Some Kind of Wonderful poster
7.4
Arcplot Score
Unverified

Some Kind of Wonderful

198795 minPG-13
Director: Howard Deutch
Writer:John Hughes

Keith Nelson, an artsy high school outcast, tries to land a date with popular girl Amanda Jones with some help from his tomboy best friend, Watts. However, Watts realizes she likes Keith as more than just a friend and tries to convince him to stop pursuing Amanda. Matters are further complicated when Keith's invitation draws the ire of Amanda's rich yet snobby ex-boyfriend, Hardy Jenns, who makes plans to get even.

Revenue$18.6M

The film earned $18.6M at the global box office.

Awards

1 win

Where to Watch
Amazon VideoGoogle Play MoviesApple TV StoreParamount Plus EssentialYouTubeFandango At Home

Plot Structure

Story beats plotted across runtime

Act ISetupAct IIConfrontationAct IIIResolutionWorldbuilding3Resistance5Premise8Opposition10Crisis12Synthesis14124679111315
Color Timeline
Color timeline
Sound Timeline
Sound timeline
Threshold
Section
Plot Point

Narrative Arc

Emotional journey through the story's key moments

+42-1
0m24m47m71m94m
Plot Point
Act Threshold
Emotional Arc

Story Circle

Blueprint 15-beat structure

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Arcplot Score Breakdown

Structural Adherence: Standard
8.9/10
4.5/10
3/10
Overall Score7.4/10

Weighted: Precision (70%) + Arc (15%) + Theme (15%)

Some Kind of Wonderful (1987) reveals carefully calibrated plot construction, characteristic of Howard Deutch's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 35 minutes. With an Arcplot score of 7.4, the film balances conventional beats with creative variation.

Characters

Cast & narrative archetypes

Eric Stoltz

Keith Nelson

Hero
Eric Stoltz
Mary Stuart Masterson

Watts

Ally
Love Interest
Mary Stuart Masterson
Lea Thompson

Amanda Jones

Shapeshifter
Love Interest
Lea Thompson
Craig Sheffer

Hardy Jenns

Shadow
Craig Sheffer

Main Cast & Characters

Keith Nelson

Played by Eric Stoltz

Hero

An artistic working-class teen who pursues the popular girl while overlooking his best friend's feelings for him.

Watts

Played by Mary Stuart Masterson

AllyLove Interest

Keith's tomboyish best friend and drummer who secretly loves him but hides behind sarcasm and loyalty.

Amanda Jones

Played by Lea Thompson

ShapeshifterLove Interest

The beautiful, popular girl from a wealthy family who is dating Hardy but feels trapped by her social status.

Hardy Jenns

Played by Craig Sheffer

Shadow

Amanda's arrogant, wealthy boyfriend who treats her as a possession and bullies Keith.

Structural Analysis

The Status Quo at 1 minutes (1% through the runtime) establishes Keith Nelson works as an auto mechanic, dreaming of art school while living in his working-class world. His tomboy best friend Watts drums for him, hiding her true feelings. Keith pines for Amanda Jones, the beautiful and popular girl who seems out of reach.. Structural examination shows that this early placement immediately immerses viewers in the story world.

The inciting incident occurs at 12 minutes when Amanda breaks up with Hardy after he humiliates her at a party, making her emotionally vulnerable. This creates an opening for Keith, who seizes the moment and asks Amanda out on a date. To everyone's surprise, she accepts.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.

The First Threshold at 24 minutes marks the transition into Act II, occurring at 25% of the runtime. This indicates the protagonist's commitment to Keith makes the active choice to cash in his college fund to finance the perfect date with Amanda. This irreversible decision commits him to pursuing Amanda despite the cost, crossing from his safe world into the uncertain territory of acting on his dreams., moving from reaction to action.

At 48 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. The analysis reveals that this crucial beat Keith's father discovers he spent the college fund money on the date. The blowout confrontation raises the stakes considerably - this isn't just about a date anymore, but about Keith's entire future and his relationship with his family. What seemed like a romantic adventure now has serious consequences., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.

The Collapse moment at 71 minutes (75% through) represents the emotional nadir. Here, Hardy confronts Keith in a brutal showdown, beating him physically and psychologically. Keith's dream dies as he realizes the cost of his fantasy: broken family relationships, lost future opportunities, and damaged friendships. The image of the "perfect girl" is shattered, revealing the emptiness beneath., indicates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.

The Second Threshold at 76 minutes initiates the final act resolution at 80% of the runtime. Keith has his realization: he's been in love with an image of Amanda rather than the real person, while the real thing - authentic connection and love - has been with Watts all along. He synthesizes his artistic sensitivity with newfound clarity about what matters, preparing to act on this truth., demonstrating the transformation achieved throughout the journey.

Emotional Journey

Some Kind of Wonderful's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.

Narrative Framework

This structural analysis employs proven narrative structure principles that track dramatic progression. By mapping Some Kind of Wonderful against these established plot points, we can identify how Howard Deutch utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Some Kind of Wonderful within the romance genre.

