A Time to Kill poster
6.3
Arcplot Score
Unverified

A Time to Kill

1996149 minR
Director: Joel Schumacher

When Tonya Hailey, an innocent little African-American girl is raped and beaten by 2 beer-guzzling rednecks, the town of Clanton, Mississippi is shocked. Her father Carl Lee Hailey is outraged, and figuring he could not see those boys set free, decides to take justice into his own hands and kills them in the court house, in front of numerous witnesses. Now it's up to Jake Brigance to get Carl Lee off the hook. He has people that help him, but he is up against tough D.A. Rufus Buckley. Will he be able to prove that a black man can get a fair trial in Mississippi?

Revenue$152.3M
Budget$40.0M
Profit
+112.3M
+281%

Despite a moderate budget of $40.0M, A Time to Kill became a commercial success, earning $152.3M worldwide—a 281% return.

Awards

7 wins & 12 nominations

Where to Watch
Google Play MoviesYouTubeFandango At HomeMGM PlusAmazon VideoApple TV

Plot Structure

Story beats plotted across runtime

Act ISetupAct IIConfrontationAct IIIResolutionWorldbuilding3Resistance5Premise8Opposition10Crisis12Synthesis14124679111513
Color Timeline
Color timeline
Sound Timeline
Sound timeline
Threshold
Section
Plot Point

Narrative Arc

Emotional journey through the story's key moments

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Plot Point
Act Threshold
Emotional Arc

Story Circle

Blueprint 15-beat structure

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Arcplot Score Breakdown

Structural Adherence: Flexible
8.2/10
3.5/10
0.5/10
Overall Score6.3/10

Weighted: Precision (70%) + Arc (15%) + Theme (15%)

A Time to Kill (1996) exemplifies meticulously timed dramatic framework, characteristic of Joel Schumacher's storytelling approach. This structural analysis examines how the film's 11-point plot structure maps to proven narrative frameworks across 2 hours and 29 minutes. With an Arcplot score of 6.3, the film takes an unconventional approach to traditional narrative frameworks.

Characters

Cast & narrative archetypes

Matthew McConaughey

Jake Tyler Brigance

Hero
Matthew McConaughey
Samuel L. Jackson

Carl Lee Hailey

Herald
Shadow
Samuel L. Jackson
Sandra Bullock

Ellen Roark

Ally
Sandra Bullock
Kevin Spacey

Rufus Buckley

Shadow
Kevin Spacey
Donald Sutherland

Lucien Wilbanks

Mentor
Donald Sutherland
Ashley Judd

Carla Brigance

Threshold Guardian
Ashley Judd
Kiefer Sutherland

Freddie Lee Cobb

Shadow
Kiefer Sutherland
Charles S. Dutton

Sheriff Ozzie Walls

Ally
Charles S. Dutton

Main Cast & Characters

Jake Tyler Brigance

Played by Matthew McConaughey

Hero

Young white lawyer who defends Carl Lee Hailey despite intense community pressure and personal danger.

Carl Lee Hailey

Played by Samuel L. Jackson

HeraldShadow

Black father who murders the men who raped his daughter, forcing a divided town to confront justice and race.

Ellen Roark

Played by Sandra Bullock

Ally

Idealistic law student from a wealthy family who assists Jake with legal research and strategy.

Rufus Buckley

Played by Kevin Spacey

Shadow

Ambitious district attorney prosecuting Carl Lee, willing to exploit racial tensions for political gain.

Lucien Wilbanks

Played by Donald Sutherland

Mentor

Disbarred alcoholic lawyer and Jake's mentor who provides crucial tactical advice throughout the trial.

Carla Brigance

Played by Ashley Judd

Threshold Guardian

Jake's supportive wife who endures threats and violence while standing by her husband's decision.

Freddie Lee Cobb

Played by Kiefer Sutherland

Shadow

Brother of one of the rapists who leads violent KKK retaliation against Jake and his family.

Sheriff Ozzie Walls

Played by Charles S. Dutton

Ally

Black sheriff who maintains order while sympathizing with Carl Lee's motivations.

Structural Analysis

The Status Quo at 1 minutes (1% through the runtime) establishes Jake Brigance is a small-town Mississippi lawyer living a comfortable life with his family, handling routine cases in a racially divided community.. The analysis reveals that this early placement immediately immerses viewers in the story world.

The inciting incident occurs at 18 minutes when Carl Lee murders the two rapists in the courthouse, also wounding Deputy Looney. This vigilante act transforms a horrific crime into a legal and moral crisis that will consume the entire community.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.

