No Way Out
Tom Farrell is a navy officer who gets posted at the Pentagon and is to report to the secretary of defense David Brice. He starts an affair with Susan Atwell not knowing that she is Brice's mistress. When Susan is found dead, Tom is assigned to the case of finding the killer who is believed to be a KGB mole! Tom could soon become a suspect when a Polaroid negative of him was found at Susan's place. He now has only a few hours to find the killer before the computer regenerates the photo.
Despite a moderate budget of $15.0M, No Way Out became a commercial success, earning $35.5M worldwide—a 137% return.
Plot Structure
Story beats plotted across runtime
Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Arcplot Score Breakdown
Weighted: Precision (70%) + Arc (15%) + Theme (15%)
No Way Out (1987) demonstrates carefully calibrated plot construction, characteristic of Roger Donaldson's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 54 minutes. With an Arcplot score of 7.4, the film balances conventional beats with creative variation.
Structural Analysis
The Status Quo at 1 minutes (1% through the runtime) establishes Tom Farrell, a Navy officer, arrives at a formal Washington D.C. Party, establishing him as an ambitious military man in the world of Pentagon politics.. The analysis reveals that this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 12 minutes when Farrell meets Susan Atwell at the party and they share an immediate, intense attraction that leads to a passionate affair, disrupting his professional focus.. At 11% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.
The First Threshold at 30 minutes marks the transition into Act II, occurring at 26% of the runtime. This demonstrates the protagonist's commitment to Susan is killed after a confrontation with her other lover (Brice). Farrell is assigned to lead the investigation to find the mysterious witness "Yuri" - not knowing he himself is the target., moving from reaction to action.
At 57 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Structural examination shows that this crucial beat The computer begins processing the photograph from Susan's apartment. Farrell discovers the enhanced image will be ready in hours, creating a ticking clock. False defeat: his exposure seems inevitable., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.
The Collapse moment at 84 minutes (74% through) represents the emotional nadir. Here, Scott is killed trying to help Farrell escape, sacrificing himself. Farrell is trapped in the Pentagon with nowhere to run as the computer completes the photo enhancement., demonstrates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.
The Second Threshold at 89 minutes initiates the final act resolution at 78% of the runtime. Farrell confronts Brice directly, forcing the Secretary to reveal his guilt. Farrell synthesizes his role as investigator and accused, turning the hunter into the hunted., demonstrating the transformation achieved throughout the journey.
Emotional Journey
No Way Out's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.
Narrative Framework
This structural analysis employs a 15-point narrative structure framework that maps key story moments. By mapping No Way Out against these established plot points, we can identify how Roger Donaldson utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish No Way Out within the action genre.
Roger Donaldson's Structural Approach
Among the 13 Roger Donaldson films analyzed on Arcplot, the average structural score is 7.2, reflecting strong command of classical structure. No Way Out represents one of the director's most structurally precise works. For comparative analysis, explore the complete Roger Donaldson filmography.
Comparative Analysis
Additional action films include The Ministry of Ungentlemanly Warfare, The Bad Guys and Lake Placid. For more Roger Donaldson analyses, see The World's Fastest Indian, Cocktail and The Recruit.
Plot Points by Act
Act I
SetupStatus Quo
Tom Farrell, a Navy officer, arrives at a formal Washington D.C. party, establishing him as an ambitious military man in the world of Pentagon politics.
Theme
Secretary of Defense Brice discusses loyalty and betrayal with Farrell, foreshadowing the film's central question: "Who can you trust when everyone has secrets?"
Worldbuilding
Introduction to the Pentagon power structure, Farrell's career ambitions, and his attraction to Susan Atwell. Establishes the world of Washington politics, military hierarchy, and the relationship between Brice and his aide Pritchard.
Disruption
Farrell meets Susan Atwell at the party and they share an immediate, intense attraction that leads to a passionate affair, disrupting his professional focus.
Resistance
Farrell and Susan begin their romance while he takes a position under Brice. He debates the risks of the affair, especially when he discovers Susan is also involved with someone powerful. The relationship deepens despite warnings.
Act II
ConfrontationFirst Threshold
Susan is killed after a confrontation with her other lover (Brice). Farrell is assigned to lead the investigation to find the mysterious witness "Yuri" - not knowing he himself is the target.
Mirror World
Farrell realizes he must work closely with Pritchard, who is manufacturing evidence to frame a phantom Soviet mole for Susan's murder - a mirror relationship based on deception.
Premise
The investigation intensifies as Farrell must hunt for himself while appearing loyal. He navigates the Pentagon labyrinth, manipulates evidence, and races against the computer enhancement of a Polaroid that could identify him.
Midpoint
The computer begins processing the photograph from Susan's apartment. Farrell discovers the enhanced image will be ready in hours, creating a ticking clock. False defeat: his exposure seems inevitable.
Opposition
Pritchard and Brice tighten the noose. Every piece of evidence points toward the mysterious witness. Farrell's friend Scott helps him, but the investigation closes in. The computer enhancement progresses relentlessly.
Collapse
Scott is killed trying to help Farrell escape, sacrificing himself. Farrell is trapped in the Pentagon with nowhere to run as the computer completes the photo enhancement.
Crisis
Farrell hides in the Pentagon computer room, processing his friend's death and his impossible situation. He confronts the reality that he cannot escape and must face Brice directly.
Act III
ResolutionSecond Threshold
Farrell confronts Brice directly, forcing the Secretary to reveal his guilt. Farrell synthesizes his role as investigator and accused, turning the hunter into the hunted.
Synthesis
The final confrontation unfolds. Pritchard kills Brice and commits suicide. The enhanced photo is revealed. Farrell escapes the Pentagon lockdown and the truth about everyone's deceptions comes to light.
Transformation
The twist ending reveals Farrell actually IS the Soviet mole Yuri. He reports to his KGB handler, transformed from apparent hero to revealed traitor - the ultimate deception in a story about lies.