Torque poster
7.6
Arcplot Score
Unverified

Torque

200484 minPG-13
Director: Joseph Kahn
Writer:Matt Johnson

Biker Cary Ford is framed by an old rival and biker gang leader for the murder of another gang member who happens to be the brother of Trey, leader of the most feared biker gang in the country. Ford is now on the run trying to clear his name from the murder with Trey and his gang looking for his blood.

Revenue$46.5M
Budget$40.0M
Profit
+6.5M
+16%

Working with a moderate budget of $40.0M, the film achieved a modest success with $46.5M in global revenue (+16% profit margin).

Awards

4 nominations

Where to Watch
YouTubeApple TVFandango At HomeAmazon VideoGoogle Play Movies

Plot Structure

Story beats plotted across runtime

Act ISetupAct IIConfrontationAct IIIResolutionWorldbuilding3Resistance5Premise8Opposition10Crisis12Synthesis14124679111315
Color Timeline
Color timeline
Sound Timeline
Sound timeline
Threshold
Section
Plot Point

Narrative Arc

Emotional journey through the story's key moments

+20-2
0m21m41m62m83m
Plot Point
Act Threshold
Emotional Arc

Story Circle

Blueprint 15-beat structure

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Arcplot Score Breakdown

Structural Adherence: Standard
8.9/10
5/10
4/10
Overall Score7.6/10

Weighted: Precision (70%) + Arc (15%) + Theme (15%)

Torque (2004) exhibits meticulously timed story structure, characteristic of Joseph Kahn's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 24 minutes. With an Arcplot score of 7.6, the film showcases strong structural fundamentals.

Characters

Cast & narrative archetypes

Martin Henderson

Cary Ford

Hero
Martin Henderson
Monet Mazur

Shane

Love Interest
Monet Mazur
Matt Schulze

Henry James

Shadow
Matt Schulze
Ice Cube

Trey Wallace

Shapeshifter
Ice Cube
Jaime Pressly

China

Threshold Guardian
Jaime Pressly
Jay Hernandez

Dalton

Ally
Jay Hernandez
Will Yun Lee

Val

Trickster
Will Yun Lee

Main Cast & Characters

Cary Ford

Played by Martin Henderson

Hero

A biker on the run who returns to reconcile with his girlfriend and clear his name after being framed for murder.

Shane

Played by Monet Mazur

Love Interest

Cary's loyal girlfriend who runs a custom motorcycle shop and stands by him despite his troubled past.

Henry James

Played by Matt Schulze

Shadow

The ruthless leader of the Hellions biker gang seeking revenge for his brother's death.

Trey Wallace

Played by Ice Cube

Shapeshifter

Leader of the Reapers, a rival gang leader who initially suspects Cary but becomes an ally.

China

Played by Jaime Pressly

Threshold Guardian

Trey's girlfriend and fierce biker who harbors suspicions about Cary and rides with intense skill.

Dalton

Played by Jay Hernandez

Ally

Cary's close friend and loyal riding partner who helps him evade enemies and clear his name.

Val

Played by Will Yun Lee

Trickster

Cary's brother and mechanic who provides technical support and comic relief to the crew.

Structural Analysis

The Status Quo at 1 minutes (1% through the runtime) establishes Cary Ford returns to California on his motorcycle after months away, riding through desert highways. Establishes him as a lone rider returning to face unfinished business.. Significantly, this early placement immediately immerses viewers in the story world.

The inciting incident occurs at 9 minutes when Henry James and his gang arrive at the biker bar, confronting Ford. Henry reveals he framed Ford and killed Trey's brother Junior, and now plans to kill Ford. The peaceful return explodes into immediate danger.. At 11% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.

The First Threshold at 21 minutes marks the transition into Act II, occurring at 25% of the runtime. This reveals the protagonist's commitment to Ford makes the active choice to stop running and instead find evidence to prove Henry framed him and killed Junior. He commits to staying and confronting his enemies rather than fleeing again., moving from reaction to action.

At 41 minutes, the Midpoint arrives at 49% of the runtime—precisely centered, creating perfect narrative symmetry. Of particular interest, this crucial beat False defeat: FBI agent McPherson reveals they've been tracking the drug shipment and now consider Ford the prime suspect. Meanwhile, Henry frames Ford for another crime, turning both law enforcement and Trey's gang fully against him. Stakes raise dramatically., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.

The Collapse moment at 62 minutes (74% through) represents the emotional nadir. Here, Henry kidnaps Shane and threatens to kill her. Ford's worst fear realized - his past has endangered the woman he loves. He faces losing everything: his freedom, his life, and Shane. The metaphorical death of his hope for redemption., illustrates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.

