
The Great Raid
Set in the Philippines in 1945 towards the end of WWII, under the command of Lieutenant Colonel Henry Mucci and Captain Robert Prince, the 6th Ranger Battalion undertake a daring rescue mission against all odds. Traveling thirty miles behind enemy lines, they intend to liberate over 500 American Soldiers from the notorious Cabanatuan Japanese POW camp in the most audacious rescue ever.
The film box office disappointment against its substantial budget of $80.0M, earning $10.2M globally (-87% loss). While initial box office returns were modest, the film has gained appreciation for its unconventional structure within the action genre.
Plot Structure
Story beats plotted across runtime


Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Arcplot Score Breakdown
Weighted: Precision (70%) + Arc (15%) + Theme (15%)
The Great Raid (2005) reveals meticulously timed dramatic framework, characteristic of John Dahl's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 2 hours and 12 minutes. With an Arcplot score of 7.0, the film balances conventional beats with creative variation.
Characters
Cast & narrative archetypes
Lt. Colonel Henry Mucci
Captain Prince
Margaret Utinsky
Major Gibson
Captain Juan Pajota
Sergeant Sid Wojo
Main Cast & Characters
Lt. Colonel Henry Mucci
Played by Benjamin Bratt
Commanding officer of the 6th Ranger Battalion tasked with leading the raid to rescue POWs from Cabanatuan camp.
Captain Prince
Played by James Franco
Second-in-command of the Rangers, pragmatic and strategic planner who helps execute the raid.
Margaret Utinsky
Played by Connie Nielsen
American nurse in Manila who risks her life running an underground network to smuggle supplies to POWs.
Major Gibson
Played by Joseph Fiennes
POW officer at Cabanatuan camp suffering from malaria, in love with Margaret, fighting to survive.
Captain Juan Pajota
Played by Cesar Montano
Filipino guerrilla leader who provides crucial intelligence and military support for the raid.
Sergeant Sid Wojo
Played by Max Martini
Experienced Ranger sergeant who serves as a reliable NCO during the dangerous mission.
Structural Analysis
The Status Quo at 1 minutes (1% through the runtime) establishes Historical footage and text establish the fall of Bataan in 1942. American POWs suffer in the Cabanatuan prison camp, enduring disease, starvation, and brutal treatment under Japanese captivity. The prisoners exist in a state of hopeless endurance.. Notably, this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 16 minutes when Intelligence reveals that Japanese forces have been executing POWs at other camps as American forces advance. The 500 men at Cabanatuan face imminent massacre if not rescued before the Japanese retreat. The clock begins ticking.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.
The First Threshold at 33 minutes marks the transition into Act II, occurring at 25% of the runtime. This indicates the protagonist's commitment to Mucci commits to the mission and the 6th Ranger Battalion moves out. They cross into enemy territory, leaving the safety of American lines. There is no turning back—they will either rescue the prisoners or die trying., moving from reaction to action.
At 66 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Structural examination shows that this crucial beat The mission faces a critical setback: unexpected Japanese troop movements near the camp force a 24-hour delay. Every hour increases the risk of POW execution. Meanwhile, Margaret is captured by Japanese military police, her fate uncertain. False defeat—everything hangs by a thread., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.
The Collapse moment at 99 minutes (75% through) represents the emotional nadir. Here, News arrives that the Japanese have received orders to liquidate the camp. POWs will be executed at dawn. Major Gibson collapses from illness, possibly dying before rescue can arrive. The whiff of death is literal—time has run out., reveals the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.
The Second Threshold at 106 minutes initiates the final act resolution at 80% of the runtime. At dusk, the Rangers move into final position. A P-61 Black Widow aircraft buzzes the camp as a distraction. The assault begins with synchronized precision—Filipino guerrillas engage Japanese reinforcements while Rangers breach the camp perimeter. The rescue is launched., demonstrating the transformation achieved throughout the journey.
Emotional Journey
The Great Raid's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.
Narrative Framework
This structural analysis employs proven narrative structure principles that track dramatic progression. By mapping The Great Raid against these established plot points, we can identify how John Dahl utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish The Great Raid within the action genre.
