The Eight Mountains
An epic journey of friendship and self-discovery set in the breathtaking Italian Alps, The Eight Mountains follows over four decades the profound, complex relationship between Pietro and Bruno.
The film earned $9.5M at the global box office.
18 wins & 29 nominations
Plot Structure
Story beats plotted across runtime
Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Arcplot Score Breakdown
Weighted: Precision (70%) + Arc (15%) + Theme (15%)
The Eight Mountains (2022) reveals meticulously timed narrative design, characteristic of Felix van Groeningen's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 2 hours and 27 minutes. With an Arcplot score of 7.0, the film balances conventional beats with creative variation.
Structural Analysis
The Status Quo at 2 minutes (2% through the runtime) establishes Young Pietro arrives in the mountains with his parents for summer vacation. The vast Alpine landscape establishes his urban childhood and disconnection from nature.. Structural examination shows that this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 17 minutes when Pietro's father secretly takes Bruno on a mountain expedition without Pietro, breaking their bond. Pietro feels betrayed and refuses to return to the mountains for years.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.
The First Threshold at 36 minutes marks the transition into Act II, occurring at 24% of the runtime. This reveals the protagonist's commitment to Pietro returns to the mountains for his father's memorial. He chooses to seek out Bruno after fifteen years of silence, actively reconnecting with his childhood friend and the Alpine world., moving from reaction to action.
At 74 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Notably, this crucial beat The mountain house is completed. Pietro and Bruno celebrate their achievement on the roof, looking out at the peaks. False victory: Pietro believes he's found where he belongs, but his restless nature remains., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.
The Collapse moment at 108 minutes (74% through) represents the emotional nadir. Here, Pietro receives news that Bruno has died in a construction accident in the valley. The death of his closest friend—the only person who truly knew him—leaves Pietro devastated and alone., reveals the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.
The Second Threshold at 117 minutes initiates the final act resolution at 80% of the runtime. Pietro returns to the mountain house he and Bruno built. He understands that both paths—wandering and rooting—are necessary. The house is the synthesis: a fixed point that gives meaning to his journeys., demonstrating the transformation achieved throughout the journey.
Emotional Journey
The Eight Mountains's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.
Narrative Framework
This structural analysis employs proven narrative structure principles that track dramatic progression. By mapping The Eight Mountains against these established plot points, we can identify how Felix van Groeningen utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish The Eight Mountains within the drama genre.
Felix van Groeningen's Structural Approach
Among the 3 Felix van Groeningen films analyzed on Arcplot, the average structural score is 7.1, reflecting strong command of classical structure. The Eight Mountains takes a more unconventional approach compared to the director's typical style. For comparative analysis, explore the complete Felix van Groeningen filmography.
Comparative Analysis
Additional drama films include Eye for an Eye, South Pacific and Kiss of the Spider Woman. For more Felix van Groeningen analyses, see Beautiful Boy, The Broken Circle Breakdown.
Plot Points by Act
Act I
SetupStatus Quo
Young Pietro arrives in the mountains with his parents for summer vacation. The vast Alpine landscape establishes his urban childhood and disconnection from nature.
Theme
Pietro's father tells him about the Nepalese legend of the eight mountains: "The one who travels far knows many things, but the one who climbs the mountain at the center sees everything."
Worldbuilding
Pietro meets Bruno, a local mountain boy. Their friendship develops over summers as Pietro's father teaches them mountain skills. The contrast between Pietro's city life and Bruno's mountain existence is established.
Disruption
Pietro's father secretly takes Bruno on a mountain expedition without Pietro, breaking their bond. Pietro feels betrayed and refuses to return to the mountains for years.
Resistance
Years pass. Adult Pietro lives a restless life in Turin, traveling and avoiding commitment. His father dies. Pietro debates whether to reconnect with the mountains and his past.
Act II
ConfrontationFirst Threshold
Pietro returns to the mountains for his father's memorial. He chooses to seek out Bruno after fifteen years of silence, actively reconnecting with his childhood friend and the Alpine world.
Mirror World
Pietro and Bruno reunite. Bruno proposes they rebuild an abandoned mountain house together using Pietro's inheritance. This partnership becomes the emotional core exploring belonging versus wandering.
Premise
The promise of the premise: two friends rebuild a baita in the mountains. Pietro discovers the joy of physical labor, craft, and mountain life. Their contrasting philosophies emerge—Bruno roots, Pietro wanders.
Midpoint
The mountain house is completed. Pietro and Bruno celebrate their achievement on the roof, looking out at the peaks. False victory: Pietro believes he's found where he belongs, but his restless nature remains.
Opposition
Pietro cannot stay. He returns to traveling—Nepal, Himalayan expeditions. Bruno marries, has children, lives in the village. Their parallel lives diverge. Years pass with sporadic contact. The mountains witness their separate paths.
Collapse
Pietro receives news that Bruno has died in a construction accident in the valley. The death of his closest friend—the only person who truly knew him—leaves Pietro devastated and alone.
Crisis
Pietro grapples with grief and guilt. He wanders aimlessly, processing the loss of Bruno and questioning his choices—the years of wandering, the friendship he took for granted, the life he never built.
Act III
ResolutionSecond Threshold
Pietro returns to the mountain house he and Bruno built. He understands that both paths—wandering and rooting—are necessary. The house is the synthesis: a fixed point that gives meaning to his journeys.
Synthesis
Pietro tends to the house, honoring Bruno's memory. He finds peace in solitary mountain life, integrating his father's lessons, Bruno's rootedness, and his own need for wandering. He writes, reflects, and accepts impermanence.
Transformation
Pietro stands before the eight mountain peaks at dawn. He has become both the traveler and the mountain climber—someone who journeys but carries home within. Peace replaces restlessness in his eyes.