Overboard poster
6.6
Arcplot Score
Unverified

Overboard

1987112 minPG
Director: Garry Marshall
Writer:Leslie Dixon

Heiress Joanna Stayton hires carpenter Dean Proffitt to build a closet on her yacht—and refuses to pay him for the project when it's done. But after Joanna accidentally falls overboard and loses her memory, Dean sees an opportunity to get even.

Revenue$26.7M
Budget$22.0M
Profit
+4.7M
+21%

Working with a moderate budget of $22.0M, the film achieved a modest success with $26.7M in global revenue (+21% profit margin).

Awards

3 nominations

Where to Watch
Apple TV StorePlexYouTube TVYouTubeGoogle Play MoviesFandango At HomeAmazon Video

Plot Structure

Story beats plotted across runtime

Act ISetupAct IIConfrontationAct IIIResolutionWorldbuilding3Resistance5Premise8Opposition10Crisis12Synthesis14124679111315
Color Timeline
Color timeline
Sound Timeline
Sound timeline
Threshold
Section
Plot Point

Narrative Arc

Emotional journey through the story's key moments

+30-3
0m28m55m83m111m
Plot Point
Act Threshold
Emotional Arc

Story Circle

Blueprint 15-beat structure

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Arcplot Score Breakdown

Structural Adherence: Flexible
8/10
3/10
3.5/10
Overall Score6.6/10

Weighted: Precision (70%) + Arc (15%) + Theme (15%)

Overboard (1987) showcases meticulously timed plot construction, characteristic of Garry Marshall's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 52 minutes. With an Arcplot score of 6.6, the film balances conventional beats with creative variation.

Characters

Cast & narrative archetypes

Goldie Hawn

Joanna Stayton

Hero
Shapeshifter
Goldie Hawn
Kurt Russell

Dean Proffitt

Trickster
Love Interest
Kurt Russell
Edward Herrmann

Grant Stayton III

Shadow
Edward Herrmann
Michael G. Hagerty

Billy Pratt

Ally
Michael G. Hagerty
Roddy McDowall

Andrew

Herald
Roddy McDowall
Katherine Helmond

Edith Mintz

Contagonist
Katherine Helmond

Main Cast & Characters

Joanna Stayton

Played by Goldie Hawn

HeroShapeshifter

A spoiled, entitled heiress who loses her memory after falling overboard and is tricked into believing she's a working-class mother.

Dean Proffitt

Played by Kurt Russell

TricksterLove Interest

A working-class carpenter and widowed father of four boys who seeks revenge on Joanna by convincing her she's his wife.

Grant Stayton III

Played by Edward Herrmann

Shadow

Joanna's wealthy, philandering husband who abandons her at the hospital when she loses her memory.

Billy Pratt

Played by Michael G. Hagerty

Ally

Dean's loyal best friend and drinking buddy who helps him execute the scheme to claim Joanna.

Andrew

Played by Roddy McDowall

Herald

The Stayton's dignified British butler who remains loyal to Joanna and eventually helps reunite her with her true identity.

Edith Mintz

Played by Katherine Helmond

Contagonist

Joanna's wealthy mother who initially shows little concern for her amnesiac daughter.

Structural Analysis

The Status Quo at 1 minutes (1% through the runtime) establishes Joanna Stayton, a wealthy and spoiled heiress, berates workers on her luxury yacht, establishing her as selfish, demanding, and loveless in her cold marriage to Grant.. Significantly, this early placement immediately immerses viewers in the story world.

The inciting incident occurs at 14 minutes when Joanna refuses to pay Dean for his work, mocks his craftsmanship, and pushes him off her yacht into the harbor. Dean vows revenge as she throws his tools overboard.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.

The First Threshold at 28 minutes marks the transition into Act II, occurring at 25% of the runtime. This demonstrates the protagonist's commitment to Dean actively chooses to claim Joanna as his wife "Annie" at the hospital, bringing her home to his chaotic household. He commits to the deception, crossing into the new world of their reversed roles., moving from reaction to action.

At 57 minutes, the Midpoint arrives at 51% of the runtime—precisely centered, creating perfect narrative symmetry. Of particular interest, this crucial beat False victory: Joanna has transformed into a loving mother and partner. Dean and she share a romantic dance and kiss. The family is happy and whole—but it's built on a lie, raising the stakes for when truth emerges., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.

The Collapse moment at 84 minutes (75% through) represents the emotional nadir. Here, Grant arrives and "rescues" Joanna, revealing the truth about her identity. Her memory returns instantly. The life she built with Dean dies as she realizes everything was a lie. She leaves, heartbroken and furious., demonstrates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.

