
The Old Oak
The future for the last remaining pub, The Old Oak, in a village of Northeast England, where people are leaving the land as the mines are closed. Houses are cheap and available, thus making it an ideal location for Syrian refugees.
The film earned $7.7M at the global box office.
Nominated for 1 BAFTA Award8 wins & 7 nominations
Plot Structure
Story beats plotted across runtime


Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Arcplot Score Breakdown
Weighted: Precision (70%) + Arc (15%) + Theme (15%)
The Old Oak (2023) exemplifies precise dramatic framework, characteristic of Ken Loach's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 53 minutes. With an Arcplot score of 6.9, the film balances conventional beats with creative variation.
Structural Analysis
The Status Quo at 1 minutes (1% through the runtime) establishes The Old Oak pub stands nearly empty in a decimated former mining village in County Durham. TJ Ballantyne tends bar to a handful of regulars in a community hollowed out by economic decline. Boarded-up shops and abandoned streets establish a world already beaten down before our story begins.. Significantly, this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 13 minutes when Buses arrive carrying Syrian refugee families. The villagers watch from windows and doorways, their faces hardening. Shouts and hostility erupt immediately. Yara, a young Syrian woman with a camera, steps off the bus into a wall of resentment. The fragile peace of TJ's declining world shatters.. At 11% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.
The First Threshold at 27 minutes marks the transition into Act II, occurring at 24% of the runtime. This shows the protagonist's commitment to TJ makes a choice: he approaches Yara and offers a small kindness—perhaps allowing her to charge her phone, or offering water. It's a simple gesture but irreversible. By crossing the divide his neighbors have erected, TJ commits to a path that will cost him everything. He enters Act 2 by choosing humanity over tribalism., moving from reaction to action.
At 56 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. The analysis reveals that this crucial beat TJ makes a public commitment: he opens The Old Oak pub to the refugees, offering it as a community space for shared meals. It's a false victory—a beautiful moment of unity as locals and refugees break bread together. For one night, it seems possible that solidarity might prevail. But the stakes have just escalated dramatically. TJ has declared which side he's on., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.
The Collapse moment at 84 minutes (75% through) represents the emotional nadir. Here, Violence erupts. The pub is attacked—perhaps firebombed or brutally vandalized—destroying TJ's livelihood and the fragile sanctuary he'd created. Or a refugee is seriously hurt, possibly killed. The "whiff of death" is literal: TJ's dream of unity dies, or something worse. He's lost everything—his business, his community standing, possibly hope itself., reveals the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.
The Second Threshold at 90 minutes initiates the final act resolution at 79% of the runtime. A moment of clarity or synthesis: perhaps Yara shows TJ photographs she's taken of the village—images that capture both the pain and the humanity of everyone, refugee and local alike. Or the community itself fractures completely, forcing those who believe in solidarity to make a final stand. TJ realizes that bearing witness, maintaining dignity in defeat, is itself a victory. He synthesizes his working-class values with his newfound understanding., demonstrating the transformation achieved throughout the journey.
Emotional Journey
The Old Oak's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.
Narrative Framework
This structural analysis employs systematic plot point analysis that identifies crucial turning points. By mapping The Old Oak against these established plot points, we can identify how Ken Loach utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish The Old Oak within the drama genre.
Ken Loach's Structural Approach
Among the 7 Ken Loach films analyzed on Arcplot, the average structural score is 6.8, demonstrating varied approaches to story architecture. The Old Oak represents one of the director's most structurally precise works. For comparative analysis, explore the complete Ken Loach filmography.
Comparative Analysis
Additional drama films include Eye for an Eye, South Pacific and Kiss of the Spider Woman. For more Ken Loach analyses, see The Wind That Shakes the Barley, Jimmy's Hall and I, Daniel Blake.
Plot Points by Act
Act I
SetupStatus Quo
The Old Oak pub stands nearly empty in a decimated former mining village in County Durham. TJ Ballantyne tends bar to a handful of regulars in a community hollowed out by economic decline. Boarded-up shops and abandoned streets establish a world already beaten down before our story begins.
Theme
A regular patron speaks about what the village has lost: "We used to look after each other here." The line captures the film's central question—can solidarity survive when there's nothing left to share?
