
Eternal Sunshine of the Spotless Mind
Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.
Despite a respectable budget of $20.0M, Eternal Sunshine of the Spotless Mind became a commercial success, earning $72.3M worldwide—a 261% return.
Academy Award for Best Original Screenplay. BAFTA Awards for Best Original Screenplay and Best Editing.
A.O. Scott
"Scott describes the film as an exploration of how memory defines identity, noting it refuses easy answers about whether forgetting or remembering is preferable. He praises the visual inventiveness in portraying memory decay, calling it playful and melancholic. The backwards structure forces viewers to experience Joel's loss in reverse, and the film suggests that while the desire to erase painful memories is understandable, pain is ultimately inseparable from growth."Read Full Review
Narrative Tropes
8 totalPlot Structure
Story beats plotted across runtime


Narrative Arc
Emotional journey through the story's key moments
Story Circle
Blueprint 15-beat structure
Arcplot Score Breakdown
Weighted: Precision (70%) + Arc (15%) + Theme (15%)
Eternal Sunshine of the Spotless Mind (2004) showcases precise dramatic framework, characteristic of Michel Gondry's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 48 minutes. With an Arcplot score of 7.6, the film showcases strong structural fundamentals.
Characters
Cast & narrative archetypes

Joel Barish

Clementine Kruczynski

Mary Svevo

Dr. Howard Mierzwiak

Stan

Patrick
Character Screen Time
Screen time mapped to story structure
Main Cast & Characters
Joel Barish
Played by Jim Carrey
100% screen time (104 min)
An introverted, reserved man who discovers his ex-girlfriend has erased him from her memory, and impulsively decides to do the same - only to change his mind mid-procedure.
Clementine Kruczynski
Played by Kate Winslet
83% screen time (86 min)
Joel's impulsive, free-spirited ex-girlfriend whose ever-changing hair color reflects her mercurial nature. She initiated the memory erasure.
Mary Svevo
Played by Kirsten Dunst
42% screen time (44 min)
A Lacuna receptionist unknowingly repeating a pattern - she had an affair with Dr. Mierzwiak and erased the memory, now falling for him again.
Dr. Howard Mierzwiak
Played by Tom Wilkinson
20% screen time (21 min)
The inventor of the memory erasure procedure, whose professional demeanor masks ethically questionable personal choices.
Stan
Played by Mark Ruffalo
50% screen time (52 min)
A Lacuna technician who runs Joel's overnight procedure, more interested in partying with Mary than monitoring his work.
Patrick
Played by Elijah Wood
27% screen time (28 min)
A Lacuna technician who steals Joel's memories to seduce Clementine, using his romantic gestures and even his belongings.
Structural Analysis
The Status Quo at 1 minutes (1% through the runtime) establishes Joel wakes alone in his apartment on a dreary winter morning, depressed and disconnected. His voiceover reveals he ditched work on Valentine's Day and impulsively took a train to Montauk - behavior completely unlike his careful, routine-bound personality. He notes missing journal pages with confusion.. Significantly, this early placement immediately immerses viewers in the story world.
The inciting incident occurs at 20 minutes when After the devastating discovery that Clementine has erased him, Joel visits Lacuna, Inc. And learns full details of the procedure. Dr. Mierzwiak explains that Clementine came in after their breakup and had all memories of their relationship removed. Joel sees items she brought to map their relationship - creating the main story problem of how to grieve someone who doesn't remember you.. At 19% through the film, this Disruption is delayed, allowing extended setup of the story world. This beat shifts the emotional state to -2, launching the protagonist into the central conflict.
The First Threshold at 25 minutes marks the transition into Act II, occurring at 23% of the runtime. This indicates the protagonist's commitment to Joel lies down on his couch as Stan and Patrick from Lacuna arrive to perform the procedure. They attach electrodes, put headphones on him, and activate the machine. Joel closes his eyes. Screen goes dark. When we reopen, we're inside Joel's memories and the erasure has begun. Joel makes the active choice to erase Clementine - entering the "upside-down world" of his own consciousness as it's deleted., moving from reaction to action. The emotional journey here reflects -4.
At 50 minutes, the Midpoint arrives at 46% of the runtime—arriving early, accelerating into Act IIb complications. Structural examination shows that this crucial beat Joel and memory-Clementine are at the Charles River in autumn, at the peak of their happiness, lying on a dock looking at stars. She tells him "This is it, Joel. It's going to be gone soon." He replies: "I know." She asks: "What do we do?" Joel: "Enjoy it." This moment of pure connection happens as the memory literally decays around them - edges going dark, stars disappearing. They kiss as the world dissolves. False victory: together and happy, but the memory is being erased. Stakes raised as we see what Joel is truly losing., fundamentally raising what's at risk. The emotional state shifts to -3, dividing the narrative into clear before-and-after phases.
