Jesus Christ Superstar poster
6.8
Arcplot Score
Unverified

Jesus Christ Superstar

1973108 minG
Director: Norman Jewison
Writers:Norman Jewison, Melvyn Bragg

As played out by a theatre troupe, the last days of Jesus Christ are depicted from the perspective of Judas Iscariot, his betrayer. As Jesus' following increases, Judas begins to worry that Jesus is falling for his own hype, forgetting the principles of his teachings and growing too close to the prostitute Mary Magdalene.

Keywords
danceisraelchristianitycrucifixionmusicaljudasreligionrock operajesus christnon-traditional casting
Revenue$24.6M
Budget$3.5M
Profit
+21.1M
+603%

Despite its limited budget of $3.5M, Jesus Christ Superstar became a commercial juggernaut, earning $24.6M worldwide—a remarkable 603% return. The film's unique voice found its audience, illustrating how strong storytelling can transcend budget limitations.

Awards

Nominated for 1 Oscar. 3 wins & 13 nominations

Where to Watch
YouTubeApple TV StoreGoogle Play MoviesFandango At HomeAmazon Video

Plot Structure

Story beats plotted across runtime

Act ISetupAct IIConfrontationAct IIIResolutionWorldbuilding3Resistance5Premise8Opposition10Crisis12Synthesis14124679111315
Color Timeline
Color timeline
Sound Timeline
Sound timeline
Threshold
Section
Plot Point

Narrative Arc

Emotional journey through the story's key moments

+1-1-4
0m27m53m80m107m
Plot Point
Act Threshold
Emotional Arc

Story Circle

Blueprint 15-beat structure

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Arcplot Score Breakdown

Structural Adherence: Flexible
8.5/10
4/10
1.5/10
Overall Score6.8/10

Weighted: Precision (70%) + Arc (15%) + Theme (15%)

Jesus Christ Superstar (1973) exemplifies strategically placed dramatic framework, characteristic of Norman Jewison's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 1 hour and 48 minutes. With an Arcplot score of 6.8, the film balances conventional beats with creative variation.

Characters

Cast & narrative archetypes

Ted Neeley

Jesus Christ

Hero
Ted Neeley
Carl Anderson

Judas Iscariot

Shadow
Contagonist
Carl Anderson
Yvonne Elliman

Mary Magdalene

Ally
Love Interest
Yvonne Elliman
Barry Dennen

Pontius Pilate

Threshold Guardian
Barry Dennen
Joshua Mostel

King Herod

Trickster
Joshua Mostel
Bob Bingham

Caiaphas

Shadow
Bob Bingham
Kurt Yaghjian

Annas

Supporting
Kurt Yaghjian
Larry Marshall

Simon Zealotes

Herald
Larry Marshall

Main Cast & Characters

Jesus Christ

Played by Ted Neeley

Hero

The central figure, a charismatic spiritual leader facing his final days, struggling with his divine mission and human fears

Judas Iscariot

Played by Carl Anderson

ShadowContagonist

Jesus' most conflicted disciple who questions his methods and ultimately betrays him, driven by ideology and jealousy

Mary Magdalene

Played by Yvonne Elliman

AllyLove Interest

A devoted follower who provides emotional support to Jesus, torn between love and understanding her role

Pontius Pilate

Played by Barry Dennen

Threshold Guardian

The Roman governor caught between political pressure and his conscience, reluctantly condemning Jesus

King Herod

Played by Joshua Mostel

Trickster

The flamboyant, mocking ruler who treats Jesus' trial as entertainment, representing cynical worldly power

Caiaphas

Played by Bob Bingham

Shadow

The calculating high priest who orchestrates Jesus' arrest, prioritizing religious and political stability

Annas

Played by Kurt Yaghjian

Supporting

Caiaphas' ally and fellow priest who supports the plot against Jesus with shrewd political maneuvering

Simon Zealotes

Played by Larry Marshall

Herald

An enthusiastic disciple who wants Jesus to lead a political revolution against Rome

Structural Analysis

The Status Quo at 1 minutes (1% through the runtime) establishes A bus arrives in the Israeli desert carrying a troupe of actors who unload costumes and props. They transform into biblical characters, establishing the theatrical framing device and the communal nature of the storytelling.. Structural examination shows that this early placement immediately immerses viewers in the story world.

The inciting incident occurs at 13 minutes when The priests led by Caiaphas convene and declare Jesus must be stopped: "He is dangerous." They sing "This Jesus Must Die," formally establishing the conspiracy that will drive the narrative toward its inevitable conclusion.. At 12% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional landscape, launching the protagonist into the central conflict.

The First Threshold at 27 minutes marks the transition into Act II, occurring at 25% of the runtime. This demonstrates the protagonist's commitment to Jesus enters Jerusalem in the triumphant "Hosanna" sequence. The crowd celebrates him as king, but Jesus accepts the adulation knowing it leads to his death. He actively chooses to proceed toward Jerusalem despite understanding the consequences., moving from reaction to action.

At 54 minutes, the Midpoint arrives at 50% of the runtime—precisely centered, creating perfect narrative symmetry. Structural examination shows that this crucial beat During the Last Supper, Jesus confronts his apostles: "For all you care, this wine could be my blood." He reveals Judas as his betrayer and commands him to act. The false unity of the fellowship shatters as Jesus accepts his fate and Judas flees to complete his betrayal., fundamentally raising what's at risk. The emotional intensity shifts, dividing the narrative into clear before-and-after phases.

The Collapse moment at 81 minutes (75% through) represents the emotional nadir. Here, Judas, overcome with guilt and horror at what he has done, sings "Judas's Death" and hangs himself. His suicide represents the ultimate collapse—the death of the one character who might have understood Jesus, destroyed by his own actions., indicates the protagonist at their lowest point. This beat's placement in the final quarter sets up the climactic reversal.