Howard Deutch's Structural Approach

Among the 9 Howard Deutch films analyzed on Arcplot, the average structural score is 7.5, reflecting strong command of classical structure. Some Kind of Wonderful takes a more unconventional approach compared to the director's typical style. For comparative analysis, explore the complete Howard Deutch filmography.

Comparative Analysis

Additional romance films include South Pacific, Dirty Dancing: Havana Nights and The Evening Star. For more Howard Deutch analyses, see The Whole Ten Yards, Grumpier Old Men and Pretty in Pink.

Plot Points by Act

Act I

Setup
1

Status Quo

1 min1.2%0 tone

Keith Nelson works as an auto mechanic, dreaming of art school while living in his working-class world. His tomboy best friend Watts drums for him, hiding her true feelings. Keith pines for Amanda Jones, the beautiful and popular girl who seems out of reach.

2

Theme

5 min5.3%0 tone

Watts challenges Keith about his obsession with Amanda, suggesting that he's chasing an image rather than seeing what's really in front of him. The theme of authenticity versus surface appearances is introduced.

3

Worldbuilding

1 min1.2%0 tone

We explore Keith's world: his artistic aspirations conflict with his father's expectation that he work at the garage; his friendship with Watts and Duncan; the class divide between Keith and Amanda; Amanda's relationship with rich, arrogant Hardy Jenns; and the social hierarchies of high school.

4

Disruption

12 min12.4%+1 tone

Amanda breaks up with Hardy after he humiliates her at a party, making her emotionally vulnerable. This creates an opening for Keith, who seizes the moment and asks Amanda out on a date. To everyone's surprise, she accepts.

5

Resistance

12 min12.4%+1 tone

Keith prepares for the date with Amanda, navigating resistance from multiple directions: his father wants college fund money for family expenses; Watts is hurt and jealous; Duncan helps him plan an elaborate date. Keith must decide whether to pursue this dream or stay safe in his familiar world.

Act II

Confrontation
6

First Threshold

24 min25.0%+2 tone

Keith makes the active choice to cash in his college fund to finance the perfect date with Amanda. This irreversible decision commits him to pursuing Amanda despite the cost, crossing from his safe world into the uncertain territory of acting on his dreams.

7

Mirror World

29 min30.0%+3 tone

Watts reveals deeper layers of herself beyond the tough tomboy exterior. Her relationship with Keith serves as the emotional B-story that will teach him about authentic connection versus idealized fantasy. She represents what real love looks like.

8

Premise

24 min25.0%+2 tone

The "fun and games" of Keith dating Amanda: the elaborate date unfolds with dinners, museum visits, and romantic moments. Keith gets to live his fantasy of being with the girl of his dreams. Meanwhile, tension builds as Watts struggles with her feelings, Hardy plots revenge, and Keith begins to see Amanda as a real person, not just an ideal.

9

Midpoint

48 min50.0%+2 tone

Keith's father discovers he spent the college fund money on the date. The blowout confrontation raises the stakes considerably - this isn't just about a date anymore, but about Keith's entire future and his relationship with his family. What seemed like a romantic adventure now has serious consequences.

10

Opposition

48 min50.0%+2 tone

Pressure intensifies from all sides: Hardy escalates his campaign of intimidation and threatens Keith; Amanda reveals her own vulnerability and the emptiness of her popular life; Watts pulls away, hurt by Keith's blindness to her feelings; Keith's family situation deteriorates. Keith begins to realize Amanda may not be who he thought she was, and that his fantasy is crumbling.

11

Collapse

71 min75.0%+1 tone

Hardy confronts Keith in a brutal showdown, beating him physically and psychologically. Keith's dream dies as he realizes the cost of his fantasy: broken family relationships, lost future opportunities, and damaged friendships. The image of the "perfect girl" is shattered, revealing the emptiness beneath.

12

Crisis

71 min75.0%+1 tone

Keith processes the wreckage of his dreams. Watts tends to his wounds, literal and metaphorical. In this dark moment, Keith must confront what he's really been seeking and what he's been blind to. The emotional truth of his situation becomes unavoidable.

Act III

Resolution
13

Second Threshold

76 min80.0%+2 tone

Keith has his realization: he's been in love with an image of Amanda rather than the real person, while the real thing - authentic connection and love - has been with Watts all along. He synthesizes his artistic sensitivity with newfound clarity about what matters, preparing to act on this truth.

14

Synthesis

76 min80.0%+2 tone

Keith executes his plan: he completes the date with Amanda, giving her the earrings he'd bought as a gift but releasing her from any obligation. He tells Amanda the truth about his feelings and acknowledges that they wanted different things. Then he goes to find Watts and tell her how he really feels, choosing authenticity over fantasy.

15

Transformation

94 min99.0%+3 tone

Keith kisses Watts in the final image, showing complete transformation from the opening. He's no longer the boy pining for an impossible dream, but someone who has learned to see and value what's real. The tomboy best friend is revealed as the true love story, and Keith has grown into authenticity.