The Collapse moment at 70 minutes (65% through) represents the emotional nadir. Here, Joel reaches his earliest memory of Clementine - the Barnes & Noble bookstore where they first met. He realizes this is the last memory to be erased and there's nowhere left to hide. Memory plays out: their awkward, sweet first encounter. As memory ends and begins to decay, memory-Clementine whispers: "Meet me in Montauk." Then she disappears entirely. Last of Clementine is gone from Joel's mind. Screen goes black. In real world, techs pack up - procedure is complete. Joel is alone, unconscious, with no memory of Clementine. Contains "whiff of death" - Clementine literally dies in his mind., shows the protagonist at their lowest point with -5. This beat's placement in the final quarter sets up the climactic reversal.
The Second Threshold at 79 minutes initiates the final act resolution at 73% of the runtime. Joel retrieves mysterious package from mailbox - from Lacuna, sent by Mary in whistleblowing act. Inside is cassette tape of his exit interview where Joel detailed all complaints about Clementine: impulsive, destructive, a mess, speaks before thinking, drinks too much, can't hold job, emotionally immature. Joel listens to his own voice listing reasons he wanted her erased. This is the "a-ha" moment: learns truth, remembers fragments, understands what was taken. Armed with this new information (synthesis), Joel races to find Clementine. Knowledge brings purpose and agency despite painful truths., demonstrating the transformation achieved throughout the journey. The emotional culmination reaches -3.
Emotional Journey
Eternal Sunshine of the Spotless Mind's emotional architecture traces a deliberate progression from -2 to 1. The narrative's emotional pivot at the midpoint—-3—divides the journey into distinct phases, with the first half building toward this moment of transformation and the second half exploring its consequences. With 5 core emotional states, the narrative maintains focused emotional clarity, allowing sustained thematic development.
Narrative Framework
This structural analysis employs proven narrative structure principles that track dramatic progression. By mapping Eternal Sunshine of the Spotless Mind against these established plot points, we can identify how Michel Gondry utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Eternal Sunshine of the Spotless Mind within the science fiction genre.
Michel Gondry's Structural Approach
Among the 5 Michel Gondry films analyzed on Arcplot, the average structural score is 7.1, reflecting strong command of classical structure. Eternal Sunshine of the Spotless Mind represents one of the director's most structurally precise works. For comparative analysis, explore the complete Michel Gondry filmography.
Comparative Analysis
Additional science fiction films include Lake Placid, The Postman and Oblivion. For more Michel Gondry analyses, see The Green Hornet, Be Kind Rewind and The Science of Sleep.
Plot Points by Act
Act I
SetupStatus Quo
Joel wakes alone in his apartment on a dreary winter morning, depressed and disconnected. His voiceover reveals he ditched work on Valentine's Day and impulsively took a train to Montauk - behavior completely unlike his careful, routine-bound personality. He notes missing journal pages with confusion.
Theme
Joel meets Clementine on the train back from Montauk. She tells him: "I'm just a fucked-up girl who's looking for my own peace of mind. Don't assign me yours." Later: "Constantly talking isn't necessarily communicating." These lines establish the central tension about authentic connection between damaged people and the role of memory in communication.
Worldbuilding
Joel and Clementine's awkward but genuine connection develops - train conversation, beach at night, her apartment. Morning reveals his car was damaged. Back home, Joel receives a card from Lacuna, Inc. informing him that Clementine has had him erased from her memory. Establishes their opposite personalities, his cautious nature, his relationships with friends Rob and Carrie, and the painful betrayal of her erasure.
Disruption
After the devastating discovery that Clementine has erased him, Joel visits Lacuna, Inc. and learns full details of the procedure. Dr. Mierzwiak explains that Clementine came in after their breakup and had all memories of their relationship removed. Joel sees items she brought to map their relationship - creating the main story problem of how to grieve someone who doesn't remember you.
Resistance
Joel wrestles with what to do. Gets drunk with Rob and Carrie, obsessively goes through his own memories of Clementine - showing their relationship in reverse through the good and bad. Retrieves physical items: photos, journal entries, gifts. Friends offer divided advice. By section's end, Joel decides: "I want it gone." He schedules the procedure.
Act II
ConfrontationFirst Threshold
Joel lies down on his couch as Stan and Patrick from Lacuna arrive to perform the procedure. They attach electrodes, put headphones on him, and activate the machine. Joel closes his eyes. Screen goes dark. When we reopen, we're inside Joel's memories and the erasure has begun. Joel makes the active choice to erase Clementine - entering the "upside-down world" of his own consciousness as it's deleted.
Mirror World
Inside his first memory being erased - the painful bookstore encounter where Clementine cruelly dismisses him - Joel watches helplessly as the scene decays and disappears. Memory-Joel turns to real-Joel and says: "I don't want this anymore." This begins the B Story: Joel's relationship with himself and his own memories, as he questions his choice and begins fighting back against the erasure.
