Moulin Rouge! poster
6.7
Arcplot Score
Unverified

Moulin Rouge!

2001128 minPG-13
Director: Baz Luhrmann

The year is 1899, and Christian, a young English writer, has come to Paris to follow the Bohemian revolution taking hold of the city's drug and prostitute infested underworld. And nowhere is the thrill of the underworld more alive than at the Moulin Rouge, a night club where the rich and poor men alike come to be entertained by the dancers, but things take a wicked turn for Christian as he starts a deadly love affair with the star courtesan of the club, Satine. But her affections are also coveted by the club's patron: the Duke. A dangerous love triangle ensues as Satine and Christian attempt to fight all odds to stay together but a force that not even love can conquer is taking its toll on Satine...

Revenue$179.2M
Budget$52.5M
Profit
+126.7M
+241%

Despite a respectable budget of $52.5M, Moulin Rouge! became a commercial success, earning $179.2M worldwide—a 241% return.

Awards

2 Oscars. 89 wins & 133 nominations

Where to Watch
Netflix Standard with AdsGoogle Play MoviesAmazon VideoFandango At HomeApple TVNetflixYouTube

Plot Structure

Story beats plotted across runtime

Act ISetupAct IIConfrontationAct IIIResolutionWorldbuilding3Resistance5Premise8Opposition10Crisis12Synthesis14124679111315
Color Timeline
Color timeline
Sound Timeline
Sound timeline
Threshold
Section
Plot Point

Narrative Arc

Emotional journey through the story's key moments

+41-2
0m31m63m94m126m
Plot Point
Act Threshold
Emotional Arc

Story Circle

Blueprint 15-beat structure

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Arcplot Score Breakdown

Structural Adherence: Flexible
8.5/10
2/10
3/10
Overall Score6.7/10

Weighted: Precision (70%) + Arc (15%) + Theme (15%)

Moulin Rouge! (2001) demonstrates precise narrative design, characteristic of Baz Luhrmann's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 2 hours and 8 minutes. With an Arcplot score of 6.7, the film balances conventional beats with creative variation.

Structural Analysis

The Status Quo at 1 minutes (1% through the runtime) establishes Christian types at his typewriter in a shabby Parisian garret, broken and alone, beginning to write the story of his doomed love affair. His world is colorless, filled with grief and regret.. Of particular interest, this early placement immediately immerses viewers in the story world.

The inciting incident occurs at 15 minutes when Christian is recruited by Toulouse and the Bohemians to write "Spectacular Spectacular" to save the Moulin Rouge. This invitation pulls him from observer into active participant in the world of the cabaret.. At 11% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.

The First Threshold at 31 minutes marks the transition into Act II, occurring at 25% of the runtime. This indicates the protagonist's commitment to Christian chooses to pursue Satine despite learning she's a courtesan intended for the Duke. He convinces Zidler to let him write the show, creating a legitimate reason to stay close to her and fight for their love., moving from reaction to action.

At 64 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Significantly, this crucial beat Christian and Satine consummate their love on a rooftop above Paris, dancing and singing "Come What May." It's a false victory - their love feels triumphant, but we know (and they ignore) that the Duke's patronage and Satine's illness make this unsustainable. The stakes are now life-or-death., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.

The Collapse moment at 95 minutes (75% through) represents the emotional nadir. Here, Satine breaks Christian's heart by pretending she doesn't love him, telling him she's choosing the Duke and that their romance meant nothing. Christian is shattered, his belief in love destroyed. This is the "death" of innocence and hope - his idealism dies., illustrates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.

The Second Threshold at 103 minutes initiates the final act resolution at 80% of the runtime. Satine performs the show and sees Christian in the audience. When he pays her the "courtesan fee," she breaks character and sings "Come What May" to him on stage, publicly declaring her true love. Christian realizes she does love him. They choose truth over pretense, love over survival., demonstrating the transformation achieved throughout the journey.

Emotional Journey

Moulin Rouge!'s emotional architecture traces a deliberate progression across 15 carefully calibrated beats.

Narrative Framework

This structural analysis employs systematic plot point analysis that identifies crucial turning points. By mapping Moulin Rouge! against these established plot points, we can identify how Baz Luhrmann utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Moulin Rouge! within the drama genre.

Baz Luhrmann's Structural Approach

Among the 5 Baz Luhrmann films analyzed on Arcplot, the average structural score is 6.7, demonstrating varied approaches to story architecture. Moulin Rouge! takes a more unconventional approach compared to the director's typical style. For comparative analysis, explore the complete Baz Luhrmann filmography.

