Miller's Crossing poster
6.9
Arcplot Score
Unverified

Miller's Crossing

1990115 minR
Director: Joel Coen

Set in 1929, a political boss and his advisor have a parting of the ways when they both fall for the same woman.

Revenue$5.1M
Budget$14.0M
Loss
-8.9M
-64%

The film financial setback against its limited budget of $14.0M, earning $5.1M globally (-64% loss). While initial box office returns were modest, the film has gained appreciation for its fresh perspective within the drama genre.

TMDb7.5
Popularity2.8
Where to Watch
Google Play MoviesApple TVYouTubeAmazon VideoFandango At Home

Plot Structure

Story beats plotted across runtime

Act ISetupAct IIConfrontationAct IIIResolutionWorldbuilding3Resistance5Premise8Opposition10Crisis12Synthesis14124679111315
Color Timeline
Color timeline
Sound Timeline
Sound timeline
Threshold
Section
Plot Point

Narrative Arc

Emotional journey through the story's key moments

+1-2-6
0m28m56m85m113m
Plot Point
Act Threshold
Emotional Arc

Story Circle

Blueprint 15-beat structure

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Arcplot Score Breakdown

Structural Adherence: Flexible
8.5/10
4/10
2/10
Overall Score6.9/10

Weighted: Precision (70%) + Arc (15%) + Theme (15%)

Miller's Crossing (1990) demonstrates meticulously timed plot construction, characteristic of Joel Coen's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 55 minutes. With an Arcplot score of 6.9, the film balances conventional beats with creative variation.

Structural Analysis

The Status Quo at 1 minutes (1% through the runtime) establishes Tom Reagan sits in Leo's office as Johnny Caspar complains about Bernie Bernbaum. Tom is Leo's trusted advisor, living off his wits in Prohibition-era gang politics, maintaining balance through clever counsel.. Significantly, this early placement immediately immerses viewers in the story world.

The inciting incident occurs at 13 minutes when Johnny Caspar openly defies Leo, declaring he'll kill Bernie with or without permission. This breaks the political order Tom has been maintaining. The disruption isn't Tom's choice - it's Caspar's declaration of war that shatters the status quo.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.

The First Threshold at 27 minutes marks the transition into Act II, occurring at 24% of the runtime. This reveals the protagonist's commitment to Tom makes an active choice to approach Johnny Caspar and offer his services as an informant against Leo. This is his irreversible decision to cross into Act 2 - switching sides in the gang war, entering a world of deeper deception and danger., moving from reaction to action.

At 56 minutes, the Midpoint arrives at 49% of the runtime—precisely centered, creating perfect narrative symmetry. Notably, this crucial beat Caspar orders Tom to kill Bernie at Miller's Crossing to prove his loyalty. Tom takes Bernie to the woods but cannot kill him - a false defeat. He lets Bernie go and fakes the murder. The stakes raise dramatically: Tom is now committed to an elaborate deception that could get him killed if discovered., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.

The Collapse moment at 84 minutes (73% through) represents the emotional nadir. Here, Bernie reveals he killed Caspar's son (Caspar's adopted son was Eddie Dane's lover who Bernie murdered). Tom realizes Bernie has been playing everyone and is more dangerous than anyone suspected. Tom's "whiff of death": the moral death of his illusions - he must kill Bernie or be destroyed., illustrates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.

The Second Threshold at 92 minutes initiates the final act resolution at 80% of the runtime. Tom synthesizes everything: he stages an elaborate plan to turn Caspar and Eddie Dane against each other while positioning himself to execute Bernie. He uses the information about Eddie and Caspar's son to trigger the final confrontation. Tom finds clarity in accepting his role., demonstrating the transformation achieved throughout the journey.

Emotional Journey

Miller's Crossing's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.

Narrative Framework

This structural analysis employs structural analysis methodology used to understand storytelling architecture. By mapping Miller's Crossing against these established plot points, we can identify how Joel Coen utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Miller's Crossing within the drama genre.

Joel Coen's Structural Approach

Among the 5 Joel Coen films analyzed on Arcplot, the average structural score is 7.1, reflecting strong command of classical structure. Miller's Crossing takes a more unconventional approach compared to the director's typical style. For comparative analysis, explore the complete Joel Coen filmography.

Comparative Analysis

Additional drama films include Eye for an Eye, South Pacific and Kiss of the Spider Woman. For more Joel Coen analyses, see Raising Arizona, The Tragedy of Macbeth and Intolerable Cruelty.

