City of Joy poster
6.5
Arcplot Score
Unverified

City of Joy

1992132 minPG-13
Director: Roland Joffé

Independent of each other, the Pal family - parents Hazari and Kamla, and their three offspring Amrita, Shambu and Manooj - and Max Lowe arrive in Calcutta, their initial dealings there being less than positive. After losing their farm in the nearby countryside to the "money lender", the Pals are in the city in search of a better life, especially in wanting to build a dowry for Amrita who is now of marrying age. Max, a Houston based surgeon who fell into the career as a matter of family obligation, quit his job unable to cope with the emotional toll especially of losing patients, and has come to Calcutta in search of spiritual enlightenment. Their lives converge by chance in the slum neighborhood nicknamed the City of Joy, most specifically at the makeshift City of Joy Clinic and School opened and operated by Irishwoman Joy Bethel who came to Calcutta on a whim and never left. While the Pals eventual settle in the City of Joy, Joy herself tries to convince Max to provide his much needed medical services to the clinic, which he eventually but reluctantly agrees for as long as he is in Calcutta, which is longer than he may have originally planned if only in having troubles trying to get back to the US. In addition to some seeing Max as having no long term commitment to the neighborhood like the Pals who are now residents, two others issues in combination threaten the lives of those in the City of Joy, including Max, Joy and the Pals, and the livelihood of the clinic: the broadening of the services to include a nearby leper colony, some in the neighborhood who do not want to associate with them; and the control of the neighborhood by the corrupt Ghatak family - the patriarchal Godfather as he is referred to and his more violent son Ashok - who own much of the neighborhood property, own many of the neighborhood services (such as the rickshaw services, Hazari who has gotten a job as one of their rickshaw drivers) and who require "protection money" from other neighborhood businesses such as from the clinic to maintain the peace.

Revenue$14.7M
Budget$27.0M
Loss
-12.3M
-46%

The film struggled financially against its moderate budget of $27.0M, earning $14.7M globally (-46% loss). While initial box office returns were modest, the film has gained appreciation for its unique voice within the crime genre.

Awards

1 nomination

Where to Watch
Fandango At HomeAmazon VideoYouTubeApple TVGoogle Play Movies

Plot Structure

Story beats plotted across runtime

Act ISetupAct IIConfrontationAct IIIResolutionWorldbuilding3Resistance5Premise8Opposition10Crisis12Synthesis14124679111315
Color Timeline
Color timeline
Sound Timeline
Sound timeline
Threshold
Section
Plot Point

Narrative Arc

Emotional journey through the story's key moments

+30-3
0m32m65m97m130m
Plot Point
Act Threshold
Emotional Arc

Story Circle

Blueprint 15-beat structure

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Arcplot Score Breakdown

Structural Adherence: Flexible
8.6/10
3/10
0.5/10
Overall Score6.5/10

Weighted: Precision (70%) + Arc (15%) + Theme (15%)

City of Joy (1992) exemplifies carefully calibrated plot construction, characteristic of Roland Joffé's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 2 hours and 12 minutes. With an Arcplot score of 6.5, the film balances conventional beats with creative variation.

Structural Analysis

The Status Quo at 2 minutes (1% through the runtime) establishes Max Lowe arrives in Calcutta, emotionally broken and purposeless after losing a patient, seeking escape from his failures as a surgeon.. Structural examination shows that this early placement immediately immerses viewers in the story world.

The inciting incident occurs at 16 minutes when Max witnesses a young boy being critically injured and is thrust into an emergency medical situation, forcing him to confront his physician identity despite his desire to remain detached.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.

The First Threshold at 33 minutes marks the transition into Act II, occurring at 25% of the runtime. This indicates the protagonist's commitment to Max actively chooses to help at the clinic, accepting responsibility and entering the world of the City of Joy rather than returning to America., moving from reaction to action.

At 66 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Significantly, this crucial beat The clinic achieves a significant victory and Max experiences a false high, feeling he's making a real difference, but this draws dangerous attention from Ghatak who sees the clinic as a threat to his control., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.

The Collapse moment at 99 minutes (75% through) represents the emotional nadir. Here, Hasari dies from exhaustion and illness, devastating Max and representing the death of hope. The clinic is violently attacked and destroyed, seemingly ending Max's mission., reveals the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.

