Igor poster
6.7
Arcplot Score
Unverified

Igor

200887 minPG
Director: Tony Leondis
Writers:Tony Leondis, Dimitri Toscas, Chris McKenna, John Hoffman

A cliché hunchbacked evil scientist's assistant aspires to become a scientist himself, much to the displeasure of the rest of the evil science community.

Revenue$30.7M
Budget$25.0M
Profit
+5.7M
+23%

Working with a moderate budget of $25.0M, the film achieved a respectable showing with $30.7M in global revenue (+23% profit margin).

Awards

1 nomination

Where to Watch
Amazon Prime VideoAmazon Prime Video with AdsAmazon VideoApple TVGoogle Play MoviesFandango At Home

Plot Structure

Story beats plotted across runtime

Act ISetupAct IIConfrontationAct IIIResolutionWorldbuilding3Resistance5Premise8Opposition10Crisis12Synthesis14124679111315
Color Timeline
Color timeline
Sound Timeline
Sound timeline
Threshold
Section
Plot Point

Narrative Arc

Emotional journey through the story's key moments

+41-2
0m21m43m64m86m
Plot Point
Act Threshold
Emotional Arc

Story Circle

Blueprint 15-beat structure

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Arcplot Score Breakdown

Structural Adherence: Flexible
8.6/10
3/10
1.5/10
Overall Score6.7/10

Weighted: Precision (70%) + Arc (15%) + Theme (15%)

Igor (2008) showcases precise dramatic framework, characteristic of Tony Leondis's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 27 minutes. With an Arcplot score of 6.7, the film balances conventional beats with creative variation.

Characters

Cast & narrative archetypes

John Cusack

Igor

Hero
John Cusack
Molly Shannon

Eva

Shapeshifter
Love Interest
Molly Shannon
John Cleese

Dr. Glickenstein

Threshold Guardian
John Cleese
Jay Leno

King Malbert

Shadow
Jay Leno
Steve Buscemi

Scamper

Trickster
Ally
Steve Buscemi
Sean Hayes

Brain

Ally
Sean Hayes
Eddie Izzard

Dr. Schadenfreude

Contagonist
Eddie Izzard
Jennifer Coolidge

Jaclyn

Contagonist
Jennifer Coolidge

Main Cast & Characters

Igor

Played by John Cusack

Hero

An idealistic hunchbacked lab assistant who dreams of becoming an inventor and breaking free from his servant role.

Eva

Played by Molly Shannon

ShapeshifterLove Interest

A feminine monster accidentally created to be good instead of evil, who believes she's an actress.

Dr. Glickenstein

Played by John Cleese

Threshold Guardian

Igor's cruel and pompous mad scientist master who takes credit for Igor's inventions.

King Malbert

Played by Jay Leno

Shadow

The tyrannical king of Malaria who perpetuates the evil scientist system to maintain power.

Scamper

Played by Steve Buscemi

TricksterAlly

Igor's immortal, suicidal rabbit companion who cannot die despite his constant attempts.

Brain

Played by Sean Hayes

Ally

Igor's dim-witted brain-in-a-jar companion with a cheerful, childlike personality.

Dr. Schadenfreude

Played by Eddie Izzard

Contagonist

A flamboyant, competitive evil scientist and Glickenstein's rival in the Evil Science Fair.

Jaclyn

Played by Jennifer Coolidge

Contagonist

Dr. Schadenfreude's beautiful but villainous girlfriend and accomplice who assists in his schemes.

Structural Analysis

The Status Quo at 1 minutes (1% through the runtime) establishes Igor works as a hunchbacked assistant in the kingdom of Malaria, where evil inventions are the nation's only export. He dreams of becoming an inventor himself but is relegated to servant status due to his deformity.. Structural examination shows that this early placement immediately immerses viewers in the story world.

The inciting incident occurs at 11 minutes when Dr. Glickenstein accidentally kills himself with his own invention, leaving Igor without a master just before the Evil Science Fair deadline.. At 13% through the film, this Disruption is delayed, allowing extended setup of the story world. This beat shifts the emotional landscape, launching the protagonist into the central conflict.

The First Threshold at 21 minutes marks the transition into Act II, occurring at 24% of the runtime. This demonstrates the protagonist's commitment to Igor makes the active choice to pass Eva off as an evil invention and enter the Science Fair, committing to deception to achieve his dream of being recognized as an inventor., moving from reaction to action.

At 44 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Structural examination shows that this crucial beat False victory: Igor and Eva appear to be winning at the Science Fair. Eva's performance convinces everyone she's evil, and Igor seems poised to achieve his dream of recognition as an inventor., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.

