death of her manufactured identity and career.
Crisis
Madeleine processes the collapse of her scheme. She confronts the emptiness of fame built on deception and the reality that she exploited another woman's trauma. She must reckon with who she's become and what really matters: authentic artistry or hollow celebrity.
Act III
ResolutionSecond Threshold
Synthesis and revelation: The women unite in solidarity. Madeleine uses her courtroom performance skills authentically - to defend Odette by exposing the culture that enabled Montferrand's predatory behavior. She combines her theatrical talent with genuine purpose.
Synthesis
The finale: A theatrical trial where the women turn the tables on the patriarchal system. They expose how society protects powerful men while criminalizing women. Odette is acquitted. Madeleine, Pauline, and Odette form an alliance, taking control of their own narratives and careers.
Transformation
Final image mirrors the opening but transformed: Madeleine on stage, but now performing in a production she and the other women created together - no longer desperate for validation, but empowered through authentic collaboration and sisterhood. Success on her own terms.