Se7en poster
4.2
Arcplot Score
Unverified

Se7en

1995127 minR
Director: David Fincher

A film about two homicide detectives' (Morgan Freeman and Brad Pitt) desperate hunt for a serial killer who justifies his crimes as absolution for the world's ignorance of the Seven Deadly Sins. The movie takes us from the tortured remains of one victim to the next as the sociopathic "John Doe" (Kevin Spacey) sermonizes to Detectives Somerset and Mills -- one sin at a time. The sin of Gluttony comes first and the murderer's terrible capacity is graphically demonstrated in the dark and subdued tones characteristic of film noir. The seasoned and cultured but jaded Somerset researches the Seven Deadly Sins in an effort to understand the killer's modus operandi while the bright but green and impulsive Detective Mills (Pitt) scoffs at his efforts to get inside the mind of a killer...

Story Structure
Revenue$327.3M
Budget$33.0M
Profit
+294.3M
+892%

Despite a mid-range budget of $33.0M, Se7en became a runaway success, earning $327.3M worldwide—a remarkable 892% return.

Awards

Nominated for 1 Oscar. 29 wins & 44 nominations

Where to Watch
Amazon VideoGoogle Play MoviesFandango At HomeApple TVYouTubeSpectrum On Demand

Plot Structure

Story beats plotted across runtime

Act ISetupAct IIConfrontationAct IIIResolutionWorldbuilding3Resistance5Premise8Opposition10Crisis12Synthesis14124679111315
Color Timeline
Color timeline
Sound Timeline
Sound timeline
Threshold
Section
Plot Point

Narrative Arc

Emotional journey through the story's key moments

0-3-6
0m28m57m85m113m
Plot Point
Act Threshold
Emotional Arc

Story Circle

Blueprint 15-beat structure

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Arcplot Score Breakdown

Structural Adherence: Experimental
3.5/10
10/10
1.5/10
Overall Score4.2/10

Weighted: Precision (70%) + Arc (15%) + Theme (15%)

Se7en (1995) exemplifies carefully calibrated narrative design, characteristic of David Fincher's storytelling approach. This structural analysis examines how the film's 13-point plot structure maps to proven narrative frameworks across 2 hours and 7 minutes. With an Arcplot score of 4.2, the film takes an unconventional approach to traditional narrative frameworks.

Structural Analysis

The Status Quo at 1 minutes (1% through the runtime) establishes Detective Somerset (Morgan Freeman) investigates a domestic murder in a bleak urban apartment. He's meticulous, weary, counting days to retirement. The city is relentlessly dark and rain-soaked—a world Somerset wants to escape.. Significantly, this early placement immediately immerses viewers in the story world.

The inciting incident occurs at 13 minutes when The "Gluttony" murder is discovered: an obese man forced to eat until his stomach ruptured. The brutality and premeditation suggest this isn't an ordinary homicide. Somerset recognizes something darker is beginning.. At 10% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.

At 55 minutes, the Midpoint arrives at 43% of the runtime—arriving early, accelerating into Act IIb complications. The analysis reveals that this crucial beat Mills and Somerset raid John Doe's apartment. Doe escapes after a violent chase where he holds Mills at gunpoint—but lets him live. The detectives find thousands of notebooks detailing years of obsessive planning. False defeat: They were so close but failed to catch him. Stakes raised: Doe is in control., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.

The Collapse moment at 82 minutes (65% through) represents the emotional nadir. Here, John Doe walks into the police station covered in blood and surrenders. He offers to confess to all seven murders and reveal the locations of the final two bodies—but only if Mills and Somerset escort him. All leverage is lost; the killer has won. The detectives have become part of his design., demonstrates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.

The Second Threshold at 91 minutes initiates the final act resolution at 72% of the runtime. A delivery van arrives in the desert. Somerset opens the box and discovers Tracy's severed head inside. He realizes John Doe's final design: Tracy is "Envy" (Doe envied Mills' life), and Mills will become "Wrath." Somerset desperately tries to stop Mills from shooting Doe., demonstrating the transformation achieved throughout the journey.

Emotional Journey

Se7en's emotional architecture traces a deliberate progression across 13 carefully calibrated beats.

Narrative Framework

This structural analysis employs proven narrative structure principles that track dramatic progression. By mapping Se7en against these established plot points, we can identify how David Fincher utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Se7en within the crime genre.

David Fincher's Structural Approach

Among the 8 David Fincher films analyzed on Arcplot, the average structural score is 5.9, showcasing experimental approaches to narrative form. Se7en takes a more unconventional approach compared to the director's typical style. For comparative analysis, explore the complete David Fincher filmography.