The Second Threshold at 91 minutes initiates the final act resolution at 81% of the runtime. Joanna overhears Grant admit he only wanted her back for her money, revealing his callousness. She realizes her real family is Dean and the boys. She chooses love and authenticity over wealth and pretense., demonstrating the transformation achieved throughout the journey.

Emotional Journey

Overboard's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.

Narrative Framework

This structural analysis employs systematic plot point analysis that identifies crucial turning points. By mapping Overboard against these established plot points, we can identify how Garry Marshall utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Overboard within the comedy genre.

Garry Marshall's Structural Approach

Among the 14 Garry Marshall films analyzed on Arcplot, the average structural score is 6.9, demonstrating varied approaches to story architecture. Overboard takes a more unconventional approach compared to the director's typical style. For comparative analysis, explore the complete Garry Marshall filmography.

Comparative Analysis

Additional comedy films include The Bad Guys, Ella Enchanted and The Evening Star. For more Garry Marshall analyses, see Raising Helen, New Year's Eve and The Princess Diaries.

Plot Points by Act

Act I

Setup
1

Status Quo

1 min1.1%-1 tone

Joanna Stayton, a wealthy and spoiled heiress, berates workers on her luxury yacht, establishing her as selfish, demanding, and loveless in her cold marriage to Grant.

2

Theme

6 min5.1%-1 tone

Dean Proffitt tells his mother, "Nobody's born with money. You gotta work for it." This speaks to the film's central theme about class, dignity in labor, and earned versus inherited worth.

3

Worldbuilding

1 min1.1%-1 tone

We meet Dean, a widowed carpenter struggling to raise four wild boys in their cramped home. He's hired to build a closet on Joanna's yacht, where she humiliates him and refuses to pay. Two worlds collide: privilege versus hardship.

4

Disruption

14 min12.4%-2 tone

Joanna refuses to pay Dean for his work, mocks his craftsmanship, and pushes him off her yacht into the harbor. Dean vows revenge as she throws his tools overboard.

5

Resistance

14 min12.4%-2 tone

Joanna falls overboard that night and develops amnesia. Dean sees a news report about the "mystery woman" and his friend Billy suggests using her amnesia for revenge. Dean debates whether to go through with this outrageous plan.

Act II

Confrontation
6

First Threshold

28 min25.3%-1 tone

Dean actively chooses to claim Joanna as his wife "Annie" at the hospital, bringing her home to his chaotic household. He commits to the deception, crossing into the new world of their reversed roles.

7

Mirror World

33 min29.2%0 tone

Joanna begins her "new life" with Dean and the boys. This relationship becomes the thematic heart: through domestic labor and family connection, she'll learn what Dean already knows about true worth and dignity.

8

Premise

28 min25.3%-1 tone

The fun and games: Joanna struggles with housework, childrearing, and poverty while Dean enjoys his revenge. Gradually, she becomes a better mother and person, the boys soften, and genuine affection develops between Dean and "Annie."

9

Midpoint

57 min50.6%+1 tone

False victory: Joanna has transformed into a loving mother and partner. Dean and she share a romantic dance and kiss. The family is happy and whole—but it's built on a lie, raising the stakes for when truth emerges.

10

Opposition

57 min50.6%+1 tone

Dean falls genuinely in love with Joanna but guilt plagues him. Meanwhile, Grant discovers his wife's whereabouts and plots to reclaim her for financial reasons. The lies close in as Dean struggles to confess the truth.

11

Collapse

84 min75.3%0 tone

Grant arrives and "rescues" Joanna, revealing the truth about her identity. Her memory returns instantly. The life she built with Dean dies as she realizes everything was a lie. She leaves, heartbroken and furious.

12

Crisis

84 min75.3%0 tone

Joanna returns to her wealthy life but feels empty. Dean and the boys are devastated. Both process their loss—Joanna realizes her old life is hollow, while Dean recognizes he truly loved her despite how it started.

Act III

Resolution
13

Second Threshold

91 min80.9%+1 tone

Joanna overhears Grant admit he only wanted her back for her money, revealing his callousness. She realizes her real family is Dean and the boys. She chooses love and authenticity over wealth and pretense.

14

Synthesis

91 min80.9%+1 tone

Dean and the boys race to the yacht to win Joanna back. She meets them halfway, diving off the yacht. They reunite in the water. She chooses her new life, and together they sail away as a true family.

15

Transformation

111 min98.9%+2 tone

Joanna and Dean sail off together with the boys, now a united family. The once-selfish heiress has become a loving mother and partner, having found true worth through love and honest work, not wealth.