
Warrior
Two brothers face the fight of a lifetime - and the wreckage of their broken family - within the brutal, high-stakes world of Mixed Martial Arts (MMA) fighting in Lionsgate's action/drama, WARRIOR. A former Marine, haunted by a tragic past, Tommy Riordan returns to his hometown of Pittsburgh and enlists his father, a recovered alcoholic and his former coach, to train him for an MMA tournament awarding the biggest purse in the history of the sport. As Tommy blazes a violent path towards the title prize, his brother, Brendan, a former MMA fighter unable to make ends meet as a public school teacher, returns to the amateur ring to provide for his family. Even though years have passed, recriminations and past betrayals keep Brendan bitterly estranged from both Tommy and his father. But when Brendan's unlikely rise as an underdog sets him on a collision course with Tommy, the two brothers must finally confront the forces that tore them apart, all the while waging the most intense, winner-takes-all battle of their lives.
The film underperformed commercially against its respectable budget of $25.0M, earning $23.3M globally (-7% loss).
Nominated for 1 Oscar. 6 wins & 22 nominations
Plot Structure
Story beats plotted across runtime


Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Arcplot Score Breakdown
Weighted: Precision (70%) + Arc (15%) + Theme (15%)
Warrior (2011) demonstrates precise narrative architecture, characteristic of Gavin O'Connor's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 2 hours and 20 minutes. With an Arcplot score of 3.6, the film takes an unconventional approach to traditional narrative frameworks.
Structural Analysis
The Status Quo at 1 minutes (1% through the runtime) establishes Tommy Conlon returns to Pittsburgh, visiting his estranged alcoholic father Paddy's house late at night. The broken family dynamic is immediately established - fourteen years of separation, unresolved trauma, and bitter resentment.. Structural examination shows that this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 15 minutes when Brendan is caught fighting in a parking lot by students who film it. The video goes viral, and he's suspended from teaching, losing his primary income. With his house in foreclosure, he has no choice but to fight professionally.. At 11% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.
The First Threshold at 32 minutes marks the transition into Act II, occurring at 23% of the runtime. This illustrates the protagonist's commitment to Brendan makes the active choice to fully commit to MMA, rejoining his old trainer Frank Campana and entering the Sparta tournament despite his wife's fears. He crosses into the world of professional fighting, accepting all risks., moving from reaction to action.
At 64 minutes, the Midpoint arrives at 46% of the runtime—arriving early, accelerating into Act IIb complications. Notably, this crucial beat False victory becomes defeat: Tommy's true identity as a Marine deserter is revealed to the public and Paddy. He explodes at his father, revealing the deep trauma - Paddy failed to protect Tommy's mother, who died. Tommy disowns Paddy completely, ending their reconciliation. The emotional stakes escalate dramatically., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.
The Collapse moment at 93 minutes (67% through) represents the emotional nadir. Here, Brendan confronts Tommy in the hotel before the final fight, attempting reconciliation. Tommy viciously rejects him, denying their brotherhood: "You and me, we're done." The family bond appears irreparably destroyed. Paddy relapses into drinking, unable to fix his sons. All hope for healing seems lost., shows the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.
The Second Threshold at 100 minutes initiates the final act resolution at 71% of the runtime. The final fight begins. Brendan enters the cage and tells Tommy, "I love you." This declaration of unconditional love, despite everything, represents the synthesis of the theme - forgiveness must be given freely, not earned. Brendan fights not to defeat Tommy, but to save him., demonstrating the transformation achieved throughout the journey.
Emotional Journey
Warrior's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.
Narrative Framework
This structural analysis employs a 15-point narrative structure framework that maps key story moments. By mapping Warrior against these established plot points, we can identify how Gavin O'Connor utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Warrior within the action genre.
Gavin O'Connor's Structural Approach
Among the 5 Gavin O'Connor films analyzed on Arcplot, the average structural score is 6.4, demonstrating varied approaches to story architecture. Warrior takes a more unconventional approach compared to the director's typical style. For comparative analysis, explore the complete Gavin O'Connor filmography.
Comparative Analysis
Additional action films include The Ministry of Ungentlemanly Warfare, The Bad Guys and Lake Placid. For more Gavin O'Connor analyses, see The Accountant, Pride and Glory and Miracle.