Plot Points by Act

Act I

Setup
1

Status Quo

1 min0.9%0 tone

Tom Reagan sits in Leo's office as Johnny Caspar complains about Bernie Bernbaum. Tom is Leo's trusted advisor, living off his wits in Prohibition-era gang politics, maintaining balance through clever counsel.

2

Theme

5 min4.4%0 tone

Leo tells Tom: "I'm talkin' about friendship. I'm talkin' about character. I'm talkin' about - hell, Leo, I ain't embarrassed to use the word - I'm talkin' about ethics." This establishes the film's central question: what are the ethics of loyalty when everyone is corrupt?

3

Worldbuilding

1 min0.9%0 tone

Establishment of the power structure: Leo runs the city through political connections. Tom is his brain. Johnny Caspar wants permission to kill Bernie Bernbaum for selling fight information. Leo refuses because he's sleeping with Bernie's sister Verna. Tom is also sleeping with Verna, creating a triangle of betrayal.

4

Disruption

13 min11.5%-1 tone

Johnny Caspar openly defies Leo, declaring he'll kill Bernie with or without permission. This breaks the political order Tom has been maintaining. The disruption isn't Tom's choice - it's Caspar's declaration of war that shatters the status quo.

5

Resistance

13 min11.5%-1 tone

Tom tries to prevent the war through negotiation and counsel. He debates with Leo about giving up Bernie and Verna. Leo discovers Tom's affair with Verna, beats him, and throws him out. Tom loses everything - his position, his home, his income. He resists choosing sides but circumstances force him toward a decision.

Act II

Confrontation
6

First Threshold

27 min23.9%-2 tone

Tom makes an active choice to approach Johnny Caspar and offer his services as an informant against Leo. This is his irreversible decision to cross into Act 2 - switching sides in the gang war, entering a world of deeper deception and danger.

7

Mirror World

34 min29.2%-2 tone

Bernie Bernbaum becomes Tom's thematic mirror - a sniveling, dishonest character who begs for his life and makes promises he won't keep. Bernie represents what Tom could become: a man without ethics playing all sides with no loyalty to anyone.

8

Premise

27 min23.9%-2 tone

Tom plays both sides: working for Caspar while secretly trying to protect Leo and manipulate the war's outcome. The "fun and games" of watching Tom navigate elaborate lies, double-crosses, and near-misses. He must prove himself to Caspar while maintaining hidden loyalties.

9

Midpoint

56 min48.7%-3 tone

Caspar orders Tom to kill Bernie at Miller's Crossing to prove his loyalty. Tom takes Bernie to the woods but cannot kill him - a false defeat. He lets Bernie go and fakes the murder. The stakes raise dramatically: Tom is now committed to an elaborate deception that could get him killed if discovered.

10

Opposition

56 min48.7%-3 tone

Tom's lies compound. Bernie is alive and blackmailing him. Eddie Dane suspects Tom's deception. Caspar grows paranoid. Tom is caught between all sides, getting beaten and threatened repeatedly. The pressure intensifies as his schemes unravel and everyone closes in.

11

Collapse

84 min73.5%-4 tone

Bernie reveals he killed Caspar's son (Caspar's adopted son was Eddie Dane's lover who Bernie murdered). Tom realizes Bernie has been playing everyone and is more dangerous than anyone suspected. Tom's "whiff of death": the moral death of his illusions - he must kill Bernie or be destroyed.

12

Crisis

84 min73.5%-4 tone

Tom processes that he must commit actual murder - not just manipulation and lies. He sits with the dark reality that all his clever schemes have led to this: he must kill Bernie himself. The playacting is over.

Act III

Resolution
13

Second Threshold

92 min79.7%-4 tone

Tom synthesizes everything: he stages an elaborate plan to turn Caspar and Eddie Dane against each other while positioning himself to execute Bernie. He uses the information about Eddie and Caspar's son to trigger the final confrontation. Tom finds clarity in accepting his role.

14

Synthesis

92 min79.7%-4 tone

The finale executes: Tom manipulates Eddie and Caspar into killing each other. He takes Bernie back to Miller's Crossing. Bernie begs again, asking "What's in your heart?" Tom shoots him. Leo regains power. Tom refuses Leo's offer to return, walking away from both friendship and the criminal world.

15

Transformation

113 min98.2%-5 tone

Tom walks away from Leo and Verna at the cemetery, alone. Unlike the opening where he was Leo's advisor embedded in the system, he now walks away from all of it - transformed by having finally acted on principle (executing Bernie for murder) but at the cost of friendship, love, and position. He has ethics, but they've isolated him.