
Miss Congeniality
When the local FBI office receives a letter from a terrorist known only as 'The Citizen', it's quickly determined that he's planning his next act at the Miss America beauty pageant. Because tough-as-nails Gracie Hart is the only female Agent at the office, she's chosen to go undercover as the contestant from New Jersey.
Despite a respectable budget of $45.0M, Miss Congeniality became a box office success, earning $212.0M worldwide—a 371% return.
Plot Structure
Story beats plotted across runtime


Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Arcplot Score Breakdown
Weighted: Precision (70%) + Arc (15%) + Theme (15%)
Miss Congeniality (2000) exemplifies carefully calibrated narrative design, characteristic of Donald Petrie's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 51 minutes. With an Arcplot score of 6.3, the film takes an unconventional approach to traditional narrative frameworks.
Structural Analysis
The Status Quo at 1 minutes (1% through the runtime) establishes Young Gracie defends a bullied boy on the playground by punching his attacker, establishing her tomboyish, confrontational nature and complete lack of conventional femininity.. Significantly, this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 14 minutes when The Citizen threatens to bomb the Miss United States pageant. Gracie's expertise on the case becomes crucial, but the FBI needs an undercover agent inside the pageant—a world completely foreign to her.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.
The First Threshold at 27 minutes marks the transition into Act II, occurring at 25% of the runtime. This illustrates the protagonist's commitment to Gracie undergoes a complete makeover montage with Victor, transforming from rough-edged agent to polished beauty queen. She commits to becoming "Gracie Lou Freebush" and entering the pageant world., moving from reaction to action.
At 55 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Of particular interest, this crucial beat Gracie makes it to the Top 5 finalists, achieving unexpected success. She realizes she genuinely cares about the women and the pageant, no longer seeing it as just a case. Her growing feelings for Matthews complicate her mission., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.
The Collapse moment at 83 minutes (75% through) represents the emotional nadir. Here, The FBI pulls Gracie from the pageant after arresting their suspect, dismissing her protests. Matthews betrays her trust by siding with the bureau. Gracie is devastated, removed from the community she's grown to love., illustrates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.
The Second Threshold at 88 minutes initiates the final act resolution at 80% of the runtime. Gracie realizes the wrong person was arrested—Kathy Morningside and Frank are the real bombers planning to kill the new Miss United States. She combines her FBI skills with her newfound pageant knowledge to see the truth., demonstrating the transformation achieved throughout the journey.
Emotional Journey
Miss Congeniality's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.
Narrative Framework
This structural analysis employs structural analysis methodology used to understand storytelling architecture. By mapping Miss Congeniality against these established plot points, we can identify how Donald Petrie utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Miss Congeniality within the comedy genre.
Donald Petrie's Structural Approach
Among the 10 Donald Petrie films analyzed on Arcplot, the average structural score is 7.1, reflecting strong command of classical structure. Miss Congeniality takes a more unconventional approach compared to the director's typical style. For comparative analysis, explore the complete Donald Petrie filmography.
Comparative Analysis
Additional comedy films include The Ministry of Ungentlemanly Warfare, The Bad Guys and Lake Placid. For more Donald Petrie analyses, see Ri¢hie Ri¢h, Just My Luck and The Associate.
Plot Points by Act
Act I
SetupStatus Quo
Young Gracie defends a bullied boy on the playground by punching his attacker, establishing her tomboyish, confrontational nature and complete lack of conventional femininity.
Theme
Matthews tells Gracie she lacks the necessary people skills and poise for undercover work, highlighting the central theme: true strength combines both toughness and grace.
Worldbuilding
Adult Gracie is a brilliant but abrasive FBI agent who prioritizes the job above all else, alienating colleagues and failing at traditional femininity. Her obsessive work ethic and social awkwardness are established through the botched sting operation.
Disruption
The Citizen threatens to bomb the Miss United States pageant. Gracie's expertise on the case becomes crucial, but the FBI needs an undercover agent inside the pageant—a world completely foreign to her.
Resistance
Gracie resists going undercover at the pageant, insisting she's not pageant material. Director orders her to do it anyway. Victor Melling, a disgraced pageant consultant, is recruited to transform her into a credible contestant.
Act II
ConfrontationFirst Threshold
Gracie undergoes a complete makeover montage with Victor, transforming from rough-edged agent to polished beauty queen. She commits to becoming "Gracie Lou Freebush" and entering the pageant world.
Mirror World
Gracie arrives at the pageant and meets the other contestants, particularly befriending Cheryl (Miss Rhode Island) and encountering the warm, genuine women who challenge her cynical assumptions about beauty pageants.
Premise
Gracie navigates pageant life while investigating suspects. She struggles with talent performances, swimsuit competitions, and interview prep while bonding with fellow contestants and growing closer to Eric Matthews, her FBI partner.
Midpoint
Gracie makes it to the Top 5 finalists, achieving unexpected success. She realizes she genuinely cares about the women and the pageant, no longer seeing it as just a case. Her growing feelings for Matthews complicate her mission.
Opposition
The investigation intensifies as the pageant finale approaches. Gracie's dual identity creates tension—she's becoming genuinely invested in pageant friendships while the FBI pressures her to close the case. Kathy Morningside becomes the prime suspect.
Collapse
The FBI pulls Gracie from the pageant after arresting their suspect, dismissing her protests. Matthews betrays her trust by siding with the bureau. Gracie is devastated, removed from the community she's grown to love.
Crisis
Gracie watches the pageant finale on TV from her hotel room, heartbroken and isolated. Victor consoles her. She realizes how much the experience has changed her and how much she cares about the women in danger.
Act III
ResolutionSecond Threshold
Gracie realizes the wrong person was arrested—Kathy Morningside and Frank are the real bombers planning to kill the new Miss United States. She combines her FBI skills with her newfound pageant knowledge to see the truth.
Synthesis
Gracie rushes back to the pageant, fights through security, and stops the bombing plot. She saves Cheryl from the exploding crown, defeats the villains using both combat skills and pageant training, and reconciles with Matthews.
Transformation
Gracie crowns Cheryl as Miss United States in a moment of genuine friendship and celebration. She's now a confident woman who embraces both her strength and her femininity, surrounded by friends and accepted by Matthews.








