sex, lies, and videotape poster
6.8
Arcplot Score
Unverified

sex, lies, and videotape

1989101 minR
Writer:Steven Soderbergh
Cinematographer: Walt Lloyd
Composer: Cliff Martinez

Ann, a frustrated wife, enters into counseling due to a troubled marriage. Unbeknownst to her, her husband John has begun an affair with her sister. When John’s best friend Graham arrives, his penchant for interviewing women about their sex lives forever changes John and Ann’s rocky marriage.

Revenue$24.7M
Budget$1.2M
Profit
+23.5M
+1962%

Despite its modest budget of $1.2M, sex, lies, and videotape became a commercial juggernaut, earning $24.7M worldwide—a remarkable 1962% return. The film's distinctive approach resonated with audiences, proving that strong storytelling can transcend budget limitations.

Awards

Nominated for 1 Oscar. 15 wins & 24 nominations

Where to Watch
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Plot Structure

Story beats plotted across runtime

Act ISetupAct IIConfrontationAct IIIResolutionWorldbuilding3Resistance5Premise8Opposition10Crisis12Synthesis14124679111315
Color Timeline
Color timeline
Sound Timeline
Sound timeline
Threshold
Section
Plot Point

Narrative Arc

Emotional journey through the story's key moments

+20-2
0m25m50m75m100m
Plot Point
Act Threshold
Emotional Arc

Story Circle

Blueprint 15-beat structure

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Arcplot Score Breakdown

Structural Adherence: Flexible
8.7/10
3.5/10
1.5/10
Overall Score6.8/10

Weighted: Precision (70%) + Arc (15%) + Theme (15%)

sex, lies, and videotape (1989) reveals precise story structure, characteristic of Steven Soderbergh's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 41 minutes. With an Arcplot score of 6.8, the film balances conventional beats with creative variation.

Structural Analysis

The Status Quo at 1 minutes (1% through the runtime) establishes Ann speaks to her therapist about her anxieties, particularly her obsession with garbage and her dissatisfaction with intimacy, while her husband John has sex with her sister Cynthia in a parallel scene, establishing the fractured relationships at the story's core.. The analysis reveals that this early placement immediately immerses viewers in the story world.

The inciting incident occurs at 12 minutes when Graham Dalton, John's old college friend, arrives in Baton Rouge. His unexpected presence disrupts the carefully maintained facades of all four characters, introducing an outsider who will become a catalyst for truth.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.

The First Threshold at 25 minutes marks the transition into Act II, occurring at 25% of the runtime. This demonstrates the protagonist's commitment to Graham reveals to Ann that he is impotent and can only achieve sexual satisfaction by watching videotapes of women discussing their sexual experiences. Ann is shocked and leaves abruptly, but the revelation has planted a seed of fascination and self-examination., moving from reaction to action.

At 51 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Structural examination shows that this crucial beat Ann discovers that Cynthia has made a videotape with Graham, discussing her sexual experiences including her affair with John. The revelation shatters Ann's carefully constructed world and forces her to confront the lies surrounding her., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.

The Collapse moment at 76 minutes (75% through) represents the emotional nadir. Here, Ann finally watches Cynthia's tape and hears her sister casually discuss her affair with John. The betrayal by both her husband and sister represents the death of Ann's illusions about her marriage and family relationships., shows the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.

The Second Threshold at 81 minutes initiates the final act resolution at 80% of the runtime. Ann makes the choice to visit Graham and create her own videotape. This act of radical vulnerability and honesty represents her decision to stop lying to herself and others, embracing authenticity over comfortable deception., demonstrating the transformation achieved throughout the journey.

Emotional Journey

sex, lies, and videotape's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.

Narrative Framework

This structural analysis employs systematic plot point analysis that identifies crucial turning points. By mapping sex, lies, and videotape against these established plot points, we can identify how Steven Soderbergh utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish sex, lies, and videotape within the drama genre.

Steven Soderbergh's Structural Approach

Among the 17 Steven Soderbergh films analyzed on Arcplot, the average structural score is 7.1, reflecting strong command of classical structure. sex, lies, and videotape takes a more unconventional approach compared to the director's typical style. For comparative analysis, explore the complete Steven Soderbergh filmography.

