The American poster
6.8
Arcplot Score
Unverified

The American

2010104 minR
Director: Anton Corbijn
Writers:Rowan Joffé, Martin Booth
Cinematographer: Martin Ruhe
Producers:Enzo Sisti, Anne Carey, Ann Wingate +3 more

Dispatched to a small Italian town to await further orders, assassin Jack embarks on a double life that may be more relaxing than is good for him.

Revenue$67.9M
Budget$20.0M
Profit
+47.9M
+240%

Despite a respectable budget of $20.0M, The American became a commercial success, earning $67.9M worldwide—a 240% return.

Awards

4 nominations

Where to Watch
Fandango At HomeAmazon VideoPeacock PremiumYouTubePeacock Premium PlusGoogle Play MoviesApple TV

Plot Structure

Story beats plotted across runtime

Act ISetupAct IIConfrontationAct IIIResolutionWorldbuilding3Resistance5Premise8Opposition10Crisis12Synthesis14124679111315
Color Timeline
Color timeline
Sound Timeline
Sound timeline
Threshold
Section
Plot Point

Narrative Arc

Emotional journey through the story's key moments

+1-1-3
0m26m51m77m103m
Plot Point
Act Threshold
Emotional Arc

Story Circle

Blueprint 15-beat structure

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Arcplot Score Breakdown

Structural Adherence: Flexible
9/10
3/10
0.5/10
Overall Score6.8/10

Weighted: Precision (70%) + Arc (15%) + Theme (15%)

The American (2010) demonstrates strategically placed narrative architecture, characteristic of Anton Corbijn's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 44 minutes. With an Arcplot score of 6.8, the film balances conventional beats with creative variation.

Characters

Cast & narrative archetypes

George Clooney

Jack/Edward

Hero
George Clooney
Violante Placido

Clara

Love Interest
Violante Placido
Paolo Bonacelli

Father Benedetto

Mentor
Paolo Bonacelli
Thekla Reuten

Mathilde

Shadow
Shapeshifter
Thekla Reuten
Johan Leysen

Pavel

Threshold Guardian
Johan Leysen

Main Cast & Characters

Jack/Edward

Played by George Clooney

Hero

A solitary assassin hiding in rural Italy, crafting weapons while seeking redemption and connection.

Clara

Played by Violante Placido

Love Interest

A compassionate prostitute who forms an unexpected romantic connection with Jack.

Father Benedetto

Played by Paolo Bonacelli

Mentor

A wise village priest who befriends Jack and offers spiritual guidance.

Mathilde

Played by Thekla Reuten

ShadowShapeshifter

A mysterious female assassin who commissions a custom weapon from Jack.

Pavel

Played by Johan Leysen

Threshold Guardian

Jack's handler and contact who arranges his assignment in Italy.

Structural Analysis

The Status Quo at 1 minutes (1% through the runtime) establishes Jack enjoys a peaceful moment with his lover Ingrid at a remote Swedish cabin, walking through the snow-covered landscape. A rare glimpse of tranquility in an assassin's isolated existence.. Notably, this early placement immediately immerses viewers in the story world.

The inciting incident occurs at 12 minutes when Swedish assassins attack Jack and Ingrid at the cabin. Jack kills them but then executes Ingrid when he realizes she may have betrayed him or been compromised. His peaceful existence is shattered, forcing him to flee.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.

The First Threshold at 26 minutes marks the transition into Act II, occurring at 25% of the runtime. This illustrates the protagonist's commitment to Jack accepts the job from Pavel to build a custom weapon for a female assassin named Mathilde. Despite wanting out, he commits to one final assignment, entering the second act of deception and danger., moving from reaction to action.

At 52 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Structural examination shows that this crucial beat Jack successfully tests the weapon with Mathilde in a remote location and delivers it. Simultaneously, his relationship with Clara deepens beyond business—she invites him to see her outside the brothel. A false victory: the job seems complete, love seems possible., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.

The Collapse moment at 78 minutes (75% through) represents the emotional nadir. Here, Jack discovers that Pavel has ordered his death—Mathilde's target is Jack himself. His handler has betrayed him. The one person he trusted in his professional life wants him eliminated. All hope of a clean exit collapses., illustrates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.

The Second Threshold at 83 minutes initiates the final act resolution at 80% of the runtime. Jack decides to confront his enemies and then escape with Clara. He chooses love and a new life, sabotaging the rifle he built so it will backfire on Mathilde. He commits to fighting for redemption rather than accepting death., demonstrating the transformation achieved throughout the journey.

