This Means War
CIA agents and best friends Tuck and FDR have been benched because someone's after them. Tuck is divorced and not close to his son; FDR is a ladies' man. Tuck places his profile on a dating site; Lauren sees it and goes out with him. She later bumps into FDR; he hits on her and she goes out with him. She's intrigued by both of them. When they learn they're both dating her, they agree to let her choose, but they can't help using their skills to keep tabs on her and each other, and sabotage each other's dates with her.
Despite a moderate budget of $65.0M, This Means War became a box office success, earning $157.0M worldwide—a 141% return.
1 win & 6 nominations
Plot Structure
Story beats plotted across runtime
Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Arcplot Score Breakdown
Weighted: Precision (70%) + Arc (15%) + Theme (15%)
This Means War (2012) exhibits carefully calibrated story structure, characteristic of McG's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 38 minutes. With an Arcplot score of 7.5, the film showcases strong structural fundamentals.
Structural Analysis
The Status Quo at 1 minutes (1% through the runtime) establishes FDR and Tuck execute a high-stakes CIA operation in Hong Kong, showcasing their perfect partnership and brotherhood as elite agents. They are confident, skilled, but emotionally isolated in their personal lives.. The analysis reveals that this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 11 minutes when Tuck joins an online dating site and matches with Lauren. Simultaneously, FDR meets Lauren at a video store. Both men connect with her separately, unaware they're pursuing the same woman. Lauren agrees to date both.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.
The First Threshold at 24 minutes marks the transition into Act II, occurring at 24% of the runtime. This indicates the protagonist's commitment to FDR and Tuck discover they're dating the same woman. Instead of backing off, they make an active choice: they will compete for Lauren, using all their CIA resources, with the best man winning. The brotherhood cracks., moving from reaction to action.
At 49 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Significantly, this crucial beat False victory: Lauren invites both men to meet her family at her grandmother's birthday party (separately). Both agents feel they're winning. The stakes raise as Lauren must choose, and their competition becomes more intense and personal., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.
The Collapse moment at 72 minutes (73% through) represents the emotional nadir. Here, Lauren discovers the truth - both men have been lying and spying on her. She feels betrayed and manipulated. She rejects both of them. Their friendship is destroyed. Heinrich kidnaps Lauren. The agents have lost everything that matters., shows the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.
The Second Threshold at 78 minutes initiates the final act resolution at 80% of the runtime. FDR and Tuck reconcile, realizing their friendship is more important than competition. They learn Lauren has been kidnapped by Heinrich. They synthesize their CIA skills with their newfound emotional wisdom: save Lauren together, then let her choose., demonstrating the transformation achieved throughout the journey.
Emotional Journey
This Means War's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.
Narrative Framework
This structural analysis employs a 15-point narrative structure framework that maps key story moments. By mapping This Means War against these established plot points, we can identify how McG utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish This Means War within the action genre.
McG's Structural Approach
Among the 8 McG films analyzed on Arcplot, the average structural score is 7.3, reflecting strong command of classical structure. This Means War represents one of the director's most structurally precise works. For comparative analysis, explore the complete McG filmography.
Comparative Analysis
Additional action films include The Ministry of Ungentlemanly Warfare, The Bad Guys and Lake Placid. For more McG analyses, see Charlie's Angels: Full Throttle, Charlie's Angels and We Are Marshall.
Plot Points by Act
Act I
SetupStatus Quo
FDR and Tuck execute a high-stakes CIA operation in Hong Kong, showcasing their perfect partnership and brotherhood as elite agents. They are confident, skilled, but emotionally isolated in their personal lives.
Theme
Lauren's best friend Trish tells her: "You need to get back out there and take a risk on someone." The theme is stated - love requires vulnerability and risk, not control and competition.
Worldbuilding
Establish the dual worlds: CIA agents Tuck and FDR are best friends but both lonely. Tuck is divorced and wants family connection. FDR is a womanizer avoiding commitment. Lauren is a successful product testing executive who analyzes everything and avoids romantic risk.
Disruption
Tuck joins an online dating site and matches with Lauren. Simultaneously, FDR meets Lauren at a video store. Both men connect with her separately, unaware they're pursuing the same woman. Lauren agrees to date both.
Resistance
Both men begin dating Lauren separately. Tuck has a sweet, romantic first date. FDR has a spontaneous, adventurous encounter. Lauren debates which type of man she wants, encouraged by Trish to keep dating both until she decides.
Act II
ConfrontationFirst Threshold
FDR and Tuck discover they're dating the same woman. Instead of backing off, they make an active choice: they will compete for Lauren, using all their CIA resources, with the best man winning. The brotherhood cracks.
Mirror World
Lauren confides in Trish about her confusion over dating two men. Trish becomes the voice of the theme, encouraging Lauren to follow her heart rather than her analytical mind. This friendship subplot carries the emotional truth.
Premise
The "promise of the premise" - spy-vs-spy romantic warfare. FDR and Tuck use surveillance, sabotage, and CIA tech to spy on Lauren's dates and undermine each other. Escalating comic set pieces of espionage applied to dating.
Midpoint
False victory: Lauren invites both men to meet her family at her grandmother's birthday party (separately). Both agents feel they're winning. The stakes raise as Lauren must choose, and their competition becomes more intense and personal.
Opposition
The competition spirals out of control. Their CIA work suffers as they obsess over Lauren. The villain from the opening (Heinrich) resurfaces, threatening them. Their friendship deteriorates into genuine hostility. Lauren senses something is wrong.
Collapse
Lauren discovers the truth - both men have been lying and spying on her. She feels betrayed and manipulated. She rejects both of them. Their friendship is destroyed. Heinrich kidnaps Lauren. The agents have lost everything that matters.
Crisis
Tuck and FDR sit in darkness, processing their loss. They realize their competition destroyed their brotherhood and hurt an innocent woman. They must choose: continue fighting or remember what matters - friendship and genuine connection.
Act III
ResolutionSecond Threshold
FDR and Tuck reconcile, realizing their friendship is more important than competition. They learn Lauren has been kidnapped by Heinrich. They synthesize their CIA skills with their newfound emotional wisdom: save Lauren together, then let her choose.
Synthesis
Finale: FDR and Tuck work as true partners again to rescue Lauren from Heinrich. Action climax on the freeway. They save her life. Both apologize sincerely and agree she should choose. Lauren chooses Tuck (the one who wanted real commitment). FDR accepts it gracefully.
Transformation
Final image mirrors the opening: FDR and Tuck on a mission together, but transformed. Their brotherhood is restored and deepened. FDR has learned to value real connection. Tuck has Lauren. They're partners again, but now emotionally mature.