
Jeremiah Johnson
A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians when he proves to be the match of their warriors in one-to-one combat on the early frontier.
Despite its small-scale budget of $3.1M, Jeremiah Johnson became a box office phenomenon, earning $44.7M worldwide—a remarkable 1342% return. The film's unique voice found its audience, confirming that strong storytelling can transcend budget limitations.
Plot Structure
Story beats plotted across runtime


Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Arcplot Score Breakdown
Weighted: Precision (70%) + Arc (15%) + Theme (15%)
Jeremiah Johnson (1972) demonstrates strategically placed dramatic framework, characteristic of Sydney Pollack's storytelling approach. This structural analysis examines how the film's 13-point plot structure maps to proven narrative frameworks across 1 hour and 48 minutes. With an Arcplot score of 6.9, the film balances conventional beats with creative variation.
Structural Analysis
The Status Quo at 1 minutes (1% through the runtime) establishes Jeremiah Johnson rides alone into the vast Rocky Mountains, leaving civilization behind to become a mountain man. The opening establishes his solitary quest for a life away from society.. Notably, this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 12 minutes when Johnson is attacked by a Blackfoot warrior, forcing him into his first life-or-death confrontation. This violent encounter disrupts his naive attempt at peaceful solitude and initiates him into the mountain man's violent reality.. At 11% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.
At 55 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Structural examination shows that this crucial beat A cavalry officer asks Johnson to guide a wagon train through Crow burial grounds. Johnson reluctantly agrees to help the stranded settlers, a decision that will desecrate sacred land and doom his peaceful existence., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.
The Collapse moment at 80 minutes (74% through) represents the emotional nadir. Here, Johnson returns home to find Swan and Caleb murdered by the Crow, their bodies arranged in his cabin. The family that gave his life meaning is dead—the ultimate "whiff of death" and complete destruction of his peaceful world., reveals the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.
The Second Threshold at 86 minutes initiates the final act resolution at 80% of the runtime. Johnson accepts that he must live as a hunted man, neither fleeing nor aggressively pursuing revenge, but simply enduring. He embraces a new identity: the legendary Crow Killer, forever locked in a cycle with his enemies., demonstrating the transformation achieved throughout the journey.
Emotional Journey
Jeremiah Johnson's emotional architecture traces a deliberate progression across 13 carefully calibrated beats.
Narrative Framework
This structural analysis employs a 15-point narrative structure framework that maps key story moments. By mapping Jeremiah Johnson against these established plot points, we can identify how Sydney Pollack utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Jeremiah Johnson within the adventure genre.
Sydney Pollack's Structural Approach
Among the 13 Sydney Pollack films analyzed on Arcplot, the average structural score is 7.0, reflecting strong command of classical structure. Jeremiah Johnson takes a more unconventional approach compared to the director's typical style. For comparative analysis, explore the complete Sydney Pollack filmography.
Comparative Analysis
Additional adventure films include Harry Potter and the Philosopher's Stone, The Bad Guys and Zoom. For more Sydney Pollack analyses, see Tootsie, Havana and The Interpreter.
Plot Points by Act
Act I
SetupStatus Quo
Jeremiah Johnson rides alone into the vast Rocky Mountains, leaving civilization behind to become a mountain man. The opening establishes his solitary quest for a life away from society.
Theme
Bear Claw Chris Lapp warns Johnson about the harshness of mountain life: "Survival. That's the only word you need to know." This establishes the film's central theme of man versus nature and the cost of isolation.
Worldbuilding
Johnson struggles to survive in the wilderness, making fatal mistakes that nearly kill him. He learns basic survival skills, encounters his first mountain men, and begins understanding the brutal reality of frontier life.
Disruption
Johnson is attacked by a Blackfoot warrior, forcing him into his first life-or-death confrontation. This violent encounter disrupts his naive attempt at peaceful solitude and initiates him into the mountain man's violent reality.
Resistance
Bear Claw Chris Lapp becomes Johnson's mentor, teaching him hunting, trapping, and survival skills. Johnson learns to fight, track, and live off the land, transforming from greenhorn to competent mountain man.
Act II
ConfrontationPremise
Johnson experiences domestic happiness in the wilderness, building a home and life with Swan and Caleb. He achieves the promise of the premise: a peaceful, self-sufficient life in harmony with nature and a chosen family.
Midpoint
A cavalry officer asks Johnson to guide a wagon train through Crow burial grounds. Johnson reluctantly agrees to help the stranded settlers, a decision that will desecrate sacred land and doom his peaceful existence.
Opposition
Johnson guides the party through Crow territory, violating sacred ground. The Crow begin their vendetta, hunting Johnson relentlessly. He faces increasing attacks and realizes the consequences of his choice to help civilized society.
Collapse
Johnson returns home to find Swan and Caleb murdered by the Crow, their bodies arranged in his cabin. The family that gave his life meaning is dead—the ultimate "whiff of death" and complete destruction of his peaceful world.
Crisis
Johnson buries his family and processes his devastating loss. He confronts the darkness of his grief and rage, transforming from peaceful family man into a haunted figure driven by survival and the endless Crow vendetta.
Act III
ResolutionSecond Threshold
Johnson accepts that he must live as a hunted man, neither fleeing nor aggressively pursuing revenge, but simply enduring. He embraces a new identity: the legendary Crow Killer, forever locked in a cycle with his enemies.
Synthesis
Johnson survives repeated Crow assassination attempts, killing his attackers one by one. He becomes a mythical figure of the mountains, respected even by his enemies, living in a state of perpetual vigilance and solitude.
Transformation
A Crow warrior salutes Johnson with respect rather than attacking, and Johnson returns the gesture. He has transcended from civilized man to wilderness legend, earning the respect of his enemies while forever alone in his mountain domain.




