
Bonjour Tristesse
Cecile is a decadent young girl who lives the lush life with her rich playboy father Raymond, a widower. When Anne, Raymond's old love interest, comes to Raymond's villa for a visit and gets more and more comfortable there, Cecile is afraid that her lifestyle will be altered, and sets out to make sure that it isn't.
The film earned $13.2M at the global box office.
Nominated for 1 BAFTA Award2 nominations
Plot Structure
Story beats plotted across runtime


Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Arcplot Score Breakdown
Weighted: Precision (70%) + Arc (15%) + Theme (15%)
Bonjour Tristesse (1958) reveals strategically placed story structure, characteristic of Otto Preminger's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 34 minutes. With an Arcplot score of 6.9, the film balances conventional beats with creative variation.
Characters
Cast & narrative archetypes

Cécile

Anne Larsen
Raymond

Elsa Mackenbourg

Philippe
Main Cast & Characters
Cécile
Played by Jean Seberg
A hedonistic 17-year-old who manipulates relationships to preserve her carefree lifestyle with her father on the French Riviera.
Anne Larsen
Played by Deborah Kerr
A sophisticated, cultured woman who falls in love with Raymond and threatens to bring order and responsibility to his household.
Raymond
Played by David Niven
Cécile's charming, playboy widower father who enjoys a life of leisure and casual romantic affairs.
Elsa Mackenbourg
Played by Mylène Demongeot
Raymond's current young mistress, shallow and devoted, who is easily manipulated by Cécile.
Philippe
Played by Geoffrey Horne
Cécile's casual boyfriend, a good-natured young man who is part of her social circle.
Structural Analysis
The Status Quo at 1 minutes (1% through the runtime) establishes Present-day Paris in black and white: Cécile appears melancholic and haunted, establishing the film's emotional endpoint before flashing back to the colorful summer that led to this sadness.. Notably, this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 11 minutes when Anne Larsen arrives at the villa—a sophisticated, moral woman who was a close friend of Cécile's late mother. Unlike the frivolous Elsa, Anne represents maturity, structure, and the adult world that threatens to disrupt Cécile's idyllic relationship with her father.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.
The First Threshold at 24 minutes marks the transition into Act II, occurring at 25% of the runtime. This illustrates the protagonist's commitment to Anne accepts Raymond's marriage proposal and begins imposing structure on the household, treating Cécile as a child rather than Raymond's companion. Faced with losing her father and her freedom, Cécile makes an active choice: she will sabotage the engagement and drive Anne away., moving from reaction to action.
At 47 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Structural examination shows that this crucial beat False victory: Cécile's plan works. Raymond becomes jealous and confused, questioning his decision to marry Anne. He begins pulling away from her emotionally, and Cécile believes she is succeeding in restoring her old life. But the stakes have been raised—Anne is genuinely hurt, and the manipulation has gone too far to undo., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.
The Collapse moment at 69 minutes (74% through) represents the emotional nadir. Here, Anne discovers Cécile's manipulation. In a devastating confrontation, she realizes that both Raymond's wavering commitment and Cécile's betrayal make her position impossible. The "whiff of death": Anne's dignity and dreams die as she understands she has been played by a jealous child, and the man she loves is too weak to resist., illustrates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.
The Second Threshold at 76 minutes initiates the final act resolution at 80% of the runtime. The devastating revelation: Anne has died in a car crash while driving away from the villa. Whether suicide or accident, the result is the same—Cécile's manipulation has led directly to Anne's death. There is no undoing this, no apology possible. Cécile must now face the permanent consequences of her actions., demonstrating the transformation achieved throughout the journey.
Emotional Journey
Bonjour Tristesse's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.
Narrative Framework
This structural analysis employs systematic plot point analysis that identifies crucial turning points. By mapping Bonjour Tristesse against these established plot points, we can identify how Otto Preminger utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Bonjour Tristesse within the drama genre.
Otto Preminger's Structural Approach
Among the 6 Otto Preminger films analyzed on Arcplot, the average structural score is 6.8, demonstrating varied approaches to story architecture. Bonjour Tristesse represents one of the director's most structurally precise works. For comparative analysis, explore the complete Otto Preminger filmography.
