Into the Night
Ed Okin's life is somewhat out of control. He can't sleep, his wife betrays him, and his job is dull. One night, he starts to drive through Los Angeles, and he finally ends in the parking garage of Los Angeles International Airport. Moments later, a beautiful young lady jumps onto his bonnet and he finds himself being chased by four Iranians. What follows is a wild chase through the streets of Los Angeles, and a very funny one too.
The film underperformed commercially against its limited budget of $11.4M, earning $6.7M globally (-41% loss). While initial box office returns were modest, the film has gained appreciation for its distinctive approach within the action genre.
Plot Structure
Story beats plotted across runtime
Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Arcplot Score Breakdown
Weighted: Precision (70%) + Arc (15%) + Theme (15%)
Into the Night (1985) demonstrates meticulously timed dramatic framework, characteristic of John Landis's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 55 minutes. With an Arcplot score of 7.7, the film showcases strong structural fundamentals.
Structural Analysis
The Status Quo at 1 minutes (1% through the runtime) establishes Ed Okin lies awake in bed, unable to sleep, staring at the ceiling while his wife sleeps beside him. His life is monotonous, empty, and disconnected.. Of particular interest, this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 13 minutes when Unable to sleep after discovering his wife's infidelity, Ed drives aimlessly to LAX airport in the middle of the night, where Diana falls onto his car hood, running from armed men.. At 11% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.
The First Threshold at 28 minutes marks the transition into Act II, occurring at 24% of the runtime. This shows the protagonist's commitment to Ed makes the active choice to help Diana escape rather than turn her over or walk away. He commits to entering this dangerous new world of smugglers and international intrigue., moving from reaction to action.
At 58 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Significantly, this crucial beat False defeat: The Iranian agents close in and nearly capture Diana. The stakes raise dramatically when Ed realizes the full danger they're in—these people will kill them both. The fun is over., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.
The Collapse moment at 85 minutes (74% through) represents the emotional nadir. Here, Diana is captured and taken away. Ed is left alone, beaten and helpless. The connection he found—the one thing that brought him alive—is torn away. His attempt to break free has failed catastrophically., reveals the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.
The Second Threshold at 91 minutes initiates the final act resolution at 79% of the runtime. Ed discovers where Diana is being held and realizes he must act. Synthesizing his engineering mind with newfound courage, he formulates a rescue plan. He chooses authentic life over safe numbness., demonstrating the transformation achieved throughout the journey.
Emotional Journey
Into the Night's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.
Narrative Framework
This structural analysis employs a 15-point narrative structure framework that maps key story moments. By mapping Into the Night against these established plot points, we can identify how John Landis utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Into the Night within the action genre.
John Landis's Structural Approach
Among the 13 John Landis films analyzed on Arcplot, the average structural score is 7.1, reflecting strong command of classical structure. Into the Night represents one of the director's most structurally precise works. For comparative analysis, explore the complete John Landis filmography.
Comparative Analysis
Additional action films include The Ministry of Ungentlemanly Warfare, The Bad Guys and Lake Placid. For more John Landis analyses, see Coming to America, The Blues Brothers and ¡Three Amigos!.
Plot Points by Act
Act I
SetupStatus Quo
Ed Okin lies awake in bed, unable to sleep, staring at the ceiling while his wife sleeps beside him. His life is monotonous, empty, and disconnected.
Theme
Ed's coworker tells him, "You need to do something different, shake things up." The theme of breaking free from routine and embracing spontaneity is introduced.
Worldbuilding
Ed's mundane life is established: boring job at aerospace company, distant wife, insomnia. He discovers his wife is having an affair, deepening his emotional numbness and alienation.
Disruption
Unable to sleep after discovering his wife's infidelity, Ed drives aimlessly to LAX airport in the middle of the night, where Diana falls onto his car hood, running from armed men.
Resistance
Diana pleads for Ed's help. He debates whether to get involved with this dangerous stranger. Armed men pursue them. Ed resists commitment but keeps driving, unsure if he should abandon her.
Act II
ConfrontationFirst Threshold
Ed makes the active choice to help Diana escape rather than turn her over or walk away. He commits to entering this dangerous new world of smugglers and international intrigue.
Mirror World
Diana reveals her situation and vulnerability to Ed. Their relationship deepens beyond mere survival—she represents spontaneity, risk, and authentic connection, everything missing from his life.
Premise
Ed and Diana navigate Los Angeles' nighttime underworld: encounters with criminals, hiding from killers, narrow escapes. The premise delivers on its promise—ordinary man in extraordinary circumstances, finding excitement and connection.
Midpoint
False defeat: The Iranian agents close in and nearly capture Diana. The stakes raise dramatically when Ed realizes the full danger they're in—these people will kill them both. The fun is over.
Opposition
Multiple antagonist groups converge: Iranian secret police, British agents, gangsters. Ed's inexperience becomes a liability. Diana's past catches up. Trust issues surface. Every plan goes wrong, pressure intensifies.
Collapse
Diana is captured and taken away. Ed is left alone, beaten and helpless. The connection he found—the one thing that brought him alive—is torn away. His attempt to break free has failed catastrophically.
Crisis
Ed sits in darkness, processing his loss. He must decide: return to his safe, numb existence or risk everything to save Diana. This is his dark night, confronting what truly matters to him.
Act III
ResolutionSecond Threshold
Ed discovers where Diana is being held and realizes he must act. Synthesizing his engineering mind with newfound courage, he formulates a rescue plan. He chooses authentic life over safe numbness.
Synthesis
Ed executes the rescue, confronting the antagonists. Using intelligence and desperation, he saves Diana. The emerald situation resolves. He proves he's no longer the passive insomniac from the opening.
Transformation
Ed and Diana together at dawn, exhausted but alive and connected. Mirror to opening: Ed is no longer alone in bed, staring at nothing. He's found authentic connection and aliveness through risk and choice.