John Dahl's Structural Approach
Among the 4 John Dahl films analyzed on Arcplot, the average structural score is 6.8, demonstrating varied approaches to story architecture. The Great Raid represents one of the director's most structurally precise works. For comparative analysis, explore the complete John Dahl filmography.
Comparative Analysis
Additional action films include The Bad Guys, Puss in Boots and Venom: The Last Dance. For more John Dahl analyses, see The Last Seduction, Rounders and Joy Ride.
Plot Points by Act
Act I
SetupStatus Quo
Historical footage and text establish the fall of Bataan in 1942. American POWs suffer in the Cabanatuan prison camp, enduring disease, starvation, and brutal treatment under Japanese captivity. The prisoners exist in a state of hopeless endurance.
Theme
A character reflects on the moral obligation to rescue fellow soldiers: "We don't leave our men behind." This establishes the film's central theme that every life has value and that abandoning the helpless is unconscionable, regardless of tactical cost.
Worldbuilding
The parallel worlds are established: the hellish existence inside Cabanatuan camp where Major Gibson and 500 POWs suffer, Margaret Utinsky's dangerous work smuggling medicine through the Manila resistance, and the approaching American forces preparing to liberate the Philippines.
Disruption
Intelligence reveals that Japanese forces have been executing POWs at other camps as American forces advance. The 500 men at Cabanatuan face imminent massacre if not rescued before the Japanese retreat. The clock begins ticking.
Resistance
Lt. Col. Mucci and Capt. Prince debate the feasibility of a rescue mission 30 miles behind enemy lines. Military brass weighs the risks against potential casualties. Filipino guerrillas are contacted to assist. The mission seems suicidal but necessary.
Act II
ConfrontationFirst Threshold
Mucci commits to the mission and the 6th Ranger Battalion moves out. They cross into enemy territory, leaving the safety of American lines. There is no turning back—they will either rescue the prisoners or die trying.
Mirror World
Margaret Utinsky's story deepens as she risks everything to smuggle quinine to the dying prisoners. Her love for Major Gibson and her work with the Filipino resistance embodies the theme of sacrifice. She represents hope and connection to humanity amid horror.
Premise
The Rangers trek through enemy territory, coordinating with Filipino guerrilla Captain Pajota. Inside the camp, POWs cling to survival while Margaret's resistance network operates under increasing Kempeitai suspicion. Multiple storylines converge toward the raid.
Midpoint
The mission faces a critical setback: unexpected Japanese troop movements near the camp force a 24-hour delay. Every hour increases the risk of POW execution. Meanwhile, Margaret is captured by Japanese military police, her fate uncertain. False defeat—everything hangs by a thread.
Opposition
The Rangers wait in hiding as Japanese patrols pass dangerously close. Inside the camp, POWs witness executions and know their time is running out. Margaret endures interrogation. Captain Pajota coordinates Filipino forces while tensions rise about the delay.
Collapse
News arrives that the Japanese have received orders to liquidate the camp. POWs will be executed at dawn. Major Gibson collapses from illness, possibly dying before rescue can arrive. The whiff of death is literal—time has run out.
Crisis
The Rangers must attack tonight or not at all. Captain Prince finalizes the assault plan with Pajota. Every man confronts the likelihood of death. The POWs inside spend what may be their final night, unaware rescue is imminent.
Act III
ResolutionSecond Threshold
At dusk, the Rangers move into final position. A P-61 Black Widow aircraft buzzes the camp as a distraction. The assault begins with synchronized precision—Filipino guerrillas engage Japanese reinforcements while Rangers breach the camp perimeter. The rescue is launched.
Synthesis
The raid unfolds with stunning efficiency. Rangers storm the camp, overwhelming guards. POWs—many too weak to walk—are carried to freedom. Filipino guerrillas hold off a Japanese battalion. The long march to safety follows, with carabao carts carrying the wounded. 512 POWs are rescued.
Transformation
The liberated POWs reach American lines. Major Gibson survives. Text reveals Margaret also survived the war. The closing images show real photographs of the actual rescued prisoners and their rescuers—men who were not left behind, their lives affirmed as worth saving.