The Collapse moment at 64 minutes (73% through) represents the emotional nadir. Here, Eva discovers Igor's betrayal—that he created her only to use her for the competition and never valued her as a person. She rejects him, and Schadenfreude captures her, planning to kill the king with her., illustrates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.

The Second Threshold at 69 minutes initiates the final act resolution at 79% of the runtime. Igor realizes that Eva taught him the true meaning of goodness and that he must save her not to win the fair, but because it's the right thing to do. He chooses heroism over ambition., demonstrating the transformation achieved throughout the journey.

Emotional Journey

Igor's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.

Narrative Framework

This structural analysis employs proven narrative structure principles that track dramatic progression. By mapping Igor against these established plot points, we can identify how Tony Leondis utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Igor within the animation genre.

Tony Leondis's Structural Approach

Among the 2 Tony Leondis films analyzed on Arcplot, the average structural score is 6.7, demonstrating varied approaches to story architecture. Igor exemplifies the director's characteristic narrative technique. For comparative analysis, explore the complete Tony Leondis filmography.

Comparative Analysis

Additional animation films include The Bad Guys, Puss in Boots and Violet Evergarden: Eternity and the Auto Memory Doll. For more Tony Leondis analyses, see The Emoji Movie.

Plot Points by Act

Act I

Setup
1

Status Quo

1 min1.2%0 tone

Igor works as a hunchbacked assistant in the kingdom of Malaria, where evil inventions are the nation's only export. He dreams of becoming an inventor himself but is relegated to servant status due to his deformity.

2

Theme

5 min5.8%0 tone

Brain, one of Igor's creations, discusses the nature of good and evil, suggesting that anyone can choose to be more than what society expects them to be.

3

Worldbuilding

1 min1.2%0 tone

Establishment of Malaria as a kingdom built on evil inventions, the Evil Science Fair competition, Igor's secret laboratory with his creations Brain and Scamper, and his servitude to the cruel Dr. Glickenstein.

4

Disruption

11 min12.8%-1 tone

Dr. Glickenstein accidentally kills himself with his own invention, leaving Igor without a master just before the Evil Science Fair deadline.

5

Resistance

11 min12.8%-1 tone

Igor debates whether to seize this opportunity to enter the Science Fair himself. He decides to create his own monster, Eva, but struggles when she emerges good-natured instead of evil, complicating his plans.

Act II

Confrontation
6

First Threshold

21 min24.4%0 tone

Igor makes the active choice to pass Eva off as an evil invention and enter the Science Fair, committing to deception to achieve his dream of being recognized as an inventor.

7

Mirror World

25 min29.1%+1 tone

Igor's relationship with Eva deepens as he teaches her about the world. She represents innocence and goodness, the thematic opposite of what Malaria demands, challenging Igor's assumptions about good and evil.

8

Premise

21 min24.4%0 tone

The fun of the premise: Igor tries to train Eva to be evil while hiding her true nature. Eva explores her identity, discovering her love for acting. Igor navigates the competition while keeping up the deception.

9

Midpoint

44 min50.0%+2 tone

False victory: Igor and Eva appear to be winning at the Science Fair. Eva's performance convinces everyone she's evil, and Igor seems poised to achieve his dream of recognition as an inventor.

10

Opposition

44 min50.0%+2 tone

The antagonist Dr. Schadenfreude and his girlfriend Jaclyn plot to steal Eva and claim her as their own invention. Igor's deception becomes harder to maintain as Eva's goodness keeps surfacing, and the truth threatens to unravel.

11

Collapse

64 min73.3%+1 tone

Eva discovers Igor's betrayal—that he created her only to use her for the competition and never valued her as a person. She rejects him, and Schadenfreude captures her, planning to kill the king with her.

12

Crisis

64 min73.3%+1 tone

Igor falls into despair, believing he's lost everything and that he's no better than the evil society he lives in. He faces his darkest moment, questioning whether he can truly be more than a hunchbacked assistant.

Act III

Resolution
13

Second Threshold

69 min79.1%+2 tone

Igor realizes that Eva taught him the true meaning of goodness and that he must save her not to win the fair, but because it's the right thing to do. He chooses heroism over ambition.

14

Synthesis

69 min79.1%+2 tone

Igor storms Schadenfreude's fortress with Brain and Scamper, rescues Eva, and stops the plot to kill the king. He publicly reveals the corruption in Malaria and declares that anyone can choose to be good, inspiring a revolution.

15

Transformation

86 min98.8%+3 tone

Igor stands proud and accepted, no longer defined by his hunchback or servant status. Eva pursues her dream of acting, and Malaria begins to transform from evil to good. Igor has become the inventor and hero he always wanted to be.