Emotional Journey

The American's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.

Narrative Framework

This structural analysis employs systematic plot point analysis that identifies crucial turning points. By mapping The American against these established plot points, we can identify how Anton Corbijn utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish The American within the crime genre.

Anton Corbijn's Structural Approach

Among the 3 Anton Corbijn films analyzed on Arcplot, the average structural score is 6.6, demonstrating varied approaches to story architecture. The American represents one of the director's most structurally precise works. For comparative analysis, explore the complete Anton Corbijn filmography.

Comparative Analysis

Additional crime films include The Bad Guys, Rustom and The Whole Ten Yards. For more Anton Corbijn analyses, see A Most Wanted Man, Control.

Plot Points by Act

Act I

Setup
1

Status Quo

1 min1.0%0 tone

Jack enjoys a peaceful moment with his lover Ingrid at a remote Swedish cabin, walking through the snow-covered landscape. A rare glimpse of tranquility in an assassin's isolated existence.

2

Theme

5 min5.0%0 tone

Father Benedetto later tells Jack, "A man can be rich if he has God in his heart." The theme is established: can a man defined by death find salvation, connection, and peace?

3

Worldbuilding

1 min1.0%0 tone

Jack's world is established as one of constant vigilance and isolation. After the Sweden ambush, he contacts Pavel and goes into hiding. His skills, paranoia, and solitary existence are revealed as he prepares for his next assignment.

4

Disruption

12 min12.0%-1 tone

Swedish assassins attack Jack and Ingrid at the cabin. Jack kills them but then executes Ingrid when he realizes she may have betrayed him or been compromised. His peaceful existence is shattered, forcing him to flee.

5

Resistance

12 min12.0%-1 tone

Jack debates whether to continue this life or escape. Pavel sends him to Castel del Monte in Italy, but Jack defies orders and goes to nearby Castelvecchio instead. He establishes routines, surveys the town, and prepares for a new assignment while remaining hypervigilant.

Act II

Confrontation
6

First Threshold

26 min25.0%-2 tone

Jack accepts the job from Pavel to build a custom weapon for a female assassin named Mathilde. Despite wanting out, he commits to one final assignment, entering the second act of deception and danger.

7

Mirror World

31 min30.0%-1 tone

Jack meets Clara, a beautiful prostitute at the local brothel. Their encounter begins as transactional but hints at genuine connection—she represents the possibility of intimacy and normalcy he has denied himself.

8

Premise

26 min25.0%-2 tone

Jack meticulously crafts the specialized rifle for Mathilde while pursuing a tentative relationship with Clara. He befriends Father Benedetto despite himself. The deliberate pace showcases his craftsmanship and growing vulnerability as he allows human connection.

9

Midpoint

52 min50.0%0 tone

Jack successfully tests the weapon with Mathilde in a remote location and delivers it. Simultaneously, his relationship with Clara deepens beyond business—she invites him to see her outside the brothel. A false victory: the job seems complete, love seems possible.

10

Opposition

52 min50.0%0 tone

Jack's paranoia intensifies as he spots a Swedish assassin in town. He kills the man but realizes the threat is ongoing. Father Benedetto presses him about his past. Mathilde's true intentions become suspect. The walls close in as Jack's past catches up.

11

Collapse

78 min75.0%-1 tone

Jack discovers that Pavel has ordered his death—Mathilde's target is Jack himself. His handler has betrayed him. The one person he trusted in his professional life wants him eliminated. All hope of a clean exit collapses.

12

Crisis

78 min75.0%-1 tone

Jack processes the betrayal in isolation. He must decide whether to run, fight, or finally choose love over survival. Father Benedetto's words about hell being the absence of love resonate as Jack faces his dark night of the soul.

Act III

Resolution
13

Second Threshold

83 min80.0%0 tone

Jack decides to confront his enemies and then escape with Clara. He chooses love and a new life, sabotaging the rifle he built so it will backfire on Mathilde. He commits to fighting for redemption rather than accepting death.

14

Synthesis

83 min80.0%0 tone

Jack executes his plan. He kills Pavel. Mathilde attempts to assassinate him but the sabotaged rifle kills her instead. Jack survives but is wounded. He drives toward the river where Clara waits, desperate to reach her and the new life they planned.

15

Transformation

103 min99.0%-1 tone

Jack arrives at the river and sees Clara waiting. But his gunshot wound proves fatal—he dies in his car just as he reaches her, his hand falling from the wheel. The butterfly he admired earlier lands nearby. He found love but could not escape his past.