The Second Threshold at 106 minutes initiates the final act resolution at 80% of the runtime. The community rallies together, and Max realizes that Hasari's legacy and the connections he's built are worth fighting for. He synthesizes his medical skills with his newfound understanding of service and solidarity., demonstrating the transformation achieved throughout the journey.

Emotional Journey

City of Joy's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.

Narrative Framework

This structural analysis employs a 15-point narrative structure framework that maps key story moments. By mapping City of Joy against these established plot points, we can identify how Roland Joffé utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish City of Joy within the crime genre.

Roland Joffé's Structural Approach

Among the 4 Roland Joffé films analyzed on Arcplot, the average structural score is 6.7, demonstrating varied approaches to story architecture. City of Joy takes a more unconventional approach compared to the director's typical style. For comparative analysis, explore the complete Roland Joffé filmography.

Comparative Analysis

Additional crime films include The Bad Guys, Batman Forever and 12 Rounds. For more Roland Joffé analyses, see The Scarlet Letter, The Mission and Captivity.

Plot Points by Act

Act I

Setup
1

Status Quo

2 min1.1%-1 tone

Max Lowe arrives in Calcutta, emotionally broken and purposeless after losing a patient, seeking escape from his failures as a surgeon.

2

Theme

7 min5.3%-1 tone

Hasari tells Max, "The city keeps you alive to serve it," establishing the film's theme about finding purpose through service and human connection.

3

Worldbuilding

2 min1.1%-1 tone

Introduction to Calcutta's slums, the City of Joy clinic run by Joan Bethel, Hasari's desperate family searching for survival, and the corrupt power structure controlled by the Ghatak godfather.

4

Disruption

16 min12.1%-2 tone

Max witnesses a young boy being critically injured and is thrust into an emergency medical situation, forcing him to confront his physician identity despite his desire to remain detached.

5

Resistance

16 min12.1%-2 tone

Max resists involvement with the clinic while Joan Bethel and the community gradually draw him in. Hasari begins working as a rickshaw puller under Ghatak's exploitative system. Max debates whether to stay or flee.

Act II

Confrontation
6

First Threshold

33 min25.0%-1 tone

Max actively chooses to help at the clinic, accepting responsibility and entering the world of the City of Joy rather than returning to America.

7

Mirror World

40 min30.3%0 tone

Max develops a meaningful relationship with Hasari and his family, particularly bonding with Hasari's daughter Amrita, representing the human connection that will teach him about dignity and purpose.

8

Premise

33 min25.0%-1 tone

Max works at the clinic treating patients, building relationships with the community, and witnessing both the beauty and suffering of the slums. Hasari fights to maintain his family's dignity against systematic oppression.

9

Midpoint

66 min50.0%+1 tone

The clinic achieves a significant victory and Max experiences a false high, feeling he's making a real difference, but this draws dangerous attention from Ghatak who sees the clinic as a threat to his control.

10

Opposition

66 min50.0%+1 tone

Ghatak escalates violence against the clinic and community. Hasari's health deteriorates from brutal rickshaw work. Max's efforts are increasingly undermined, and the forces of corruption close in from all sides.

11

Collapse

99 min75.0%0 tone

Hasari dies from exhaustion and illness, devastating Max and representing the death of hope. The clinic is violently attacked and destroyed, seemingly ending Max's mission.

12

Crisis

99 min75.0%0 tone

Max mourns Hasari and questions whether his efforts meant anything. He faces the dark night of the soul, processing loss and contemplating abandoning the City of Joy forever.

Act III

Resolution
13

Second Threshold

106 min80.3%+1 tone

The community rallies together, and Max realizes that Hasari's legacy and the connections he's built are worth fighting for. He synthesizes his medical skills with his newfound understanding of service and solidarity.

14

Synthesis

106 min80.3%+1 tone

Max leads the community in standing up to Ghatak. The people of the City of Joy unite to rebuild the clinic and resist oppression, culminating in confronting the corrupt power structure together.

15

Transformation

130 min98.5%+2 tone

Max, now fully committed and transformed, works confidently at the rebuilt clinic surrounded by community, having found purpose and redemption through service—the opposite of his broken, isolated arrival.