
Tootsie
Michael Dorsey is an unemployed actor with an impossible reputation. In order to find work and fund his friend's play he dresses as a woman, Dorothy Michaels, and lands the part in a daytime drama. Dorsey loses himself in this woman role and essentially becomes Dorothy Michaels, captivating women all around the city and inspiring them to break free from the control of men and become more like Dorsey's initial identity. This newfound role, however, lands Dorsey in a hot spot between a female friend/'lover,' a female co-star he falls in love with, that co-star's father who falls in love with him, and a male co-star who yearns for his affection.
Despite a mid-range budget of $21.0M, Tootsie became a box office phenomenon, earning $177.2M worldwide—a remarkable 744% return.
1 Oscar. 26 wins & 31 nominations
Plot Structure
Story beats plotted across runtime


Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Arcplot Score Breakdown
Weighted: Precision (70%) + Arc (15%) + Theme (15%)
Tootsie (1982) exhibits carefully calibrated plot construction, characteristic of Sydney Pollack's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 56 minutes. With an Arcplot score of 7.6, the film showcases strong structural fundamentals.
Characters
Cast & narrative archetypes
Michael Dorsey / Dorothy Michaels
Julie Nichols
Sandy Lester
Jeff Slater
Ron Carlisle
Les
John Van Horn
Main Cast & Characters
Michael Dorsey / Dorothy Michaels
Played by Dustin Hoffman
A talented but difficult actor who disguises himself as a woman to land a soap opera role, discovering empathy and self-awareness through the experience.
Julie Nichols
Played by Jessica Lange
A sweet, vulnerable actress on the soap opera who becomes Dorothy's friend and Michael's love interest, trapped in a relationship with the show's director.
Sandy Lester
Played by Teri Garr
Michael's insecure friend and student, a struggling actress who develops romantic feelings for him while he's secretly pursuing Julie.
Jeff Slater
Played by Bill Murray
Michael's playwright roommate and best friend who witnesses and supports the Dorothy charade while working on his own play.
Ron Carlisle
Played by Dabney Coleman
The egotistical, manipulative director of the soap opera who is in a relationship with Julie and treats the actresses poorly.
Les
Played by Sydney Pollack
Dorothy's agent, a cynical industry veteran who knows Michael's reputation and is shocked when Dorothy becomes a success.
John Van Horn
Played by Charles Durning
Julie's wealthy, traditional father who falls romantically for Dorothy, creating another complication in Michael's charade.
Structural Analysis
The Status Quo at 2 minutes (1% through the runtime) establishes Michael Dorsey teaching an acting class, being perfectionist and difficult with students. Establishes him as talented but impossible to work with.. Of particular interest, this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 14 minutes when George definitively tells Michael no one in New York will hire him anymore. His acting career is effectively over unless something drastic changes.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.
The First Threshold at 29 minutes marks the transition into Act II, occurring at 25% of the runtime. This illustrates the protagonist's commitment to Michael auditions as "Dorothy Michaels" for Southwest General and gets the role, committing to the masquerade that will transform him., moving from reaction to action.
At 58 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Significantly, this crucial beat Dorothy becomes a cultural phenomenon and feminist icon, with fan mail and recognition. False victory: Michael is successful but trapped in the lie, falling in love with Julie while unable to be honest about who he is., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.
The Collapse moment at 87 minutes (75% through) represents the emotional nadir. Here, Julie discovers "Dorothy" in Michael's apartment with Michael and believes Dorothy is having an affair with her boyfriend. Michael loses Julie's trust completely and cannot explain the truth. Everything falls apart., shows the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.
The Second Threshold at 92 minutes initiates the final act resolution at 80% of the runtime. Michael decides to reveal the truth on live television, synthesizing what he learned as Dorothy (courage, honesty, standing up for himself) with the need to be truthful about who he really is., demonstrating the transformation achieved throughout the journey.
Emotional Journey
Tootsie's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.
Narrative Framework
This structural analysis employs a 15-point narrative structure framework that maps key story moments. By mapping Tootsie against these established plot points, we can identify how Sydney Pollack utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Tootsie within the comedy genre.
Sydney Pollack's Structural Approach
Among the 13 Sydney Pollack films analyzed on Arcplot, the average structural score is 7.0, reflecting strong command of classical structure. Tootsie represents one of the director's most structurally precise works. For comparative analysis, explore the complete Sydney Pollack filmography.
Comparative Analysis
Additional comedy films include The Bad Guys, Ella Enchanted and The Evening Star. For more Sydney Pollack analyses, see Bobby Deerfield, Sabrina and Three Days of the Condor.
Plot Points by Act
Act I
SetupStatus Quo
Michael Dorsey teaching an acting class, being perfectionist and difficult with students. Establishes him as talented but impossible to work with.
Theme
Michael's agent George tells him "No one will hire you" because he's too difficult to work with. Theme: Michael must change who he is to succeed.
Worldbuilding
Establishing Michael's world: his talent, impossible personality, friendship with roommate Jeff, relationship with actress Sandy, multiple auditions where he's rejected for ridiculous reasons.
Disruption
George definitively tells Michael no one in New York will hire him anymore. His acting career is effectively over unless something drastic changes.
Resistance
Michael debates his options, promises to raise $8,000 for Jeff's play, coaches Sandy for a soap opera audition (which she loses for being too short), gets the idea to disguise himself as a woman.
Act II
ConfrontationFirst Threshold
Michael auditions as "Dorothy Michaels" for Southwest General and gets the role, committing to the masquerade that will transform him.
Mirror World
As Dorothy, Michael meets Julie Nichols on set. She becomes the relationship that will teach him empathy and what women truly experience.
Premise
The fun of the premise: Michael navigating life as Dorothy, learning makeup and mannerisms, dealing with director Ron's harassment, standing up for himself/herself, becoming friends with Julie, and becoming a breakout star on the show.
Midpoint
Dorothy becomes a cultural phenomenon and feminist icon, with fan mail and recognition. False victory: Michael is successful but trapped in the lie, falling in love with Julie while unable to be honest about who he is.
Opposition
Complications mount: Julie's father Les proposes marriage to Dorothy, Sandy suspects Michael is having an affair, the show extends Dorothy's contract, Michael can't reveal himself without destroying everyone, his lies spiral out of control.
Collapse
Julie discovers "Dorothy" in Michael's apartment with Michael and believes Dorothy is having an affair with her boyfriend. Michael loses Julie's trust completely and cannot explain the truth. Everything falls apart.
Crisis
Michael wrestles with the impossible situation he's created. He must reveal the truth but knows it will hurt everyone he cares about - Sandy, Julie, Les, Jeff, the show. Dark night of the soul.
Act III
ResolutionSecond Threshold
Michael decides to reveal the truth on live television, synthesizing what he learned as Dorothy (courage, honesty, standing up for himself) with the need to be truthful about who he really is.
Synthesis
Michael reveals himself as Dorothy on live TV during the hospital scene, faces the fallout with the cast and crew, loses the job but gains his integrity and the lessons he learned.
Transformation
Michael meets Julie on the street weeks later, apologizes sincerely, tells her "I was a better man with you as a woman than I ever was with a woman as a man." She cautiously agrees to coffee - he has genuinely changed.





