Departures
Daigo, a cellist, is laid off from his orchestra and moves with his wife back to his small hometown where the living is cheaper. Thinking he’s applying for a job at a travel agency he finds he’s being interviewed for work with departures of a more permanent nature – as an undertaker’s assistant.
The film earned $69.9M at the global box office.
Plot Structure
Story beats plotted across runtime
Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Arcplot Score Breakdown
Weighted: Precision (70%) + Arc (15%) + Theme (15%)
Departures (2008) reveals deliberately positioned narrative architecture, characteristic of Yojiro Takita's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 2 hours and 10 minutes. With an Arcplot score of 6.5, the film balances conventional beats with creative variation.
Structural Analysis
The Status Quo at 2 minutes (1% through the runtime) establishes Daigo performs as a professional cellist in an Tokyo orchestra, living his dream as a musician with his wife Mika.. Significantly, this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 15 minutes when Daigo misreads a job ad for "assisting departures" (travel agency) as actually being for nokanshi - preparing bodies for cremation. He meets the gruff Sasaki who immediately offers him the job despite Daigo's shock.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.
The First Threshold at 32 minutes marks the transition into Act II, occurring at 25% of the runtime. This shows the protagonist's commitment to Daigo performs his first real encoffinment ceremony for an elderly woman. Despite his fear and disgust, he completes the ritual and witnesses the family's gratitude, committing fully to learning the profession., moving from reaction to action.
At 65 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Structural examination shows that this crucial beat Mika discovers the truth about Daigo's work when a colleague sees him. She is horrified and disgusted, calling it "unclean" and shameful. Their marriage is threatened as she demands he quit, but Daigo realizes he can't abandon this work., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.
The Collapse moment at 96 minutes (74% through) represents the emotional nadir. Here, Daigo must prepare the body of Tsuyako, the kind bathhouse owner who befriended him. Her death represents the loss of one of his few supporters and forces him to confront mortality in someone he cared about personally., shows the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.
The Second Threshold at 103 minutes initiates the final act resolution at 79% of the runtime. Daigo receives news that his estranged father - who abandoned him as a child - has died. Mika returns and supports him. Daigo chooses to go see his father's body, ready to face his deepest wound with the understanding he's gained through his work., demonstrating the transformation achieved throughout the journey.
Emotional Journey
Departures's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.
Narrative Framework
This structural analysis employs a 15-point narrative structure framework that maps key story moments. By mapping Departures against these established plot points, we can identify how Yojiro Takita utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Departures within the drama genre.
Comparative Analysis
Additional drama films include Eye for an Eye, South Pacific and Kiss of the Spider Woman.
Plot Points by Act
Act I
SetupStatus Quo
Daigo performs as a professional cellist in an Tokyo orchestra, living his dream as a musician with his wife Mika.
Theme
NK agent Ikuei tells Daigo during the interview: "Death is a gate. It's not an end, just another kind of beginning." This statement foreshadows the film's exploration of death, dignity, and reconciliation.
Worldbuilding
Daigo's orchestra disbands, forcing him and Mika to return to his hometown. They move into his late mother's house. Daigo struggles with unemployment and searches for work, feeling lost without his musical career.
Disruption
Daigo misreads a job ad for "assisting departures" (travel agency) as actually being for nokanshi - preparing bodies for cremation. He meets the gruff Sasaki who immediately offers him the job despite Daigo's shock.
Resistance
Daigo hesitates and is repulsed by the work but needs money. He hides the truth from Mika. Sasaki begins teaching him the rituals, starting with a training video. Daigo debates whether he can handle this stigmatized profession.
Act II
ConfrontationFirst Threshold
Daigo performs his first real encoffinment ceremony for an elderly woman. Despite his fear and disgust, he completes the ritual and witnesses the family's gratitude, committing fully to learning the profession.
Mirror World
Daigo develops a relationship with the bathhouse owner Tsuyako and reconnects with childhood friend Yamashita. These relationships provide contrast to death work - they represent warmth, friendship, and acceptance in his hometown.
Premise
Daigo learns the art of nokanshi through various ceremonies - young and old, peaceful and tragic deaths. Each teaches him dignity and care. He finds unexpected beauty and meaning in the work, though he still hides it from Mika.
Midpoint
Mika discovers the truth about Daigo's work when a colleague sees him. She is horrified and disgusted, calling it "unclean" and shameful. Their marriage is threatened as she demands he quit, but Daigo realizes he can't abandon this work.
Opposition
Daigo faces increasing social stigma. Mika leaves him temporarily. His friend Yamashita also rejects him upon learning his profession. Daigo continues the work despite isolation, finding deeper connection to its meaning through challenging ceremonies.
Collapse
Daigo must prepare the body of Tsuyako, the kind bathhouse owner who befriended him. Her death represents the loss of one of his few supporters and forces him to confront mortality in someone he cared about personally.
Crisis
Daigo performs Tsuyako's encoffinment with profound care and sadness. He processes his grief and isolation, questioning whether the beauty he finds in this work is worth the cost to his relationships and social standing.
Act III
ResolutionSecond Threshold
Daigo receives news that his estranged father - who abandoned him as a child - has died. Mika returns and supports him. Daigo chooses to go see his father's body, ready to face his deepest wound with the understanding he's gained through his work.
Synthesis
Daigo travels to see his father and performs the encoffinment himself. Through the ritual, he finds forgiveness and recovers a childhood memory - a stone his father gave him. Mika witnesses the ceremony and finally understands the profound dignity of his work.
Transformation
Daigo and pregnant Mika stand by the river where he played as a child. He holds his father's stone and places his hand on Mika's belly, connecting death and birth, past and future. He has found peace with his profession, his father, and himself.