Comparative Analysis

Additional drama films include After Thomas, South Pacific and Dirty Dancing: Havana Nights. For more Steven Soderbergh analyses, see Ocean's Twelve, Ocean's Thirteen and Contagion.

Plot Points by Act

Act I

Setup
1

Status Quo

1 min1.0%0 tone

Ann speaks to her therapist about her anxieties, particularly her obsession with garbage and her dissatisfaction with intimacy, while her husband John has sex with her sister Cynthia in a parallel scene, establishing the fractured relationships at the story's core.

2

Theme

5 min5.0%0 tone

Ann tells her therapist she finds sex "overrated," articulating the film's central exploration of intimacy, honesty, and the lies people tell themselves and others about their desires and relationships.

3

Worldbuilding

1 min1.0%0 tone

We meet the four principal characters: Ann, the repressed housewife; John, her ambitious and unfaithful husband; Cynthia, Ann's free-spirited sister who is sleeping with John; and we learn of Graham's impending arrival. The web of deception and emotional disconnection is established.

4

Disruption

12 min12.0%+1 tone

Graham Dalton, John's old college friend, arrives in Baton Rouge. His unexpected presence disrupts the carefully maintained facades of all four characters, introducing an outsider who will become a catalyst for truth.

5

Resistance

12 min12.0%+1 tone

Ann helps Graham find an apartment and they begin to form an unlikely connection. She is both intrigued and disturbed by his unconventional lifestyle and philosophy. Graham's presence begins to make Ann question her own choices and satisfaction.

Act II

Confrontation
6

First Threshold

25 min25.0%0 tone

Graham reveals to Ann that he is impotent and can only achieve sexual satisfaction by watching videotapes of women discussing their sexual experiences. Ann is shocked and leaves abruptly, but the revelation has planted a seed of fascination and self-examination.

7

Mirror World

30 min30.0%+1 tone

The relationship between Ann and Graham deepens as she finds herself drawn back to him despite her initial disgust. Graham represents the possibility of authentic connection through radical honesty, contrasting with the lies that permeate Ann's marriage.

8

Premise

25 min25.0%0 tone

The four characters orbit each other in increasingly complicated patterns. Cynthia, learning about Graham's tapes from Ann, visits him and makes her own confession tape. John grows suspicious and jealous. Ann continues her therapy while growing more curious about Graham's world.

9

Midpoint

51 min50.0%0 tone

Ann discovers that Cynthia has made a videotape with Graham, discussing her sexual experiences including her affair with John. The revelation shatters Ann's carefully constructed world and forces her to confront the lies surrounding her.

10

Opposition

51 min50.0%0 tone

The tensions escalate as secrets unravel. John becomes increasingly paranoid about Graham's influence. Ann withdraws further from her husband. Cynthia and Ann's sisterly relationship fractures. Each character is forced to confront uncomfortable truths about themselves.

11

Collapse

76 min75.0%-1 tone

Ann finally watches Cynthia's tape and hears her sister casually discuss her affair with John. The betrayal by both her husband and sister represents the death of Ann's illusions about her marriage and family relationships.

12

Crisis

76 min75.0%-1 tone

Ann processes the devastating revelations. She must decide whether to continue living in denial or to pursue truth and authenticity, even if it means destroying her comfortable but hollow life.

Act III

Resolution
13

Second Threshold

81 min80.0%0 tone

Ann makes the choice to visit Graham and create her own videotape. This act of radical vulnerability and honesty represents her decision to stop lying to herself and others, embracing authenticity over comfortable deception.

14

Synthesis

81 min80.0%0 tone

Ann records her tape with Graham, which becomes an intimate and transformative exchange. John confronts Graham and watches Ann's tape, seeing his wife's true feelings. Graham destroys his collection of tapes, signaling his own growth. Ann confronts John and ends their marriage.

15

Transformation

100 min99.0%+1 tone

Ann and Graham sit together on his porch in peaceful silence, suggesting a new relationship built on honesty and genuine connection. Ann has transformed from a repressed, anxious woman living in denial to someone capable of authentic intimacy.