Comparative Analysis

Additional drama films include Eye for an Eye, South Pacific and Kiss of the Spider Woman. For more Baz Luhrmann analyses, see Elvis, Australia and Strictly Ballroom.

Plot Points by Act

Act I

Setup
1

Status Quo

1 min0.8%-1 tone

Christian types at his typewriter in a shabby Parisian garret, broken and alone, beginning to write the story of his doomed love affair. His world is colorless, filled with grief and regret.

2

Theme

6 min4.9%-1 tone

Toulouse-Lautrec declares "The greatest thing you'll ever learn is just to love and be loved in return" - the Nature Boy song that encapsulates the film's central question about whether love can transcend circumstances.

3

Worldbuilding

1 min0.8%-1 tone

Christian narrates his arrival in 1899 Montmartre as an idealistic young writer seeking truth, beauty, freedom, and love. He joins the Bohemian world, meets Toulouse and the theater troupe, and learns about the Moulin Rouge and its star, Satine.

4

Disruption

15 min11.5%0 tone

Christian is recruited by Toulouse and the Bohemians to write "Spectacular Spectacular" to save the Moulin Rouge. This invitation pulls him from observer into active participant in the world of the cabaret.

5

Resistance

15 min11.5%0 tone

The Bohemians rehearse and pitch their show concept. Christian enters the Moulin Rouge for the first time, overwhelmed by its decadence. Through mistaken identity, he meets Satine in the elephant, where they perform "Your Song" and fall instantly in love, though she believes he's the Duke.

Act II

Confrontation
6

First Threshold

31 min24.6%+1 tone

Christian chooses to pursue Satine despite learning she's a courtesan intended for the Duke. He convinces Zidler to let him write the show, creating a legitimate reason to stay close to her and fight for their love.

7

Mirror World

38 min29.5%+2 tone

Christian and Satine begin their secret romance during rehearsals for "Spectacular Spectacular." Their relationship becomes the thematic heart - can love transcend the transactional world of the Moulin Rouge? Satine begins to believe in love rather than just diamonds.

8

Premise

31 min24.6%+1 tone

The promise of the premise: spectacular musical numbers, secret romance, and creative collaboration. Christian and Satine's love affair blossoms during rehearsals. They steal moments together while deceiving the Duke. "Elephant Love Medley" and the "Spectacular Spectacular" pitch showcase the joy and danger of their impossible love.

9

Midpoint

64 min50.0%+3 tone

Christian and Satine consummate their love on a rooftop above Paris, dancing and singing "Come What May." It's a false victory - their love feels triumphant, but we know (and they ignore) that the Duke's patronage and Satine's illness make this unsustainable. The stakes are now life-or-death.

10

Opposition

64 min50.0%+3 tone

The Duke grows suspicious and jealous. He threatens to destroy the show and kill Christian if Satine doesn't submit. The doctor reveals Satine is dying of consumption. Zidler forces Satine to choose: end it with Christian or everyone loses everything. The affair is discovered during the "Jealousy" tango, and the Duke's rage intensifies.

11

Collapse

95 min74.6%+2 tone

Satine breaks Christian's heart by pretending she doesn't love him, telling him she's choosing the Duke and that their romance meant nothing. Christian is shattered, his belief in love destroyed. This is the "death" of innocence and hope - his idealism dies.

12

Crisis

95 min74.6%+2 tone

Christian wallows in despair, drunk and broken. He decides to publicly humiliate Satine by paying her as a prostitute during the show's premiere, reducing their love to a transaction. Meanwhile, Satine prepares to perform while dying, resigned to her fate.

Act III

Resolution
13

Second Threshold

103 min80.3%+3 tone

Satine performs the show and sees Christian in the audience. When he pays her the "courtesan fee," she breaks character and sings "Come What May" to him on stage, publicly declaring her true love. Christian realizes she does love him. They choose truth over pretense, love over survival.

14

Synthesis

103 min80.3%+3 tone

The finale unfolds on stage and backstage. Christian and Satine reconcile and reaffirm their love before the Duke and all of Paris. The Duke is defeated and expelled. But Satine collapses - her illness has taken its toll. She dies in Christian's arms, whispering the truth: their love story was real.

15

Transformation

126 min98.4%+2 tone

Christian finishes writing their story, transformed by grief but also by love. He types the final words: "The greatest thing you'll ever learn is just to love and be loved in return." Though Satine is dead, he now understands that their love was worth it - he learned the lesson, paid the price, and became the writer he dreamed of being.