The Throne poster
7.1
Arcplot Score
Unverified

The Throne

2015126 min
Director: Lee Joon-ik

Ancient Korea, July 4, 1762. The Crown Prince Hyojang, posthumously named Sado, son of King Yeongjo of Joseon, is accused of treason. Thus, the king asks him to commit suicide, but his closest vassals prevent it, so the king orders the prince to get inside a wooden rice chest, where he suffers deprivation of food and water.

Revenue$42.2M

The film earned $42.2M at the global box office.

TMDb7.1
Popularity2.1
Where to Watch
Amazon Prime Video with AdsRakuten VikiKocowaAmazon VideoAmazon Prime Video

Plot Structure

Story beats plotted across runtime

Act ISetupAct IIConfrontationAct IIIResolutionWorldbuilding3Resistance5Premise8Opposition10Crisis12Synthesis14124679111315
Color Timeline
Color timeline
Sound Timeline
Sound timeline
Threshold
Section
Plot Point

Narrative Arc

Emotional journey through the story's key moments

0-3-6
0m31m62m94m125m
Plot Point
Act Threshold
Emotional Arc

Story Circle

Blueprint 15-beat structure

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Arcplot Score Breakdown

Structural Adherence: Standard
9/10
4/10
1.5/10
Overall Score7.1/10

Weighted: Precision (70%) + Arc (15%) + Theme (15%)

The Throne (2015) demonstrates precise narrative design, characteristic of Lee Joon-ik's storytelling approach. This structural analysis examines how the film's 14-point plot structure maps to proven narrative frameworks across 2 hours and 6 minutes. With an Arcplot score of 7.1, the film balances conventional beats with creative variation.

Structural Analysis

The Status Quo at 2 minutes (1% through the runtime) establishes The rice chest (wooden box) is prepared in the courtyard as Crown Prince Sado awaits his execution, establishing the tragic end that frames the story.. Structural examination shows that this early placement immediately immerses viewers in the story world.

The inciting incident occurs at 16 minutes when Young Sado fails to meet his father's expectations during a royal ceremony, and Yeongjo's brutal public humiliation of his son marks the beginning of their irreparable rupture.. At 13% through the film, this Disruption is delayed, allowing extended setup of the story world. This beat shifts the emotional landscape, launching the protagonist into the central conflict.

The First Threshold at 33 minutes marks the transition into Act II, occurring at 26% of the runtime. This shows the protagonist's commitment to Sado experiences his first complete psychological break, suffering a violent episode that reveals his descent into madness is now irreversible; he crosses into a world where he can no longer control his actions., moving from reaction to action.

At 63 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Structural examination shows that this crucial beat Sado commits a murder that cannot be hidden, and Yeongjo is directly confronted with undeniable evidence of his son's dangerous insanity; the stakes escalate from personal to political as the kingdom's stability is threatened., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.

The Collapse moment at 95 minutes (75% through) represents the emotional nadir. Here, Yeongjo makes the devastating decision: he orders Sado to enter the rice chest, choosing his duty as king over his love as a father—the ultimate "death" of their relationship and Sado's literal death sentence., indicates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.

The Second Threshold at 101 minutes initiates the final act resolution at 81% of the runtime. In his final moments, Sado achieves clarity and understanding; he forgives his father and accepts his fate, while Yeongjo finally expresses his love—both men synthesizing duty and emotion too late., demonstrating the transformation achieved throughout the journey.

Emotional Journey

The Throne's emotional architecture traces a deliberate progression across 14 carefully calibrated beats.

Narrative Framework

This structural analysis employs systematic plot point analysis that identifies crucial turning points. By mapping The Throne against these established plot points, we can identify how Lee Joon-ik utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish The Throne within the drama genre.

Comparative Analysis

Additional drama films include Eye for an Eye, South Pacific and Kiss of the Spider Woman.

Plot Points by Act

Act I

Setup
1

Status Quo

2 min1.2%-1 tone

The rice chest (wooden box) is prepared in the courtyard as Crown Prince Sado awaits his execution, establishing the tragic end that frames the story.

2

Theme

7 min5.3%-1 tone

A court minister speaks about the impossible burden of being both a father and a king, foreshadowing the central conflict between duty and love that will destroy this family.

3

Worldbuilding

2 min1.2%-1 tone

Flashbacks establish young Sado's childhood: his father King Yeongjo's impossible standards, the rigid protocol of the Joseon court, Sado's early promise and his father's harsh criticisms that plant seeds of psychological damage.

4

Disruption

16 min12.5%-2 tone

Young Sado fails to meet his father's expectations during a royal ceremony, and Yeongjo's brutal public humiliation of his son marks the beginning of their irreparable rupture.

5

Resistance

16 min12.5%-2 tone

Sado grows into adulthood attempting to gain his father's approval through various means—excelling at arts, administration, and military studies—while his mental state begins to deteriorate under constant criticism and impossible standards.

Act II

Confrontation
6

First Threshold

33 min25.8%-3 tone

Sado experiences his first complete psychological break, suffering a violent episode that reveals his descent into madness is now irreversible; he crosses into a world where he can no longer control his actions.

8

Premise

33 min25.8%-3 tone

The film explores the premise: watching Sado's madness escalate through violent outbursts, cross-dressing, murders of palace staff, while Yeongjo remains paralyzed between love for his son and duty to the kingdom, and the court factions maneuver for power.

9

Midpoint

63 min50.2%-4 tone

Sado commits a murder that cannot be hidden, and Yeongjo is directly confronted with undeniable evidence of his son's dangerous insanity; the stakes escalate from personal to political as the kingdom's stability is threatened.

10

Opposition

63 min50.2%-4 tone

Court factions pressure Yeongjo to act; Sado's condition worsens with more violent episodes; the Queen and Princess Hyegyeonggung desperately try to protect Sado while Yeongjo agonizes over his impossible choice, but opposition mounts and options narrow.

11

Collapse

95 min75.0%-5 tone

Yeongjo makes the devastating decision: he orders Sado to enter the rice chest, choosing his duty as king over his love as a father—the ultimate "death" of their relationship and Sado's literal death sentence.

12

Crisis

95 min75.0%-5 tone

Sado suffers in the rice chest for eight days while the family watches helplessly; Hyegyeonggung's anguish, Yeongjo's torment, and the court's cold observation create a prolonged dark night as father and son face their tragedy.

Act III

Resolution
13

Second Threshold

101 min80.5%-5 tone

In his final moments, Sado achieves clarity and understanding; he forgives his father and accepts his fate, while Yeongjo finally expresses his love—both men synthesizing duty and emotion too late.

14

Synthesis

101 min80.5%-5 tone

Sado dies in the rice chest; the aftermath shows Yeongjo's grief and guilt; Princess Hyegyeonggung preserves Sado's memory and raises their son (future King Jeongjo); the resolution addresses the historical and emotional consequences of this tragedy.

15

Transformation

125 min99.0%-5 tone

The final image returns to the rice chest in the courtyard, now empty, as the weight of the tragedy settles—the transformation is one of loss, showing how rigid adherence to duty destroyed what love could not save.