Last Mile poster
7.2
Arcplot Score
Unverified

Last Mile

2024128 minN/A
Director: Ayuko Tsukahara
Cinematographer: Takeshi Seki
Composer: Masahiro Tokuda

A cardboard box explodes on Black Friday, terrorizing the nation. Erena Funado, center director for Kanto distribution warehouse, must control the situation with Kou Nashimoto.

Revenue$37.2M

The film earned $37.2M at the global box office.

IMDbN/ATMDb6.9
Popularity3.1
Awards

1 win & 10 nominations

Plot Structure

Story beats plotted across runtime

Act ISetupAct IIConfrontationAct IIIResolutionWorldbuilding3Resistance5Premise8Opposition10Crisis12Synthesis14124679111315
Color Timeline
Color timeline
Sound Timeline
Sound timeline
Threshold
Section
Plot Point

Narrative Arc

Emotional journey through the story's key moments

+41-2
0m32m63m95m127m
Plot Point
Act Threshold
Emotional Arc

Story Circle

Blueprint 15-beat structure

Loading Story Circle...

Arcplot Score Breakdown

Structural Adherence: Standard
8.9/10
4/10
2.5/10
Overall Score7.2/10

Weighted: Precision (70%) + Arc (15%) + Theme (15%)

Last Mile (2024) exhibits meticulously timed narrative architecture, characteristic of Ayuko Tsukahara's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 2 hours and 8 minutes. With an Arcplot score of 7.2, the film balances conventional beats with creative variation.

Structural Analysis

The Status Quo at 1 minutes (1% through the runtime) establishes Opening image establishes the protagonist's routine life and current circumstances before the journey begins.. Notably, this early placement immediately immerses viewers in the story world.

The inciting incident occurs at 15 minutes when An unexpected event or challenge disrupts the protagonist's status quo and presents an urgent need or opportunity.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.

The First Threshold at 32 minutes marks the transition into Act II, occurring at 25% of the runtime. This reveals the protagonist's commitment to The protagonist makes an active choice to embark on the journey or accept the challenge, crossing into Act Two., moving from reaction to action.

At 64 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Notably, this crucial beat A false victory or major revelation that raises the stakes; the protagonist seems to be succeeding but the real challenge emerges., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.

The Collapse moment at 96 minutes (75% through) represents the emotional nadir. Here, The low point where everything falls apart; a metaphorical or literal death occurs, hope seems lost., illustrates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.

The Second Threshold at 102 minutes initiates the final act resolution at 80% of the runtime. New information or internal realization provides clarity; the protagonist synthesizes lessons learned and finds renewed purpose for the final push., demonstrating the transformation achieved throughout the journey.

Emotional Journey

Last Mile's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.

Narrative Framework

This structural analysis employs systematic plot point analysis that identifies crucial turning points. By mapping Last Mile against these established plot points, we can identify how Ayuko Tsukahara utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Last Mile within the drama genre.

Ayuko Tsukahara's Structural Approach

Among the 2 Ayuko Tsukahara films analyzed on Arcplot, the average structural score is 7.2, reflecting strong command of classical structure. Last Mile exemplifies the director's characteristic narrative technique. For comparative analysis, explore the complete Ayuko Tsukahara filmography.

Comparative Analysis

Additional drama films include Eye for an Eye, South Pacific and Kiss of the Spider Woman. For more Ayuko Tsukahara analyses, see Grande Maison Paris.

Plot Points by Act

Act I

Setup
1

Status Quo

1 min1.1%0 tone

Opening image establishes the protagonist's routine life and current circumstances before the journey begins.

2

Theme

7 min5.4%0 tone

A secondary character voices the thematic question about perseverance, redemption, or completing what one starts.

3

Worldbuilding

1 min1.1%0 tone

Setup period introducing the protagonist's world, relationships, daily struggles, and establishing what's at stake.

4

Disruption

15 min12.0%-1 tone

An unexpected event or challenge disrupts the protagonist's status quo and presents an urgent need or opportunity.

5

Resistance

15 min12.0%-1 tone

Period of hesitation and preparation where the protagonist debates whether to accept the challenge, possibly receives guidance or information.

Act II

Confrontation
6

First Threshold

32 min25.0%0 tone

The protagonist makes an active choice to embark on the journey or accept the challenge, crossing into Act Two.

7

Mirror World

39 min30.4%+1 tone

Introduction of a key relationship or subplot that will carry the thematic weight and provide emotional connection.

8

Premise

32 min25.0%0 tone

The protagonist explores the new world, experiences the promise of the premise, and pursues their external goal with initial success.

9

Midpoint

64 min50.0%+2 tone

A false victory or major revelation that raises the stakes; the protagonist seems to be succeeding but the real challenge emerges.

10

Opposition

64 min50.0%+2 tone

Pressure intensifies as obstacles mount, internal flaws are exposed, and the antagonistic forces gain ground against the protagonist.

11

Collapse

96 min75.0%+1 tone

The low point where everything falls apart; a metaphorical or literal death occurs, hope seems lost.

12

Crisis

96 min75.0%+1 tone

Dark period of despair and reflection where the protagonist processes the loss and confronts their deepest fears or wounds.

Act III

Resolution
13

Second Threshold

102 min80.0%+2 tone

New information or internal realization provides clarity; the protagonist synthesizes lessons learned and finds renewed purpose for the final push.

14

Synthesis

102 min80.0%+2 tone

The finale where the protagonist executes their plan, confronts the central conflict, and resolves both external and internal arcs.

15

Transformation

127 min99.0%+3 tone

Closing image that mirrors the opening but demonstrates the protagonist's transformation and new understanding.