London Boulevard
Fresh out of prison, Mitchel wants nothing to do with crime but accepts a kip from Billy, a marginal grafter, and accompanies Billy on rent collection trips. He's also old school, wanting revenge on two youths for assaulting a mendicant he's befriended. He's got a strung-out sister to protect, and he's offered a job protecting a famous actress from paparazzi. The plot lines join when Michael finds himself attracted to the actress and Billy's Mob boss, Gant, finds ways to force Michael work for him. He also warns Michael off revenge against the assailants of his friend. What are Michael's options: is there any way to avoid Gant, protect his sister, and find a path to love?
The film box office disappointment against its moderate budget of $25.0M, earning $8.3M globally (-67% loss). While initial box office returns were modest, the film has gained appreciation for its innovative storytelling within the crime genre.
Plot Structure
Story beats plotted across runtime
Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Arcplot Score Breakdown
Weighted: Precision (70%) + Arc (15%) + Theme (15%)
London Boulevard (2010) showcases strategically placed plot construction, characteristic of William Monahan's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 43 minutes. With an Arcplot score of 7.1, the film balances conventional beats with creative variation.
Structural Analysis
The Status Quo at 1 minutes (1% through the runtime) establishes Mitch is released from prison, determined to go straight. He walks out into London sunlight, collecting his belongings, while his sister waits to pick him up.. Notably, this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 12 minutes when Mitch meets Charlotte, the beautiful, eccentric actress living in isolation. She offers him a job as her handyman/protector. This opportunity represents a path away from his criminal past into a different world.. At 11% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.
The First Threshold at 25 minutes marks the transition into Act II, occurring at 24% of the runtime. This illustrates the protagonist's commitment to Mitch accepts Charlotte's job offer and moves into her property. He actively chooses to enter her world of celebrity, wealth, and isolation—a conscious decision to pursue a different life than his criminal past., moving from reaction to action.
At 51 minutes, the Midpoint arrives at 49% of the runtime—precisely centered, creating perfect narrative symmetry. Significantly, this crucial beat Gant violently confronts Mitch, making it clear he won't let him leave the criminal world. The threat escalates from pressure to genuine danger. Mitch realizes he can't simply walk away from his past—it will follow him., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.
The Collapse moment at 76 minutes (73% through) represents the emotional nadir. Here, Billy is murdered by Gant's crew. Mitch's best friend dies because of the world Mitch tried to leave. This death represents the destruction of Mitch's hope for peaceful escape and the price of his past., demonstrates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.
The Second Threshold at 83 minutes initiates the final act resolution at 81% of the runtime. Mitch chooses violence. He accepts he must become what he tried to escape—a killer—to end Gant's threat. He arms himself and prepares for confrontation, synthesizing his criminal skills with his newfound purpose of protecting those he loves., demonstrating the transformation achieved throughout the journey.
Emotional Journey
London Boulevard's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.
Narrative Framework
This structural analysis employs systematic plot point analysis that identifies crucial turning points. By mapping London Boulevard against these established plot points, we can identify how William Monahan utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish London Boulevard within the crime genre.
Comparative Analysis
Additional crime films include The Bad Guys, Batman Forever and 12 Rounds.
Plot Points by Act
Act I
SetupStatus Quo
Mitch is released from prison, determined to go straight. He walks out into London sunlight, collecting his belongings, while his sister waits to pick him up.
Theme
Billy tells Mitch: "You can't change what you are." This establishes the central question of whether Mitch can escape his criminal past and become someone new.
Worldbuilding
Mitch reconnects with his sister Briony and friend Billy. We see London's criminal underworld and meet local gangster Gant, who wants Mitch to work for him. Mitch resists, wanting legitimate work. He takes a job interview at a reclusive actress's house.
Disruption
Mitch meets Charlotte, the beautiful, eccentric actress living in isolation. She offers him a job as her handyman/protector. This opportunity represents a path away from his criminal past into a different world.
Resistance
Mitch debates taking the job with Charlotte. He's drawn to her world but uncertain. Gant continues pressuring him to rejoin the criminal life. Billy encourages him to take the actress job. Mitch navigates between these two worlds, not yet committed to either.
Act II
ConfrontationFirst Threshold
Mitch accepts Charlotte's job offer and moves into her property. He actively chooses to enter her world of celebrity, wealth, and isolation—a conscious decision to pursue a different life than his criminal past.
Mirror World
Mitch and Charlotte's relationship deepens. She represents what he could become—someone removed from violence and crime. Their growing connection carries the theme of transformation and whether the past can be escaped.
Premise
Mitch explores life in Charlotte's world—handling paparazzi, managing her estate, protecting her privacy. He's living the promise of a new life. Meanwhile, Billy gets deeper into trouble with petty crime, contrasting with Mitch's attempt to go straight.
Midpoint
Gant violently confronts Mitch, making it clear he won't let him leave the criminal world. The threat escalates from pressure to genuine danger. Mitch realizes he can't simply walk away from his past—it will follow him.
Opposition
Gant's pressure intensifies. Billy is brutally attacked. Mitch's two worlds collide as violence from his past invades his new life with Charlotte. He tries to protect both Charlotte and his sister while Gant tightens his grip. The relationship with Charlotte strains under the pressure.
Collapse
Billy is murdered by Gant's crew. Mitch's best friend dies because of the world Mitch tried to leave. This death represents the destruction of Mitch's hope for peaceful escape and the price of his past.
Crisis
Mitch processes Billy's death and faces the truth: he cannot protect the people he loves while Gant lives. Charlotte urges him to leave with her, to truly escape, but Mitch knows the violence will follow. He sinks into darkness, realizing what he must do.
Act III
ResolutionSecond Threshold
Mitch chooses violence. He accepts he must become what he tried to escape—a killer—to end Gant's threat. He arms himself and prepares for confrontation, synthesizing his criminal skills with his newfound purpose of protecting those he loves.
Synthesis
Mitch systematically executes his plan. He confronts and kills Gant and his associates in brutal fashion. The finale is violent and decisive—Mitch uses everything he learned in prison and on the streets to eliminate the threat permanently.
Transformation
Mitch walks away alone, having lost Charlotte, Billy, and his hope for redemption. The final image shows him isolated, having proven the theme: you cannot escape what you are. He's alive but transformed into exactly what he tried to avoid—a killer defined by violence.