
Empress Chung
A young princess makes a drastic decision in order to save her father's eyesight.
The film earned $6.5M at the global box office.
1 win
Plot Structure
Story beats plotted across runtime


Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Arcplot Score Breakdown
Weighted: Precision (70%) + Arc (15%) + Theme (15%)
Empress Chung (2005) exhibits precise dramatic framework, characteristic of Nelson Shin's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 33 minutes. With an Arcplot score of 6.8, the film balances conventional beats with creative variation.
Structural Analysis
The Status Quo at 1 minutes (1% through the runtime) establishes Chung lives in poverty with her blind father Sim Hak-gyu, struggling but maintaining filial devotion in their humble existence.. Notably, this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 11 minutes when Sim Hak-gyu encounters a monk who promises to restore his sight if he offers 300 sacks of rice to Buddha, creating an impossible burden.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.
The First Threshold at 23 minutes marks the transition into Act II, occurring at 25% of the runtime. This illustrates the protagonist's commitment to Chung actively chooses to sell herself to sea merchants as a sacrifice to the Sea God in exchange for 300 sacks of rice for her father., moving from reaction to action.
At 47 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Notably, this crucial beat Chung is thrown into the sea as a sacrifice, seemingly meeting her death in the depths, marking the point of no return., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.
The Collapse moment at 70 minutes (75% through) represents the emotional nadir. Here, Chung learns her father, believing her dead, has descended into despair and his condition has worsened, making her sacrifice seem in vain., illustrates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.
The Second Threshold at 74 minutes initiates the final act resolution at 80% of the runtime. The Dragon King or divine forces, moved by Chung's pure heart, grant her passage back to the mortal world with the means to save her father., demonstrating the transformation achieved throughout the journey.
Emotional Journey
Empress Chung's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.
Narrative Framework
This structural analysis employs a 15-point narrative structure framework that maps key story moments. By mapping Empress Chung against these established plot points, we can identify how Nelson Shin utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Empress Chung within the animation genre.
Nelson Shin's Structural Approach
Among the 2 Nelson Shin films analyzed on Arcplot, the average structural score is 7.1, reflecting strong command of classical structure. Empress Chung takes a more unconventional approach compared to the director's typical style. For comparative analysis, explore the complete Nelson Shin filmography.
Comparative Analysis
Additional animation films include The Bad Guys, The Quintessential Quintuplets Movie and Fate/stay night: Heaven's Feel I. Presage Flower. For more Nelson Shin analyses, see The Transformers: The Movie.
Plot Points by Act
Act I
SetupStatus Quo
Chung lives in poverty with her blind father Sim Hak-gyu, struggling but maintaining filial devotion in their humble existence.
Theme
A village elder or monk speaks of the virtue of self-sacrifice and filial piety, foreshadowing Chung's ultimate test.
Worldbuilding
Establishing Chung's daily life caring for her father, their poverty, the village dynamics, and the deep bond between father and daughter despite hardship.
Disruption
Sim Hak-gyu encounters a monk who promises to restore his sight if he offers 300 sacks of rice to Buddha, creating an impossible burden.
Resistance
Chung learns of her father's promise and wrestles with how to fulfill it, seeking guidance while her father remains unaware of her desperate plans.
Act II
ConfrontationFirst Threshold
Chung actively chooses to sell herself to sea merchants as a sacrifice to the Sea God in exchange for 300 sacks of rice for her father.
Mirror World
Chung encounters compassionate sailors or villagers who represent an alternative perspective on duty versus self-preservation.
Premise
Chung's journey to the sea, her preparation for sacrifice, and the exploration of her unwavering filial devotion despite fear and doubt.
Midpoint
Chung is thrown into the sea as a sacrifice, seemingly meeting her death in the depths, marking the point of no return.
Opposition
Chung awakens in the underwater Dragon Palace, facing trials and navigating the strange world while her father above grieves her loss.
Collapse
Chung learns her father, believing her dead, has descended into despair and his condition has worsened, making her sacrifice seem in vain.
Crisis
Chung processes the devastating news and questions whether her devotion has meaning if her father suffers, facing her darkest emotional moment.
Act III
ResolutionSecond Threshold
The Dragon King or divine forces, moved by Chung's pure heart, grant her passage back to the mortal world with the means to save her father.
Synthesis
Chung returns transformed, reunites with her father, and her sacrifice is rewarded as he regains his sight and she is elevated to empress.
Transformation
Chung, now empress, and her father with restored sight stand together, their devotion vindicated and rewarded, reversing the opening poverty.