
The Meyerowitz Stories (New and Selected)
N/A
Produced on a modest budget of $11.4M, the film represents a independent production.
Plot Structure
Story beats plotted across runtime


Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Arcplot Score Breakdown
Weighted: Precision (70%) + Arc (15%) + Theme (15%)
The Meyerowitz Stories (New and Selected) (2017) reveals meticulously timed plot construction, characteristic of Noah Baumbach's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 52 minutes. With an Arcplot score of 5.9, the film takes an unconventional approach to traditional narrative frameworks.
Structural Analysis
The Status Quo at 1 minutes (1% through the runtime) establishes Danny drives his daughter Eliza through New York, circling for parking near his father Harold's apartment. The mundane frustration establishes Danny's anxious, deferential nature and his role as the overlooked family caretaker.. Notably, this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 12 minutes when Harold announces that Bard College is mounting a retrospective of his old colleague L.J. Shapiro's work—but not Harold's. This professional slight reawakens Harold's bitterness and forces the siblings to confront their father's toxic narcissism and their own need for his approval.. At 11% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.
The First Threshold at 25 minutes marks the transition into Act II, occurring at 22% of the runtime. This indicates the protagonist's commitment to Harold collapses and is rushed to the hospital with a brain hemorrhage. The medical emergency forces all three siblings to gather and confront their family dynamics without the buffer of everyday distractions. They must choose engagement over avoidance., moving from reaction to action.
At 50 minutes, the Midpoint arrives at 45% of the runtime—arriving early, accelerating into Act IIb complications. The analysis reveals that this crucial beat Harold's condition worsens and surgery becomes necessary. Danny and Matthew argue violently outside the hospital, with decades of resentment erupting. Matthew accuses Danny of weakness; Danny accuses Matthew of abandonment. Their false victory of sibling connection shatters into bitter truth., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.
The Collapse moment at 75 minutes (67% through) represents the emotional nadir. Here, Danny, drunk and despairing, confronts Harold's artistic legacy in the storage unit filled with unsold sculptures. The physical manifestation of Harold's grandiose failure mirrors Danny's own unfulfilled life. Harold may die without ever seeing or validating his children—the ultimate abandonment., indicates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.
The Second Threshold at 80 minutes initiates the final act resolution at 71% of the runtime. Harold regains consciousness, diminished but alive. The siblings reunite at his bedside. Danny plays piano for his father—the first time Harold truly listens. This moment of genuine connection, however imperfect, breaks the cycle. They choose to be present despite years of hurt., demonstrating the transformation achieved throughout the journey.
Emotional Journey
The Meyerowitz Stories (New and Selected)'s emotional architecture traces a deliberate progression across 15 carefully calibrated beats.
Narrative Framework
This structural analysis employs a 15-point narrative structure framework that maps key story moments. By mapping The Meyerowitz Stories (New and Selected) against these established plot points, we can identify how Noah Baumbach utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish The Meyerowitz Stories (New and Selected) within the n/a genre.
Noah Baumbach's Structural Approach
Among the 8 Noah Baumbach films analyzed on Arcplot, the average structural score is 6.5, demonstrating varied approaches to story architecture. The Meyerowitz Stories (New and Selected) takes a more unconventional approach compared to the director's typical style. For comparative analysis, explore the complete Noah Baumbach filmography.
Comparative Analysis
Additional n/a films include Roald Dahl's Matilda the Musical, I Care a Lot and The Blackening. For more Noah Baumbach analyses, see Mistress America, Greenberg and Marriage Story.
Plot Points by Act
Act I
SetupStatus Quo
Danny drives his daughter Eliza through New York, circling for parking near his father Harold's apartment. The mundane frustration establishes Danny's anxious, deferential nature and his role as the overlooked family caretaker.
Theme
Harold dismisses Danny's accomplishments while praising Matthew, stating that some children simply "have it" while others don't. This articulates the film's central theme: the lasting damage of parental favoritism and the desperate need for paternal validation.
Worldbuilding
We meet the fractured Meyerowitz clan: Danny, the unemployed musician staying with Harold; Matthew, the successful but emotionally distant businessman in LA; Jean, the invisible daughter; and Harold, the self-absorbed sculptor whose career never matched his ego. Their dysfunction and longing permeates every interaction.
Disruption
Harold announces that Bard College is mounting a retrospective of his old colleague L.J. Shapiro's work—but not Harold's. This professional slight reawakens Harold's bitterness and forces the siblings to confront their father's toxic narcissism and their own need for his approval.
Resistance
Danny navigates life in Harold's orbit, attending art openings and enduring his father's casual cruelties. Matthew arrives from LA, immediately receiving the warmth Harold withholds from Danny. The siblings debate whether Harold's behavior is malicious or oblivious, each making excuses for him.
Act II
ConfrontationFirst Threshold
Harold collapses and is rushed to the hospital with a brain hemorrhage. The medical emergency forces all three siblings to gather and confront their family dynamics without the buffer of everyday distractions. They must choose engagement over avoidance.
Mirror World
Danny and Matthew sit together in the hospital waiting room, sharing childhood memories and resentments. Their sibling bond—strained but real—represents what Harold's narcissism could never destroy. This relationship becomes the emotional core that will enable their healing.
Premise
With Harold unconscious, the siblings spend time together, revealing their individual chapters: Matthew's hollow success and failing marriage, Jean's long-suppressed trauma from Harold's friend, Danny's artistic dreams sacrificed for family. Free from Harold's dominating presence, they begin to see each other clearly.
Midpoint
Harold's condition worsens and surgery becomes necessary. Danny and Matthew argue violently outside the hospital, with decades of resentment erupting. Matthew accuses Danny of weakness; Danny accuses Matthew of abandonment. Their false victory of sibling connection shatters into bitter truth.
Opposition
The siblings fracture. Matthew returns to LA and his crumbling marriage. Danny spirals, getting drunk and injured. Jean retreats into invisibility. Harold remains in limbo. L.J. Shapiro's retrospective opens to acclaim, salt in Harold's wound even as he lies unconscious. Each sibling faces their wounds alone.
Collapse
Danny, drunk and despairing, confronts Harold's artistic legacy in the storage unit filled with unsold sculptures. The physical manifestation of Harold's grandiose failure mirrors Danny's own unfulfilled life. Harold may die without ever seeing or validating his children—the ultimate abandonment.
Crisis
The siblings sit separately with their grief and regret. Danny stares at Harold's art. Matthew contemplates his empty house. Jean processes her childhood abuse. Each must decide whether to remain defined by their father's failures or forge their own identity.
Act III
ResolutionSecond Threshold
Harold regains consciousness, diminished but alive. The siblings reunite at his bedside. Danny plays piano for his father—the first time Harold truly listens. This moment of genuine connection, however imperfect, breaks the cycle. They choose to be present despite years of hurt.
Synthesis
The family organizes their own retrospective of Harold's work. Danny and Matthew collaborate on the exhibition, channeling their need for Harold's approval into honoring him on their own terms. Jean finally speaks her truth. The siblings find peace not through Harold's validation, but through accepting him as flawed.
Transformation
At Harold's retrospective, the three siblings stand together, unified. Danny's daughter Eliza's film plays—art continuing through generations. Harold, frail but present, watches. The children have stopped seeking approval and started offering grace. The cycle of artistic narcissism ends with acceptance.