The Second Threshold at 86 minutes initiates the final act resolution at 80% of the runtime. The resurrected Judas appears in white, leading a celestial chorus in "Superstar," directly questioning Jesus: "Did you mean to die like that? Was that a mistake?" This metaphysical confrontation synthesizes the film's themes, allowing Jesus to proceed to his sacrifice with full understanding., demonstrating the transformation achieved throughout the journey.

Emotional Journey

Jesus Christ Superstar's emotional architecture traces a deliberate progression across 15 carefully calibrated beats.

Narrative Framework

This structural analysis employs systematic plot point analysis that identifies crucial turning points. By mapping Jesus Christ Superstar against these established plot points, we can identify how Norman Jewison utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Jesus Christ Superstar within the music genre.

Norman Jewison's Structural Approach

Among the 13 Norman Jewison films analyzed on Arcplot, the average structural score is 7.2, reflecting strong command of classical structure. Jesus Christ Superstar takes a more unconventional approach compared to the director's typical style. For comparative analysis, explore the complete Norman Jewison filmography.

Comparative Analysis

Additional music films include South Pacific, Dirty Dancing: Havana Nights and Yesterday. For more Norman Jewison analyses, see A Soldier's Story, ...And Justice for All and F.I.S.T..

Plot Points by Act

Act I

Setup
1

Status Quo

1 min1.0%0 tone

A bus arrives in the Israeli desert carrying a troupe of actors who unload costumes and props. They transform into biblical characters, establishing the theatrical framing device and the communal nature of the storytelling.

2

Theme

5 min5.0%0 tone

Judas sings "Heaven on Their Minds," articulating the central thematic tension: "You've begun to matter more than the things you say." He questions whether Jesus has lost sight of his mission, stating the theme of messianic burden versus human limitation.

3

Worldbuilding

1 min1.0%0 tone

The world of first-century Judea is established through song and spectacle. We see Jesus's devoted followers, the growing tensions with Judas, and the introduction of Mary Magdalene caring for Jesus. The apostles' blind devotion contrasts with Judas's skepticism.

4

Disruption

13 min12.0%-1 tone

The priests led by Caiaphas convene and declare Jesus must be stopped: "He is dangerous." They sing "This Jesus Must Die," formally establishing the conspiracy that will drive the narrative toward its inevitable conclusion.

5

Resistance

13 min12.0%-1 tone

Jesus grapples with his followers' expectations. Simon Zealotes urges political revolution ("Keep them yelling their devotion"), but Jesus rebukes him. Mary Magdalene offers comfort in "Everything's Alright" while Judas grows more conflicted about his role.

Act II

Confrontation
6

First Threshold

27 min25.0%-2 tone

Jesus enters Jerusalem in the triumphant "Hosanna" sequence. The crowd celebrates him as king, but Jesus accepts the adulation knowing it leads to his death. He actively chooses to proceed toward Jerusalem despite understanding the consequences.

7

Mirror World

32 min30.0%-1 tone

Mary Magdalene sings "I Don't Know How to Love Him," revealing her complex feelings for Jesus. She represents the human capacity for love and doubt, mirroring Jesus's own struggle between divine mission and human connection.

8

Premise

27 min25.0%-2 tone

The promise of the premise unfolds: Jesus cleanses the Temple in righteous fury, heals the sick and lepers ("See my eyes, I can see!"), and confronts the contradictions of his mission. Judas watches with growing alarm as events spiral toward catastrophe.

9

Midpoint

54 min50.0%-2 tone

During the Last Supper, Jesus confronts his apostles: "For all you care, this wine could be my blood." He reveals Judas as his betrayer and commands him to act. The false unity of the fellowship shatters as Jesus accepts his fate and Judas flees to complete his betrayal.

10

Opposition

54 min50.0%-2 tone

The forces against Jesus intensify. Judas completes his deal with Caiaphas for thirty pieces of silver. Jesus agonizes in Gethsemane singing "I only want to say," questioning God's plan. He is arrested after the kiss of betrayal, and the apostles scatter in fear.

11

Collapse

81 min75.0%-3 tone

Judas, overcome with guilt and horror at what he has done, sings "Judas's Death" and hangs himself. His suicide represents the ultimate collapse—the death of the one character who might have understood Jesus, destroyed by his own actions.

12

Crisis

81 min75.0%-3 tone

Jesus is shuttled between Pilate and Herod in a nightmarish sequence. Herod mocks him in a vaudevillian number demanding miracles. Pilate washes his hands of responsibility. Jesus is scourged—"thirty-nine lashes"—as all worldly powers reject him.

Act III

Resolution
13

Second Threshold

86 min80.0%-2 tone

The resurrected Judas appears in white, leading a celestial chorus in "Superstar," directly questioning Jesus: "Did you mean to die like that? Was that a mistake?" This metaphysical confrontation synthesizes the film's themes, allowing Jesus to proceed to his sacrifice with full understanding.

14

Synthesis

86 min80.0%-2 tone

Jesus carries the cross through the desert to Golgotha. He is crucified as the company watches in stillness. His final words—"Father, into your hands I commend my spirit"—complete his sacrifice. The theatrical nature emphasizes the mythic, timeless quality of the passion.

15

Transformation

107 min99.0%-1 tone

The actors silently pack their costumes and board the bus as the sun sets behind the empty cross. One actor—the one who played Jesus—is notably absent. The transformation is complete: the theatrical frame dissolves into genuine mystery, leaving the resurrection unspoken but implied.