
Memory
Alex Lewis (Liam Neeson) is an expert assassin with a reputation for discreet precision. Caught in a moral quagmire, Alex refuses to complete a job that violates his code and must quickly hunt down and kill the people who hired him before they and FBI agent Vincent Serra (Guy Pearce) find him first. Alex is built for revenge but, with a memory that is beginning to falter, he is forced to question his every action, blurring the line between right and wrong.
The film box office disappointment against its respectable budget of $30.0M, earning $13.9M globally (-54% loss). While initial box office returns were modest, the film has gained appreciation for its unique voice within the action genre.
Plot Structure
Story beats plotted across runtime


Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Arcplot Score Breakdown
Weighted: Precision (70%) + Arc (15%) + Theme (15%)
Memory (2022) exhibits deliberately positioned narrative architecture, characteristic of Martin Campbell's storytelling approach. This structural analysis examines how the film's 12-point plot structure maps to proven narrative frameworks across 1 hour and 54 minutes. With an Arcplot score of 6.9, the film balances conventional beats with creative variation.
Structural Analysis
The Status Quo at 1 minutes (1% through the runtime) establishes Sylvia lives a controlled, isolated life as a single mother and social worker, maintaining rigid boundaries to protect herself from her traumatic past.. Structural examination shows that this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 14 minutes when At a high school reunion, Sylvia encounters Saul, a former classmate she believes abused her as a teenager. He follows her home, disrupting her carefully maintained equilibrium.. At 13% through the film, this Disruption is delayed, allowing extended setup of the story world. This beat shifts the emotional landscape, launching the protagonist into the central conflict.
The First Threshold at 29 minutes marks the transition into Act II, occurring at 25% of the runtime. This shows the protagonist's commitment to Sylvia makes the active choice to take responsibility for Saul, allowing him into her life despite her fear and anger about the past., moving from reaction to action.
At 57 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. The analysis reveals that this crucial beat A revelation or confrontation surfaces—either confirmation of Saul's past actions or a devastating truth about what really happened, raising the stakes of their relationship., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.
The Collapse moment at 86 minutes (75% through) represents the emotional nadir. Here, Sylvia confronts the full weight of her trauma, possibly losing Saul to his deteriorating condition or facing a crisis that forces her to examine whether forgiveness or justice is possible., reveals the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.
The Synthesis at 91 minutes initiates the final act resolution at 80% of the runtime. Sylvia makes final choices about Saul's care and her own healing, integrating her past with her present and finding a resolution that acknowledges complexity rather than simple answers., demonstrating the transformation achieved throughout the journey.
Emotional Journey
Memory's emotional architecture traces a deliberate progression across 12 carefully calibrated beats.
Narrative Framework
This structural analysis employs a 15-point narrative structure framework that maps key story moments. By mapping Memory against these established plot points, we can identify how Martin Campbell utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Memory within the action genre.
Martin Campbell's Structural Approach
Among the 11 Martin Campbell films analyzed on Arcplot, the average structural score is 7.1, reflecting strong command of classical structure. Memory takes a more unconventional approach compared to the director's typical style. For comparative analysis, explore the complete Martin Campbell filmography.
Comparative Analysis
Additional action films include The Ministry of Ungentlemanly Warfare, The Bad Guys and Lake Placid. For more Martin Campbell analyses, see Green Lantern, Vertical Limit and The Mask of Zorro.
Plot Points by Act
Act I
SetupStatus Quo
Sylvia lives a controlled, isolated life as a single mother and social worker, maintaining rigid boundaries to protect herself from her traumatic past.
Theme
A colleague or friend suggests that healing requires letting people in, foreshadowing Sylvia's need to overcome her isolation and confront her past.
Worldbuilding
Establishment of Sylvia's careful routines, her relationship with her teenage daughter, her work helping abuse survivors, and the walls she's built around herself.
Disruption
At a high school reunion, Sylvia encounters Saul, a former classmate she believes abused her as a teenager. He follows her home, disrupting her carefully maintained equilibrium.
Resistance
Sylvia resists any connection with Saul, but discovers he has early-onset dementia and doesn't remember the past. His sister Olivia asks for help, creating a moral dilemma.
Act II
ConfrontationFirst Threshold
Sylvia makes the active choice to take responsibility for Saul, allowing him into her life despite her fear and anger about the past.
Premise
Sylvia cares for Saul, exploring the strange intimacy between victim and perpetrator. Their relationship deepens as she navigates her conflicting emotions and the question of accountability.
Midpoint
A revelation or confrontation surfaces—either confirmation of Saul's past actions or a devastating truth about what really happened, raising the stakes of their relationship.
Opposition
External pressures mount: family members question Sylvia's choices, her daughter reacts to Saul's presence, and Sylvia's own psychological wounds threaten to overwhelm her.
Collapse
Sylvia confronts the full weight of her trauma, possibly losing Saul to his deteriorating condition or facing a crisis that forces her to examine whether forgiveness or justice is possible.
Crisis
Sylvia processes the darkness of her past and present, sitting with the impossibility of her situation and what it means to care for someone who harmed her.
Act III
ResolutionSynthesis
Sylvia makes final choices about Saul's care and her own healing, integrating her past with her present and finding a resolution that acknowledges complexity rather than simple answers.







