The Spy Who Loved Me poster
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The Spy Who Loved Me

1977125 minPG
Director: Lewis Gilbert
Writers:Richard Maibaum, Christopher Wood, Ian Fleming
Cinematographer: Claude Renoir
Composer: Marvin Hamlisch
Editor:John Glen

James Bond investigates the hijacking of British and Russian submarines carrying nuclear warheads, with the help of a K.G.B. agent whose lover he killed.

Revenue$185.4M
Budget$13.5M
Profit
+171.9M
+1274%

Despite its tight budget of $13.5M, The Spy Who Loved Me became a massive hit, earning $185.4M worldwide—a remarkable 1274% return. The film's distinctive approach resonated with audiences, demonstrating that strong storytelling can transcend budget limitations.

Awards

Nominated for 3 Oscars. 4 wins & 12 nominations

Where to Watch
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Plot Structure

Story beats plotted across runtime

Act ISetupAct IIConfrontationAct IIIResolutionWorldbuilding3Resistance5Premise8Opposition10Crisis12Synthesis14124679111315
Color Timeline
Color timeline
Sound Timeline
Sound timeline
Threshold
Section
Plot Point

Narrative Arc

Emotional journey through the story's key moments

+41-2
0m31m62m93m124m
Plot Point
Act Threshold
Emotional Arc

Story Circle

Blueprint 15-beat structure

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Characters

Cast & narrative archetypes

Roger Moore

James Bond

Hero
Roger Moore
Barbara Bach

Major Anya Amasova

Ally
Love Interest
Barbara Bach
Curd Jurgens

Karl Stromberg

Shadow
Curd Jurgens
Richard Kiel

Jaws

Threshold Guardian
Richard Kiel
Bernard Lee

M

Mentor
Bernard Lee
Desmond Llewelyn

Q

Mentor
Desmond Llewelyn
Walter Gotell

General Gogol

Herald
Walter Gotell

Main Cast & Characters

James Bond

Played by Roger Moore

Hero

British MI6 agent 007, a suave and resourceful spy who teams up with a Soviet agent to stop a megalomaniac from destroying the world's superpowers.

Major Anya Amasova

Played by Barbara Bach

AllyLove Interest

Soviet KGB agent Triple X, a skilled and intelligent operative who becomes Bond's ally despite initial distrust and a personal vendetta against him.

Karl Stromberg

Played by Curd Jurgens

Shadow

Wealthy shipping magnate obsessed with the ocean who plans to destroy humanity and create a new underwater civilization.

Jaws

Played by Richard Kiel

Threshold Guardian

Stromberg's towering henchman with razor-sharp steel teeth, an almost indestructible assassin who relentlessly pursues Bond throughout the film.

M

Played by Bernard Lee

Mentor

The head of MI6 who assigns Bond to investigate the missing submarines and authorizes cooperation with the Soviets.

Q

Played by Desmond Llewelyn

Mentor

MI6's quartermaster who provides Bond with gadgets including the iconic Lotus Esprit submarine car.

General Gogol

Played by Walter Gotell

Herald

Head of the KGB who orders Anya to work with Bond and represents Soviet interests in the joint mission.

Structural Analysis

The Status Quo at 1 minutes (1% through the runtime) establishes Bond is on a romantic ski holiday in Austria with a female companion, living his playboy lifestyle before duty calls.. Significantly, this early placement immediately immerses viewers in the story world.

The inciting incident occurs at 15 minutes when M orders Bond to Egypt to investigate the microfilm tracking system being offered on the black market, putting him on a collision course with the submarine mystery and unknown forces.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.

The First Threshold at 31 minutes marks the transition into Act II, occurring at 25% of the runtime. This reveals the protagonist's commitment to General Gogol orders Anya to work with Bond. M confirms the joint mission. Bond and Anya are now officially partnered, moving from competitors to reluctant allies entering the mission together., moving from reaction to action.

At 62 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Of particular interest, this crucial beat Bond and Anya discover the stolen submarines are being held in Stromberg's massive supertanker, the Liparus. They apparently have the upper hand with crucial intelligence, but Stromberg becomes aware of their knowledge, raising the stakes., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.

The Collapse moment at 94 minutes (75% through) represents the emotional nadir. Here, Stromberg activates the nuclear launch sequence. Bond is powerless, locked in the Liparus hold. The doomsday clock is ticking and Anya is in Stromberg's clutches at Atlantis. All seems lost., demonstrates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.

The Second Threshold at 101 minutes initiates the final act resolution at 81% of the runtime. Bond rallies the American, British, and Soviet submarine crews to unite against their common enemy. Former adversaries join forces, embodying the theme that old enmities must be put aside for survival., demonstrating the transformation achieved throughout the journey.