Comparative Analysis
Additional drama films include Eye for an Eye, South Pacific and Kiss of the Spider Woman. For more Otto Preminger analyses, see Exodus, In Harm's Way and Carmen Jones.
Plot Points by Act
Act I
SetupStatus Quo
Present-day Paris in black and white: Cécile appears melancholic and haunted, establishing the film's emotional endpoint before flashing back to the colorful summer that led to this sadness.
Theme
As the flashback begins in vibrant Technicolor, the title "Bonjour Tristesse" (Hello Sadness) is spoken, foreshadowing the tragedy that will transform carefree pleasure into permanent regret.
Worldbuilding
The hedonistic summer on the French Riviera: 17-year-old Cécile and her wealthy playboy father Raymond live a carefree life of pleasure, with Raymond's young mistress Elsa completing their morally unstructured household. Cécile and her father share an unusually close, conspiratorial relationship.
Disruption
Anne Larsen arrives at the villa—a sophisticated, moral woman who was a close friend of Cécile's late mother. Unlike the frivolous Elsa, Anne represents maturity, structure, and the adult world that threatens to disrupt Cécile's idyllic relationship with her father.
Resistance
Raymond dismisses Elsa and falls genuinely in love with Anne. Cécile watches uneasily as their relationship deepens, uncertain how to respond to this unprecedented threat to her exclusive bond with her father. Anne attempts to connect with Cécile, but the girl resists her maternal overtures.
Act II
ConfrontationFirst Threshold
Anne accepts Raymond's marriage proposal and begins imposing structure on the household, treating Cécile as a child rather than Raymond's companion. Faced with losing her father and her freedom, Cécile makes an active choice: she will sabotage the engagement and drive Anne away.
Mirror World
Cécile recruits the dismissed Elsa and manipulates her boyfriend Cyril into the scheme. This alliance represents the thematic mirror: choosing superficial pleasure and manipulation over genuine connection and moral growth, the path that will ultimately destroy Cécile.
Premise
The "fun and games" of manipulation: Cécile orchestrates elaborate scenarios where Raymond will "accidentally" encounter Elsa and Cyril in romantic situations. The scheme is executed with teenage cleverness, playing on Raymond's weakness and vanity, reminding him of his former carefree lifestyle.
Midpoint
False victory: Cécile's plan works. Raymond becomes jealous and confused, questioning his decision to marry Anne. He begins pulling away from her emotionally, and Cécile believes she is succeeding in restoring her old life. But the stakes have been raised—Anne is genuinely hurt, and the manipulation has gone too far to undo.
Opposition
Anne grows increasingly suspicious and hurt by Raymond's behavior. The manipulation intensifies as Cécile pushes harder, but cracks appear: Raymond is genuinely conflicted, Anne's pain is visible, and Cécile begins to sense that her victory may not restore the innocence she seeks. The opposition closes in as consequences become inevitable.
Collapse
Anne discovers Cécile's manipulation. In a devastating confrontation, she realizes that both Raymond's wavering commitment and Cécile's betrayal make her position impossible. The "whiff of death": Anne's dignity and dreams die as she understands she has been played by a jealous child, and the man she loves is too weak to resist.
Crisis
Anne leaves the villa in emotional devastation. Cécile experiences a moment of hollow victory that quickly turns to unease. Raymond is confused and passive. The household falls into uncomfortable silence as they process what has happened, not yet aware that the worst is still to come.
Act III
ResolutionSecond Threshold
The devastating revelation: Anne has died in a car crash while driving away from the villa. Whether suicide or accident, the result is the same—Cécile's manipulation has led directly to Anne's death. There is no undoing this, no apology possible. Cécile must now face the permanent consequences of her actions.
Synthesis
The film returns to the black-and-white present. Cécile has "won"—she has her father back, and no one imposes structure on their lives—but the victory is ashes. She is consumed by guilt and grief, unable to find joy in anything. Raymond has retreated into shallow relationships. The colorful summer is gone forever, replaced by permanent tristesse.
Transformation
The final image mirrors the opening: Cécile alone in black-and-white Paris, but now we understand the full weight of her sadness. She has transformed from a carefree girl into a guilt-ridden woman who destroyed the person who tried to love her. The innocence can never be recovered; "Bonjour Tristesse" is her permanent greeting.