The Second Threshold at 66 minutes initiates the final act resolution at 79% of the runtime. Ford realizes he must reveal the truth to Trey about Henry killing Junior. By synthesizing his riding skills with the evidence he's gathered and the truth, he can defeat Henry and save Shane. He gains clarity and new resolve., demonstrating the transformation achieved throughout the journey.

Emotional Journey

Torque's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.

Narrative Framework

This structural analysis employs structural analysis methodology used to understand storytelling architecture. By mapping Torque against these established plot points, we can identify how Joseph Kahn utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Torque within the action genre.

Comparative Analysis

Additional action films include The Bad Guys, Puss in Boots and Venom: The Last Dance.

Plot Points by Act

Act I

Setup
1

Status Quo

1 min1.2%0 tone

Cary Ford returns to California on his motorcycle after months away, riding through desert highways. Establishes him as a lone rider returning to face unfinished business.

2

Theme

4 min4.9%0 tone

Shane (Ford's friend) tells him "You can't run forever, man. Eventually you gotta face what you did." This encapsulates the film's core theme about confronting your past.

3

Worldbuilding

1 min1.2%0 tone

Ford reunites with his old crew and ex-girlfriend Shane. We learn he fled town six months ago after being framed for drug running by gang leader Henry James. Biker gang politics and rivalries established, including tension with Trey Wallace's crew who believe Ford killed Trey's brother.

4

Disruption

9 min11.1%-1 tone

Henry James and his gang arrive at the biker bar, confronting Ford. Henry reveals he framed Ford and killed Trey's brother Junior, and now plans to kill Ford. The peaceful return explodes into immediate danger.

5

Resistance

9 min11.1%-1 tone

Ford debates whether to run again or stay and fight. Chase sequences through city streets as both Henry's gang and Trey's crew pursue him. Ford discovers Henry hid drugs in his motorcycle months ago. Shane urges him to stop running and clear his name.

Act II

Confrontation
6

First Threshold

21 min24.7%0 tone

Ford makes the active choice to stop running and instead find evidence to prove Henry framed him and killed Junior. He commits to staying and confronting his enemies rather than fleeing again.

7

Mirror World

25 min29.6%+1 tone

Ford reconnects romantically with Shane, who represents the life and love he abandoned. Their relationship subplot carries the theme - she challenges him to be the man who stays and fights rather than runs.

8

Premise

21 min24.7%0 tone

Over-the-top motorcycle action sequences deliver the premise promise. Ford navigates between rival gangs, performs impossible bike stunts, and searches for evidence of Henry's crimes. Contains the famous motorcycle-versus-motorcycle combat and freeway chase sequences.

9

Midpoint

41 min49.4%0 tone

False defeat: FBI agent McPherson reveals they've been tracking the drug shipment and now consider Ford the prime suspect. Meanwhile, Henry frames Ford for another crime, turning both law enforcement and Trey's gang fully against him. Stakes raise dramatically.

10

Opposition

41 min49.4%0 tone

Pressure intensifies from all sides. Trey's gang closes in believing Ford killed Junior. FBI pursues Ford. Henry's crew hunts him. Ford's attempts to find evidence keep failing. His relationship with Shane strains as danger escalates.

11

Collapse

62 min74.1%-1 tone

Henry kidnaps Shane and threatens to kill her. Ford's worst fear realized - his past has endangered the woman he loves. He faces losing everything: his freedom, his life, and Shane. The metaphorical death of his hope for redemption.

12

Crisis

62 min74.1%-1 tone

Ford's dark moment of processing. He must decide whether to sacrifice himself for Shane or find another way. Brief moment of despair before finding resolve to confront Henry and expose the truth to Trey.

Act III

Resolution
13

Second Threshold

66 min79.0%0 tone

Ford realizes he must reveal the truth to Trey about Henry killing Junior. By synthesizing his riding skills with the evidence he's gathered and the truth, he can defeat Henry and save Shane. He gains clarity and new resolve.

14

Synthesis

66 min79.0%0 tone

Final confrontation at the train yards. Ford exposes Henry's crimes to Trey, turning the gangs against Henry. Massive motorcycle battle ensues. Ford defeats Henry in combat. FBI arrives and arrests Henry. Ford clears his name with evidence, and Trey accepts the truth about his brother's real killer.

15

Transformation

83 min98.8%+1 tone

Ford rides off with Shane on his bike, no longer running from his past but riding toward a future. Mirrors the opening image of the lone rider, but now he's transformed - accompanied by love, cleared of crimes, and having faced his demons rather than fled them.