Plot Points by Act
Act I
SetupStatus Quo
Tommy Conlon returns to Pittsburgh, visiting his estranged alcoholic father Paddy's house late at night. The broken family dynamic is immediately established - fourteen years of separation, unresolved trauma, and bitter resentment.
Theme
Paddy tells Tommy, "You're going to have to forgive me for that." The theme of forgiveness and redemption is stated explicitly. Tommy coldly rejects this, establishing the central question: Can this family heal?
Worldbuilding
Parallel worlds established: Tommy, a haunted Marine with a mysterious past, demands his father train him for MMA. Meanwhile, Brendan, a high school physics teacher in Philadelphia, struggles financially and secretly fights to save his family's home. Both brothers are introduced separately, unaware the other is fighting.
Disruption
Brendan is caught fighting in a parking lot by students who film it. The video goes viral, and he's suspended from teaching, losing his primary income. With his house in foreclosure, he has no choice but to fight professionally.
Resistance
Tommy trains brutally with Paddy, breaking records at the gym. Brendan debates whether to pursue MMA seriously, facing opposition from his wife Tess and the risk of losing everything. Both brothers seek trainers and mentors. The Sparta tournament - a winner-take-all $5 million prize - is announced.
Act II
ConfrontationFirst Threshold
Brendan makes the active choice to fully commit to MMA, rejoining his old trainer Frank Campana and entering the Sparta tournament despite his wife's fears. He crosses into the world of professional fighting, accepting all risks.
Mirror World
The relationship between Brendan and Tess deepens as she reluctantly supports his decision. She represents the emotional stakes and the theme of fighting for family. Meanwhile, Tommy's relationship with Paddy remains cold, showing the unresolved pain that must be healed.
Premise
The "promise of the premise" - both brothers compete in the Sparta tournament, winning their early fights in contrasting styles. Tommy demolishes opponents with raw fury; Brendan uses technical skill and heart. The audience enjoys the tournament structure, not knowing the brothers will face each other. Tommy's military past is revealed - he's a hero who saved his unit.
Midpoint
False victory becomes defeat: Tommy's true identity as a Marine deserter is revealed to the public and Paddy. He explodes at his father, revealing the deep trauma - Paddy failed to protect Tommy's mother, who died. Tommy disowns Paddy completely, ending their reconciliation. The emotional stakes escalate dramatically.
Opposition
Both brothers advance through the tournament bracket as pressure intensifies. Brendan suffers a brutal shoulder injury but continues. Tommy learns the Marines are coming to arrest him after the tournament. The inevitable collision course becomes clear - the brothers will face each other in the finals. Brendan discovers Tommy is his opponent.
Collapse
Brendan confronts Tommy in the hotel before the final fight, attempting reconciliation. Tommy viciously rejects him, denying their brotherhood: "You and me, we're done." The family bond appears irreparably destroyed. Paddy relapses into drinking, unable to fix his sons. All hope for healing seems lost.
Crisis
Dark night before the final fight. Paddy, drunk and broken, recites Moby Dick to Tommy's hotel door, begging forgiveness. Tommy says nothing. Brendan prepares with his family, knowing he must fight his brother. Both are isolated in their pain.
Act III
ResolutionSecond Threshold
The final fight begins. Brendan enters the cage and tells Tommy, "I love you." This declaration of unconditional love, despite everything, represents the synthesis of the theme - forgiveness must be given freely, not earned. Brendan fights not to defeat Tommy, but to save him.
Synthesis
The brutal final fight. Tommy dominates physically, but Brendan refuses to give up, repeatedly telling Tommy he loves him and is sorry. Brendan dislocates Tommy's shoulder but won't finish him. Finally, Tommy - broken physically and emotionally - taps out. Brendan wins, but more importantly, the brothers embrace and reconcile in the cage, crying together.
Transformation
Brendan helps his injured brother Tommy out of the cage and through the crowd, supporting him physically. The final image mirrors the broken status quo - but now transformed. The brothers leave together, reunited. Forgiveness has healed the family. The National plays "Start a War" as they walk as brothers again.