Worldbuilding
TJ's daily routine reveals a man going through the motions: cleaning glasses for customers who don't come, maintaining a pub that's hemorrhaging money, navigating a community fractured by loss. We meet the regulars, see the food bank queues, feel the weight of abandonment. The mine closure still haunts every conversation.
Disruption
Buses arrive carrying Syrian refugee families. The villagers watch from windows and doorways, their faces hardening. Shouts and hostility erupt immediately. Yara, a young Syrian woman with a camera, steps off the bus into a wall of resentment. The fragile peace of TJ's declining world shatters.
Resistance
TJ wrestles with his own prejudices while watching the refugees struggle. His regulars rage about the newcomers getting help while locals suffer. Laura from the food bank tries to mediate. TJ is caught between his community loyalty and his conscience. He observes Yara being harassed, sees children treated cruelly, but doesn't yet act.
Act II
ConfrontationFirst Threshold
TJ makes a choice: he approaches Yara and offers a small kindness—perhaps allowing her to charge her phone, or offering water. It's a simple gesture but irreversible. By crossing the divide his neighbors have erected, TJ commits to a path that will cost him everything. He enters Act 2 by choosing humanity over tribalism.
Mirror World
TJ and Yara begin to communicate despite the language barrier. She shows him photographs on her camera—images from Syria, evidence of what she fled. This relationship becomes the film's thematic heart: two people from destroyed worlds finding connection. Yara represents what TJ could become if he chooses hope over bitterness.
Premise
TJ increasingly helps the refugees while tensions escalate in the village. He learns their stories, shares meals, teaches Yara about the village's mining history. Small victories: a shared laugh, a child's smile, moments of understanding. But the promise of the premise—can compassion bridge division?—plays out against growing hostility. His regulars grow suspicious. Graffiti appears. The community fractures further.
Midpoint
TJ makes a public commitment: he opens The Old Oak pub to the refugees, offering it as a community space for shared meals. It's a false victory—a beautiful moment of unity as locals and refugees break bread together. For one night, it seems possible that solidarity might prevail. But the stakes have just escalated dramatically. TJ has declared which side he's on.
Opposition
The backlash intensifies. TJ's lifelong friends turn on him. Regulars boycott the pub. Vandalism escalates—broken windows, threatening messages. The shared meals continue but under siege. Yara faces direct threats. TJ's business collapses as the village chooses sides. The financial pressure mounts. Every act of kindness costs him more. His isolation deepens even as he connects with the refugees.
Collapse
Violence erupts. The pub is attacked—perhaps firebombed or brutally vandalized—destroying TJ's livelihood and the fragile sanctuary he'd created. Or a refugee is seriously hurt, possibly killed. The "whiff of death" is literal: TJ's dream of unity dies, or something worse. He's lost everything—his business, his community standing, possibly hope itself.
Crisis
TJ sits in the wreckage of The Old Oak. He questions everything—was he right to help? Did he make it worse? The cost has been catastrophic. In true Loach fashion, this isn't melodramatic despair but quiet devastation. TJ faces the dark night asking if solidarity means anything when you're powerless to protect anyone.
Act III
ResolutionSecond Threshold
A moment of clarity or synthesis: perhaps Yara shows TJ photographs she's taken of the village—images that capture both the pain and the humanity of everyone, refugee and local alike. Or the community itself fractures completely, forcing those who believe in solidarity to make a final stand. TJ realizes that bearing witness, maintaining dignity in defeat, is itself a victory. He synthesizes his working-class values with his newfound understanding.
Synthesis
The finale unfolds with characteristic Loach realism—no Hollywood rescue, but authentic resolution. Perhaps a small gathering reclaims the space, or Yara's photographs are displayed, bearing witness to both communities' suffering. TJ confronts those who attacked him, not with violence but with moral clarity. The refugees and their few allies form a new, smaller community. It's not triumphant, but it's dignified. They lose the battle but preserve their humanity.
Transformation
The closing image mirrors the opening but transformed: The Old Oak pub may be closed or damaged, but TJ stands differently now—unbowed despite the cost. Or we see Yara's photographs displayed publicly, transforming pain into testimony. The village remains broken, but TJ has reclaimed what matters: his integrity, his capacity for solidarity. He's no longer just surviving; he's chosen what kind of person to be in impossible circumstances.





