
Goodfellas
Henry Hill might be a small time gangster, who may have taken part in a robbery with Jimmy Conway and Tommy De Vito, two other gangsters who might have set their sights a bit higher. His two partners could kill off everyone else involved in the robbery, and slowly start to think about climbing up through the hierarchy of the Mob. Henry, however, might be badly affected by his partners' success, but will he consider stooping low enough to bring about the downfall of Jimmy and Tommy?
Working with a moderate budget of $25.0M, the film achieved a modest success with $47.1M in global revenue (+88% profit margin).
1 Oscar. 44 wins & 38 nominations
Roger Ebert
"Scorsese makes a film about greed and crime that feels fresh because it treats its subject matter with such unflinching honesty."Read Full Review
Plot Structure
Story beats plotted across runtime


Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Arcplot Score Breakdown
Weighted: Precision (70%) + Arc (15%) + Theme (15%)
Goodfellas (1990) exemplifies strategically placed story structure, characteristic of Martin Scorsese's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 2 hours and 25 minutes. With an Arcplot score of 4.5, the film takes an unconventional approach to traditional narrative frameworks.
Characters
Cast & narrative archetypes
Henry Hill
James 'Jimmy the Gent' Conway
Tommy DeVito
Karen Hill
Paul 'Paulie' Cicero
Main Cast & Characters
Henry Hill
Played by Ray Liotta
An Irish-Italian mobster who rises through the ranks of organized crime, narrating his journey from teenage associate to witness protection.
James 'Jimmy the Gent' Conway
Played by Robert De Niro
A charismatic Irish-American mob associate and truck hijacker who becomes Henry's mentor and father figure in the criminal underworld.
Tommy DeVito
Played by Joe Pesci
A violent, unpredictable made man with a hair-trigger temper whose psychotic behavior makes him both feared and dangerous to everyone around him.
Karen Hill
Played by Lorraine Bracco
Henry's wife who gradually becomes seduced by and then disillusioned with the mob lifestyle, struggling with her husband's infidelity and drug addiction.
Paul 'Paulie' Cicero
Played by Paul Sorvino
The powerful, respected capo who runs the crew with quiet authority and traditional mob values, serving as the ultimate authority figure.
Structural Analysis
The Status Quo at 1 minutes (1% through the runtime) establishes The film opens with a shocking flash-forward: Henry, Tommy, and Jimmy discover Billy Batts is still alive in the trunk and brutally finish him off. This establishes the violent world we're entering before cutting to young Henry's voiceover: "As far back as I can remember, I always wanted to be a gangster.".. Structural examination shows that this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 16 minutes when Henry gets arrested for the first time and refuses to inform. When he walks out of court, the wiseguys celebrate him as a hero—Tuddy gives him cash and says "You broke your cherry." This moment of validation fully disrupts his civilian life; he's now officially "in," cementing his identity as a gangster.. At 11% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.
The First Threshold at 33 minutes marks the transition into Act II, occurring at 22% of the runtime. This demonstrates the protagonist's commitment to Henry meets Karen at a double-date and actively pursues her despite her initial rejection. He chooses to bring a civilian woman into his world, crossing the threshold from lone wiseguy to building a life within the mob. When he pistol-whips her neighbor who assaulted her and hands her the gun, she's seduced rather than horrified—they both choose this world together., moving from reaction to action.
At 65 minutes, the Midpoint arrives at 45% of the runtime—arriving early, accelerating into Act IIb complications. Notably, this crucial beat Tommy brutally murders Billy Batts at a celebration, kicking him to death for an old insult. This is the moment from the opening—the timeline catches up. Billy was a made man under Gambino protection, meaning Tommy has signed all their death warrants. The "fun and games" end; from here, every success carries the seeds of destruction. False victory becomes inevitable doom., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.
The Collapse moment at 98 minutes (67% through) represents the emotional nadir. Here, Tommy is told he's finally being made—the ultimate honor. Instead, he walks into an empty room and is shot in the head. "It was revenge for Billy Batts." The murder that seemed like a victory at the midpoint has come back to destroy the one who committed it. For Henry, this is the death of the dream itself; if Tommy can be killed, none of them are safe. The whiff of death becomes suffocating reality., illustrates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.
The Second Threshold at 104 minutes initiates the final act resolution at 72% of the runtime. Facing twenty years in prison and knowing Jimmy will have him killed, Henry makes the unthinkable choice: he decides to become a federal witness. He will break the cardinal rule—the one he learned as a kid, the foundation of everything. "I'm an average nobody. I get to live the rest of my life like a schnook." He crosses into Act 3 by betraying everything he believed in to survive., demonstrating the transformation achieved throughout the journey.
Emotional Journey
Goodfellas's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.
Narrative Framework
This structural analysis employs structural analysis methodology used to understand storytelling architecture. By mapping Goodfellas against these established plot points, we can identify how Martin Scorsese utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Goodfellas within the biography genre.
Martin Scorsese's Structural Approach
Among the 18 Martin Scorsese films analyzed on Arcplot, the average structural score is 6.0, showcasing experimental approaches to narrative form. Goodfellas takes a more unconventional approach compared to the director's typical style. For comparative analysis, explore the complete Martin Scorsese filmography.