At 75 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. The analysis reveals that this crucial beat The trial begins and immediately goes badly for Jake. The jury is all white, the judge denies key motions, and Jake realizes he cannot win by conventional legal means. A false defeat that raises the stakes and forces a new approach., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.

The Collapse moment at 112 minutes (75% through) represents the emotional nadir. Here, Carl Lee fires Jake, telling him a Black lawyer would understand and serve him better. Jake's house is ashes, his family is traumatized, he's financially ruined, and now he's lost his client's trust. Everything has been destroyed., indicates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.

The Synthesis at 118 minutes initiates the final act resolution at 79% of the runtime. Jake delivers his closing argument, painting a vivid picture of Tonya's rape and torture, making the jury imagine every horrific detail, then revealing: "Now imagine she's white." The jury deliberates while racial tensions outside reach a breaking point. The verdict comes in., demonstrating the transformation achieved throughout the journey.

Emotional Journey

A Time to Kill's emotional architecture traces a deliberate progression across 11 carefully calibrated beats.

Narrative Framework

This structural analysis employs proven narrative structure principles that track dramatic progression. By mapping A Time to Kill against these established plot points, we can identify how Joel Schumacher utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish A Time to Kill within the crime genre.

Joel Schumacher's Structural Approach

Among the 17 Joel Schumacher films analyzed on Arcplot, the average structural score is 7.0, reflecting strong command of classical structure. A Time to Kill takes a more unconventional approach compared to the director's typical style. For comparative analysis, explore the complete Joel Schumacher filmography.

Comparative Analysis

Additional crime films include The Bad Guys, 12 Rounds. For more Joel Schumacher analyses, see Batman Forever, Phone Booth and The Client.

Plot Points by Act

Act I

Setup
1

Status Quo

1 min0.7%0 tone

Jake Brigance is a small-town Mississippi lawyer living a comfortable life with his family, handling routine cases in a racially divided community.

2

Theme

7 min4.9%0 tone

Carl Lee discusses with Jake what he would do if his daughter was raped, foreshadowing the central moral question: "What is a father?... It's someone who would do anything to protect their child." The theme of justice versus law is introduced.

3

Worldbuilding

1 min0.7%0 tone

Establishment of Canton, Mississippi's racial tensions, Jake's law practice, his relationship with his mentor Lucien, and the introduction of Carl Lee Hailey and his family. The brutal rape of Carl Lee's daughter Tonya by two white supremacists is depicted.

4

Disruption

18 min11.8%-1 tone

Carl Lee murders the two rapists in the courthouse, also wounding Deputy Looney. This vigilante act transforms a horrific crime into a legal and moral crisis that will consume the entire community.

5

Resistance

18 min11.8%-1 tone

Jake wrestles with whether to take Carl Lee's case. He consults with Lucien who warns him of the consequences. The community divides along racial lines. Jake debates the impossibility of winning while being drawn to the moral imperative of defending his friend.

Act II

Confrontation
8

Premise

37 min25.0%-1 tone

Jake builds his defense while the KKK mobilizes, led by prosecutor Rufus Buckley who seeks political gain. The trial becomes a media circus. Jake and Ellen develop strategy while threats escalate against Jake's family, forcing them to leave town for safety.

9

Midpoint

75 min50.0%-2 tone

The trial begins and immediately goes badly for Jake. The jury is all white, the judge denies key motions, and Jake realizes he cannot win by conventional legal means. A false defeat that raises the stakes and forces a new approach.

10

Opposition

75 min50.0%-2 tone

The prosecution systematically dismantles Jake's insanity defense. The KKK burns a cross on Jake's lawn and later burns his house down. Deputy Looney, paralyzed from Carl Lee's shooting, gives devastating testimony. Jake's marriage strains, his finances collapse, and Carl Lee loses faith in him.

11

Collapse

112 min75.0%-3 tone

Carl Lee fires Jake, telling him a Black lawyer would understand and serve him better. Jake's house is ashes, his family is traumatized, he's financially ruined, and now he's lost his client's trust. Everything has been destroyed.

12

Crisis

112 min75.0%-3 tone

Jake sits in the burned ruins of his home, contemplating his failure. He gets drunk with Lucien who challenges him to see the truth about race in America. Jake processes the dark reality that the system is rigged and winning legally may be impossible.

Act III

Resolution
14

Synthesis

118 min79.2%-3 tone

Jake delivers his closing argument, painting a vivid picture of Tonya's rape and torture, making the jury imagine every horrific detail, then revealing: "Now imagine she's white." The jury deliberates while racial tensions outside reach a breaking point. The verdict comes in.