Premise
The "promise of the premise" - memory erasure visualized. Joel races backward through his relationship with Clementine, trying to hide her in memories she wasn't part of. Relationship shown in reverse: painful end to passionate beginning. Memory scenes decay in real-time with faces blurring, locations becoming voids, people disappearing. Meanwhile in real world, Stan and Patrick drink beer, Patrick rifles through Joel's things, and Mary flirts with Dr. Mierzwiak. Contains: Boston bookstore, Valentine's disaster, Chinese restaurant, car confession, beach house conflicts, domestic life, falling in love montage, Barnes & Noble meet-cute, childhood memories, Mrs. Hamlyn memory.
Midpoint
Joel and memory-Clementine are at the Charles River in autumn, at the peak of their happiness, lying on a dock looking at stars. She tells him "This is it, Joel. It's going to be gone soon." He replies: "I know." She asks: "What do we do?" Joel: "Enjoy it." This moment of pure connection happens as the memory literally decays around them - edges going dark, stars disappearing. They kiss as the world dissolves. False victory: together and happy, but the memory is being erased. Stakes raised as we see what Joel is truly losing.
Opposition
After peak happiness memory is erased, Joel becomes increasingly desperate. Multiple "bad guys": erasure technology closing in (dark voids consuming memories), Patrick in real world using Joel's memories to seduce awakened Clementine, Joel's own past mistakes/cruelties revealed. Memory degradation accelerates. Joel tries hiding Clementine in earlier memories - childhood, humiliation memories, kitchen. Nothing works. Patrick takes Clementine to locations from Joel's memories (aquarium, Charles River) - violation of inner world. Mary's subplot reveals she had affair with Dr. Mierzwiak and had it erased - thematic parallel showing erasure doesn't solve problems, just hides them.
Collapse
Joel reaches his earliest memory of Clementine - the Barnes & Noble bookstore where they first met. He realizes this is the last memory to be erased and there's nowhere left to hide. Memory plays out: their awkward, sweet first encounter. As memory ends and begins to decay, memory-Clementine whispers: "Meet me in Montauk." Then she disappears entirely. Last of Clementine is gone from Joel's mind. Screen goes black. In real world, techs pack up - procedure is complete. Joel is alone, unconscious, with no memory of Clementine. Contains "whiff of death" - Clementine literally dies in his mind.
Crisis
Multiple "dark nights" interweave: Joel wakes with no memory of Clementine, just vague sense of loss and inexplicable impulse to go to Montauk (planted by her dying words). Patrick takes Clementine to frozen Charles River recreating Joel's memory, but she has panic attack - something feels inauthentic. Mary discovers truth about her own erased affair with Dr. Mierzwiak and has breakdown. She decides to mail all Lacuna patient files back to patients, exposing the truth. Multiple characters sit in darkness processing loss and violation. Asks: What does it mean to have your memories, your past, your identity stolen?
Act III
ResolutionSecond Threshold
Joel retrieves mysterious package from mailbox - from Lacuna, sent by Mary in whistleblowing act. Inside is cassette tape of his exit interview where Joel detailed all complaints about Clementine: impulsive, destructive, a mess, speaks before thinking, drinks too much, can't hold job, emotionally immature. Joel listens to his own voice listing reasons he wanted her erased. This is the "a-ha" moment: learns truth, remembers fragments, understands what was taken. Armed with this new information (synthesis), Joel races to find Clementine. Knowledge brings purpose and agency despite painful truths.
Synthesis
Joel finds Clementine's apartment and confesses everything. She plays her tape - her own litany of complaints about Joel: boring, passive, closed-off, humorless, frightened, won't stand up for himself. They listen to themselves tearing each other apart on tape. Long, painful silence. Truth is out: they hurt each other, drove each other crazy, both chose erasure. Clementine says: "I'm just a fucked-up girl looking for my own peace of mind." Joel: "Okay." She warns she'll get bored and feel trapped. Joel: "Okay." She says he'll resent her. Joel: "Okay." They laugh - genuine recognition. They choose each other despite everything. Final test passed: facing truth and still choosing connection. The "Okay" is existential acceptance - not erasing reality but embracing it.
Transformation
Joel and Clementine running on beach in Montauk, laughing, playing in the snow. The image loops and repeats - they run, freeze, rewind, run again. Repetition suggests: might happen again and again, they might break up and reunite eternally, but the moment itself - the joy, the connection, the choice to be together - that's real. Directly mirrors and inverts Opening Image: opening was Joel alone, cold, disconnected, impulsively at Montauk; closing is together, joyful, deliberately at Montauk. The loop isn't prison, it's dance. Visual repetition is film's final statement: patterns repeat, but conscious acceptance of patterns differs from unconscious repetition. They're choosing eyes-open.