Comparative Analysis
Additional biography films include After Thomas, Taking Woodstock and The Fire Inside. For more Martin Scorsese analyses, see Casino, Killers of the Flower Moon and After Hours.
Plot Points by Act
Act I
SetupStatus Quo
The film opens with a shocking flash-forward: Henry, Tommy, and Jimmy discover Billy Batts is still alive in the trunk and brutally finish him off. This establishes the violent world we're entering before cutting to young Henry's voiceover: "As far back as I can remember, I always wanted to be a gangster."
Theme
Young Henry watches the wiseguys from his window as his voiceover declares: "To me, being a gangster was better than being President of the United States." This crystallizes the theme—the seductive illusion that crime offers a superior path to the American Dream, one that will ultimately prove hollow and destructive.
Worldbuilding
We meet young Henry in 1955 Brooklyn, watching the Lucchese crime family wiseguys across the street with envy. He begins working for them, learns the rules of the life, and is introduced to the hierarchy—from street soldiers to capos to Paul Cicero. His father beats him for skipping school, but Henry has found his true education. He gets pinched for the first time and learns the cardinal rule: never rat.
Disruption
Henry gets arrested for the first time and refuses to inform. When he walks out of court, the wiseguys celebrate him as a hero—Tuddy gives him cash and says "You broke your cherry." This moment of validation fully disrupts his civilian life; he's now officially "in," cementing his identity as a gangster.
Resistance
Henry rises through the ranks as a young adult, guided by mentor figures Paulie Cicero and Jimmy Conway. He's introduced to Tommy DeVito, whose volatile temper foreshadows future tragedy. The three become an inseparable crew. Henry learns the finer points of the business—hijacking, loansharking, the importance of respect and earning. This is his apprenticeship in the criminal life.
Act II
ConfrontationFirst Threshold
Henry meets Karen at a double-date and actively pursues her despite her initial rejection. He chooses to bring a civilian woman into his world, crossing the threshold from lone wiseguy to building a life within the mob. When he pistol-whips her neighbor who assaulted her and hands her the gun, she's seduced rather than horrified—they both choose this world together.
Mirror World
Karen's perspective takes over as she narrates her seduction into the mob lifestyle. The famous Copacabana tracking shot shows Henry leading her through the kitchen into the club, past all barriers, getting the best table. Karen admits: "It turned me on." She represents how the glamour corrupts everyone it touches—the thematic mirror showing what Henry's world does to the innocent.
Premise
The "promise of the premise"—the glamorous wiseguy life at its peak. Henry and Karen marry in a lavish wedding. The crew lives large: hijacking trucks, running scams, bribing everyone. Henry has two households, a wife and a mistress. Money flows freely. The famous "funny how?" scene shows Tommy's menace treated as entertainment. This is the gangster life Henry dreamed of, in all its intoxicating excess.
Midpoint
Tommy brutally murders Billy Batts at a celebration, kicking him to death for an old insult. This is the moment from the opening—the timeline catches up. Billy was a made man under Gambino protection, meaning Tommy has signed all their death warrants. The "fun and games" end; from here, every success carries the seeds of destruction. False victory becomes inevitable doom.
Opposition
The consequences compound. They must hide Billy's body, then move it when the land is sold. Jimmy plans the legendary Lufthansa heist, but success breeds paranoia—he begins systematically killing everyone involved. Henry gets into drug dealing against Paulie's explicit orders. Karen discovers his mistress and nearly shoots him. Tommy's violence escalates. The FBI begins surveillance. The walls close in from every direction.
Collapse
Tommy is told he's finally being made—the ultimate honor. Instead, he walks into an empty room and is shot in the head. "It was revenge for Billy Batts." The murder that seemed like a victory at the midpoint has come back to destroy the one who committed it. For Henry, this is the death of the dream itself; if Tommy can be killed, none of them are safe. The whiff of death becomes suffocating reality.
Crisis
Henry spirals into cocaine-fueled paranoia during one catastrophic day. The famous "last day as a wiseguy" sequence shows him juggling drug deals, guns, family dinner, a FBI helicopter overhead, and his crumbling sanity. He's arrested with his drugs. Everything he built collapses simultaneously. Jimmy starts making moves to have Henry killed. Paulie turns his back on him.
Act III
ResolutionSecond Threshold
Facing twenty years in prison and knowing Jimmy will have him killed, Henry makes the unthinkable choice: he decides to become a federal witness. He will break the cardinal rule—the one he learned as a kid, the foundation of everything. "I'm an average nobody. I get to live the rest of my life like a schnook." He crosses into Act 3 by betraying everything he believed in to survive.
Synthesis
Henry testifies against Jimmy and Paulie, the men who raised him in the life. He details their crimes, sending them to prison. The government relocates him and Karen to anonymous suburban safety through witness protection. He narrates the aftermath: Paulie died in prison, Jimmy will die in prison. The entire world Henry built has been dismantled by his own testimony.
Transformation
Henry stands in a suburban doorway in his bathrobe, getting the morning paper. His final voiceover drips with bitterness: "I'm an average nobody. I get to live the rest of my life like a schnook." The closing image inverts the opening—the kid who wanted to be a gangster more than president is now condemned to the ordinary life he despised. He survived, but lost everything that made him feel alive.