Comparative Analysis

Additional crime films include The Bad Guys, Batman Forever and 12 Rounds. For more David Fincher analyses, see Zodiac, The Girl with the Dragon Tattoo and The Curious Case of Benjamin Button.

Plot Points by Act

Act I

Setup
1

Status Quo

1 min0.8%-1 tone

Detective Somerset (Morgan Freeman) investigates a domestic murder in a bleak urban apartment. He's meticulous, weary, counting days to retirement. The city is relentlessly dark and rain-soaked—a world Somerset wants to escape.

2

Theme

7 min6.4%-1 tone

Somerset quotes Hemingway: "The world is a fine place and worth fighting for." He pauses, then says, "I agree with the second part." This establishes the film's central question: In a world full of evil and apathy, is there value in fighting?

3

Worldbuilding

1 min0.8%-1 tone

Introduction to Somerset's methodical, isolated existence and Mills' arrival as the eager new detective. Mills (Brad Pitt) is idealistic, impulsive, and determined to prove himself in the big city. Their partnership begins with tension—Somerset doesn't want a partner; Mills won't back down.

4

Disruption

13 min11.2%-2 tone

The "Gluttony" murder is discovered: an obese man forced to eat until his stomach ruptured. The brutality and premeditation suggest this isn't an ordinary homicide. Somerset recognizes something darker is beginning.

5

Resistance

13 min11.2%-2 tone

The "Greed" murder is discovered—a defense attorney forced to cut a pound of his own flesh. Somerset deduces a pattern: the seven deadly sins. He researches literary references (Dante, Chaucer, Milton) while Mills resists the intellectual approach. Somerset debates whether to stay on the case or let retirement come.

Act II

Confrontation
8

Premise

27 min24.0%-2 tone

The investigation deepens through "Sloth" (a man kept alive for exactly one year in bed) and "Lust" (a prostitute killed with a bladed strap-on). Somerset and Mills follow leads through library records, interrogate suspects, and navigate the city's underbelly. Their partnership strengthens despite stylistic differences.

9

Midpoint

55 min48.0%-3 tone

Mills and Somerset raid John Doe's apartment. Doe escapes after a violent chase where he holds Mills at gunpoint—but lets him live. The detectives find thousands of notebooks detailing years of obsessive planning. False defeat: They were so close but failed to catch him. Stakes raised: Doe is in control.

10

Opposition

55 min48.0%-3 tone

The "Pride" murder occurs (a model forced to choose disfigurement or suicide—she chooses suicide). John Doe stays ahead of the detectives. Tension mounts as they realize they're not hunting him—he's orchestrating them. Mills grows more frustrated and volatile. Tracy reveals to Somerset (not Mills) that she's pregnant and uncertain about bringing a child into this world.

11

Collapse

82 min72.0%-4 tone

John Doe walks into the police station covered in blood and surrenders. He offers to confess to all seven murders and reveal the locations of the final two bodies—but only if Mills and Somerset escort him. All leverage is lost; the killer has won. The detectives have become part of his design.

12

Crisis

82 min72.0%-4 tone

Somerset and Mills process the horrifying reality: they must play Doe's game to find the remaining victims. Somerset warns Mills not to go, sensing a trap, but Mills insists. The drive into the desert is tense and quiet—the calm before inevitable darkness. Somerset is powerless to stop what's coming.

Act III

Resolution
13

Second Threshold

91 min80.0%-5 tone

A delivery van arrives in the desert. Somerset opens the box and discovers Tracy's severed head inside. He realizes John Doe's final design: Tracy is "Envy" (Doe envied Mills' life), and Mills will become "Wrath." Somerset desperately tries to stop Mills from shooting Doe.

14

Synthesis

91 min80.0%-5 tone

Mills confronts the unbearable choice: let John Doe live and win, or kill him and complete the seven murders. Despite Somerset's pleas ("If you kill him, he wins"), Mills shoots Doe repeatedly. The masterpiece is complete. Mills is arrested. Somerset watches his partner destroyed, the city unchanged, evil triumphant.

15

Transformation

113 min99.2%-5 tone

Somerset stands in the desert as Mills is taken away. He recalls the Hemingway quote in voiceover, this time affirming: "The world is a fine place and worth fighting for. I agree with the second part." Despite witnessing ultimate evil, Somerset chooses to stay and fight. Transformation: from resignation to grim perseverance.