Emotional Journey

The Spy Who Loved Me's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.

Narrative Framework

This structural analysis employs proven narrative structure principles that track dramatic progression. By mapping The Spy Who Loved Me against these established plot points, we can identify how Lewis Gilbert utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish The Spy Who Loved Me within the action genre.

Lewis Gilbert's Structural Approach

Among the 3 Lewis Gilbert films analyzed on Arcplot, the average structural score is 6.5, demonstrating varied approaches to story architecture. The Spy Who Loved Me exemplifies the director's characteristic narrative technique. For comparative analysis, explore the complete Lewis Gilbert filmography.

Comparative Analysis

Additional action films include The Bad Guys, Puss in Boots and Venom: The Last Dance. For more Lewis Gilbert analyses, see You Only Live Twice, Moonraker.

Plot Points by Act

Act I

Setup
1

Status Quo

1 min1.1%0 tone

Bond is on a romantic ski holiday in Austria with a female companion, living his playboy lifestyle before duty calls.

2

Theme

7 min5.2%0 tone

M and Admiral Hargreaves discuss that the missing submarines represent an unprecedented crisis requiring cooperation between traditional enemies: "In matters of mutual concern, old enmities must be put aside."

3

Worldbuilding

1 min1.1%0 tone

British and Soviet nuclear submarines go missing simultaneously. Bond escapes an assassination attempt by Soviet agent, killing him. MI6 and KGB both assign their best agents to investigate independently. Bond receives his briefing and gadgets from Q.

4

Disruption

15 min12.3%-1 tone

M orders Bond to Egypt to investigate the microfilm tracking system being offered on the black market, putting him on a collision course with the submarine mystery and unknown forces.

5

Resistance

15 min12.3%-1 tone

Bond travels to Egypt, encounters Major Anya Amasova (KGB Agent XXX) as his rival for the same intelligence. They compete and clash while investigating Fekkesh and Max Kalba. Bond eliminates Fekkesh and Jaws (Stromberg's henchman) makes his first appearance, killing Kalba.

Act II

Confrontation
6

First Threshold

31 min24.8%0 tone

General Gogol orders Anya to work with Bond. M confirms the joint mission. Bond and Anya are now officially partnered, moving from competitors to reluctant allies entering the mission together.

7

Mirror World

37 min29.5%+1 tone

Bond and Anya share intimate conversation on the train to Sardinia. Anya reveals Bond killed her lover (the agent from the ski sequence). She vows to kill Bond once the mission is complete, establishing their complex emotional relationship.

8

Premise

31 min24.8%0 tone

Bond and Anya work together despite tension. They battle Jaws on the train, survive Sardinian car chases, meet the villainous Karl Stromberg at Atlantis, use Bond's Lotus submarine car, and uncover Stromberg's plot to destroy the world and create a new underwater civilization.

9

Midpoint

62 min49.6%+2 tone

Bond and Anya discover the stolen submarines are being held in Stromberg's massive supertanker, the Liparus. They apparently have the upper hand with crucial intelligence, but Stromberg becomes aware of their knowledge, raising the stakes.

10

Opposition

62 min49.6%+2 tone

Stromberg orders Anya and Bond killed. Their escape attempts fail and they are captured by the Liparus. Bond is separated from Anya, who is taken to Atlantis. Bond is held prisoner as Stromberg prepares to launch nuclear missiles from the captured submarines to trigger world war.

11

Collapse

94 min74.8%+1 tone

Stromberg activates the nuclear launch sequence. Bond is powerless, locked in the Liparus hold. The doomsday clock is ticking and Anya is in Stromberg's clutches at Atlantis. All seems lost.

12

Crisis

94 min74.8%+1 tone

Bond must make a critical choice: organize the captured submarine crews into a fighting force despite impossible odds, knowing failure means nuclear apocalypse and Anya's death.

Act III

Resolution
13

Second Threshold

101 min80.7%+2 tone

Bond rallies the American, British, and Soviet submarine crews to unite against their common enemy. Former adversaries join forces, embodying the theme that old enmities must be put aside for survival.

14

Synthesis

101 min80.7%+2 tone

Bond leads the multinational force to seize control of the Liparus, destroy the launch systems, and sink the supertanker. He then assaults Atlantis, kills Stromberg, rescues Anya, and they escape as the base self-destructs. Bond defeats Jaws one final time.

15

Transformation

124 min99.1%+3 tone

Bond and Anya are in an intimate embrace in an escape pod, having fallen in love. Anya has forgiven Bond for killing her lover. When M and Gogol discover them together, the Cold War rivals share amusement, mirroring the personal détente with a political one.